During the Winter-Spring 2020 semester I served as an intern at Seton Hall where I worked in the Archives and Special Collections Center under Walsh Library. They house a number of collection areas including institutional records, New Jersey history, Irish and Irish-American history, and additionally serve as the repository for records regarding the Archdiocese of Newark. But over the next few months my work was focused on SHU A, or the university’s audio-visual records.
One thing I have learned during my fledgling archival career is that the real world is very different from coursework. Although this may seem obvious the differences manifest in surprising ways. Often archivists are not part of an organization’s record keeping plan from the outset; they enter the scene well after one or several people have compiled records deemed important. In the past the same has been true of Seton Hall. Books and records were dutifully kept but without full consideration as to whether they fell under the archives’ purview. Similarly, the decision was made to separate out certain record types from their original collection. This is the case with SHU’s photograph collection, and before this semester was true of SHU A. When Technical Archivist Sheridan Sayles pointed out the 3 shelves full of boxes my first day in late January, I thought perhaps I was in over my head. There were boxes full of VHS and cassette tapes, many of which were blank or confusingly labeled. On the shelves beside the boxes were rows of record albums. These came in their commercial boxes and homemade sleeves, with a books of multi-disc albums rounding out the row of records.
I took part in several different AV projects during my semester at SHU. Initially, I consolidated and organized the array of VHS tapes. This consisted of surveying what was in the collection, weeding out commonly produced or off-focus tapes, and rehoming objects with their original existent collection. Separating taped episodes of The Sopranos from the collection was easy, but categorizing the wide range of news clips, Seton Hall TV spots, filmed lectures, and other miscellaneous tapes was something of a challenge. Many were also lacking much or any descriptive information, so they were viewed in order to try and find context so they could be better sorted.
I then set to work capturing the existing collections where the tapes belonged. These areas included the Athletics, College of Business, Poetry in the Round, and WSOU, just to name a few. I created spreadsheets outlining the new additions to the collections, including metadata information like the title, date, and format for easier search and organization in the future.
The process was then repeated with record albums: they were surveyed, weeded, rehoused, and reassigned to their original collections. In this way over the course of a few weeks we transformed SHU A from over a dozen linear feet of shelving into 3 neat boxes.
The archives welcomes undergraduate interns and has a variety of appropriate projects suited to different interests. Current Seton Hall students interested in working in the archives who are eligible for federal work study, please send an inquiry to email@example.com.
The concept of a collegiate yearbook (or annual) arose from the need to record student enterprise from the earliest volumes published during the early 1800s into a regularly anticipated fixture among most elite Eastern institutions and eventual adoption among many Catholic colleges and universities between the mid-nineteenth century into the early twentieth.
The trend of producing a yearly chronicle of academic life reached its zenith during the “Jazz Age” of the 1920s when the appeal of student life on college campuses entered the national conscious in a major way through positive and popular depictions in motion pictures, radio programs, and the daily press throughout the decade. Within this context, the Seton Hall
yearbook known originally as the “White and Blue” was christened in 1924.
From the first, the promise and appeal of memorializing the Setonia experience received strong support throughout campus. Officially released during May of 1924 (covering the 1923-24 academic year), the “White and Blue” (prior to its being re-named and bearing the legend – “The Galleon”
in 1940 and 1947-2006) reflected its original and enduring objective to prepare: “through word and picture a summary of all activities . . .” within a published memorial designed to honor each graduating class from its introductory edition to last imprint. Historically, the “White and Blue” was directly inspired in large measure by the colorfully written and illustrated student-run Dramatic Society playbills in vogue during the early 1920s.
From this inspirational point, the yearbook became one of the first regularly produced and distributed non-single event campus publication (aside from the College Catalogue) along with its counterpart “The Setonian” (student newspaper) which opened its presses a couple months
beforehand. This weekly (later monthly) serial became an allied publication with the “White and Blue” and regularly featured updates on yearbook issues including the promotion of staff members, production updates, and sale potential through its pages during the 1920s and 30s in particular. The yearbook reciprocated space-wise with “The Setonian” by including a special section on the newspaper and its activities under its Student Organizations chapter in most every volume that followed suit.
Yearbooks in both a general and traditional sense were produced with a firm timeline in place to cover any given 12-month academic period. Each provide a means of immortalizing the students, faculty, and administrators affiliated with Seton Hall and also offer “snapshots” of life on campus broken down by different departments or sections to honor popular trends during a respective time and place. The traditional format and sections found in most annuals with Seton Hall being no exception tended to include in varying order the following categories: Welcome Page(s), Dedication; Graduates (Senior Portraits and List of Activities – Text and Photographs, 1920s-1950s); Undergraduates (Frosh, Sophomores, and Juniors); Faculty, Student Life (Activities, Current Events, Special Events, etc.); Academics (Departments, Who’s Who, etc.); Athletics, Student Organizations; Advertisement Section (earlier editions often featured a special emphasis on South Orange, Newark, and other local companies); and in some cases an Index, Colophon (statistical data), and a Notes/Autograph page(s) are found thereby providing a unique look at Setonia in a traditional and organized manner.
In regard to the first work plan based on historical models, the inaugural edition of the “White and Blue” featured an introductory forward by the College President at that time – Rt. Rev. Thomas H. McLaughlin, S.T.D. who wrote about the justification of this enterprise in regard to the institution and its lasting intrinsic value: “In years to come this book will serve to revivify events and intensify the love which every Setonian bears to Alma Mater. It will be an incentive to live up to the religious and educational standards presented and exemplified in daily life during college years.” This pioneering work in 1924 was undertaken directly under the leadership of Reverend John J. Sheerin, Faculty Moderator (this role would usually fall under the guidance of a priest until the 1950s when a member of the lay faculty usually assumed leadership duties); Editor-In-Chief, Francis J. Walsh; and a staff of researchers, writers, illustrators, photographers, and other volunteers which handled various duties associated with content management and marketing opportunities. During its first year, which involved a significant learning curve, the yearbook staff was able to finalize a volume in time for commencement and with funds collected via advertising space and subscriptions the “White and Blue” office collected $706.00 from various sources which helped defray supply costs and a
printing bill of $521.00 that led to a final first year net profit of $19.00. From here the consistent search for content and subscription drives became a regular fixture of the yearbook office thereafter.
The following year in 1925, editors of the “White and Blue” expressed the need for a yearbook with more clarity and eloquence after its first attempt succeeded and a methodical tradition had started. Therefore, finding a rhythm passing on experiences to the next class led to a sustained presence that lasted on campus for nine decades.
“Without a doubt if most Graduates were asked to name that event which, of the varied multiplicity of forms, loomed largest on the horizon of the scholastic year, their choice would be the publication of the Year Book . . . it is the result of their attempts to portray in succinct form, both to Alumni and Under-Grads, all that which occurred within the cycle of their daily lives at Setonia. WE present it with pride, for we fell that in it we have attained our purpose . . . We have merely presented phases from the humble life-drama of Setonians. Those figures that strutted unimportantly before the eyes of many are now paraded in a steady light. Those associations which engrossed our attention are seen in pleasant retrospect. We have turned the X-ray on the thought, spirit, deeds, and accomplishments of a student life and disclosed the skeleton. We have not attempted to analyze, to caricature, or to be distinctly erudite. In a word, our purpose was to present in the simplest way the record of a family life. If there are
occasional little traits of delicate feeling and sentiment manifested, we feel that the reader will not censure us for it. Especially informative in its character, the Year Book served to bridge the gap between the student and Alumnus. It is a story which a student tells to the “Old Grads.” A
story – yes, for it contains those varied elements that minster to our delight. It is enlivened by incidental adventures; it describes the places in which the scene is cast; the motley groups of character are skillfully drawn; genial humor pervades its pages, and the whole is a lively picture
of a real student life. It is well that such a story should be told occasionally by Setonains, for it is certain that there are many who will be interested in it . . . It is the wish of the editors that it will be greeted with the same spirit which made possible its present success and that future classes will find in it an incentive to carry on the pleasant duty of preserving the traditions of
their Alma Mater.”
By virtue of their timely focus, yearbooks are usually issued at the end of an academic cycle, but take several months to produce in order to: “. . . record, highlight, and commemorate the past year of a school.” Publications of this type had their ancestral origins in self-created student diaries, journals, and scrapbooks especially when it came to pasting snapshots, news clippings, cards, etc. and writing marginalia notes to accompany these artifacts. This personalized means of autobiographical expression became the general inspiration for the concept of school yearbooks in the modern sense and memorializing connections between a student and their
institutional ties as a result. The “White and Blue” was no exception. When it came to the Seton Hall approach in yearbook creation and looking at its legacy those digitized and found in the Digital Collections repository include the “White and Blue” (1924-1933, 1939, 1941-1942) and “Galleon” (1940, 1947-2006) in full text. However, due to financial issues and World War II no annual was produced during the years 1934-1938 and 1943-1946 respectively while the last edition featured is a combination of the 2002-2006 in one volume to honor the Sesquicentennial of the school.
The overall and specific appearance of each edition of the Seton Hall-produced yearbook from the “White and Blue” through the “Galleon” periods alike varied each time as depicted by the preferred graphics, font type, jargon, period humor, photographic poses, and other illustrative
choices that distinguished this specialized tome over time including such early loose themes as – “Collegiate Humor,” “Egyptian Motifs,” and “Medieval Learning” among others of note. After the final format for each edition was approved it was remitted to a professional publishing firm.
The first partnership made was with the Colyer Printing Company of Newark (1924-1933, 1947) and followed in sequence by publishing/printing concerns including Robert W. Kelly of New York City (1939); New City “Engravatone” of Union City (1940-1941); Baker-Jones-Hauser, Inc.
of New York City (1942); Campus Publishing of Philadelphia (1948-1949); and Progress Associates, Inc. of Caldwell (1950-55) leading up to the commemorative Centennial Edition of 1956.
From this landmark text onward, other professional publishers were employed and adopted the responsibility by working in tandem with various official local photography studios over the years in conjunction via the editorial team and publisher to create a finished product that is viewable in the electronic copies found on this site. In terms of size, page lengths varied from the first edition of 1924 that featured 78 inside pages and grew to most subsequent volumes featuring no less than a few hundred glossy sheets as a standard over time. The physical dimensions of each yearbook has also varied over the years with the most compact being the 1925 edition (8’ x 10”) and the 1974 and 1976 boxed editions (approx. 9 ½” x 12 ½” each) the largest with most other latter-day copies measuring the standard 9 ¼” x 12 ¼” extent.
The characteristic appearance features a traditional facing page approach with content bound within a hard cover (aside from the 1924 which was all paper) as the typically accepted template. Production usually consisted of a two-color (usually black and blue text with black and white photography) approach from 1925-1947 and multi-color editions eventually became
the accepted pattern from 1948 through 2006.
From a research standpoint, the Seton Hall yearbook remains a popular social history reference work that provides latter-day readers and family historians in particular with life in a prescribed time period. It also fosters memories and is a marker for those interested in historical research
and student demographic trends. On the sociological front, formally published yearbooks are becoming extinct in the traditional sense as social media and other means of presentation have modernized the process of student expression and memorialization.
As you can see upon reading different editions of the Seton Hall yearbook, the content offerings have changed from a balance of textual and photographic representation during the first six decades to a more photographic-based volume each year from the 1960s through the early-mid 2000s. At its core, the lasting need for such information is pointed out in the pages of the Diamond Jubilee History of 1931, whereby the value of the school yearbook was timely upon publication and remains manifest upon reflection. “The publication of a Year Book or ‘Annual’ by the graduating class has in recent years become a regular part of a college activity. Such a book is to the members of the class a permanent record of their achievements while in college, and a source of happy reminiscences in later life . . . Each succeeding issue of the “White and Blue” (and “The Galleon”) has been enlarged and improved in one way or another . . . ” which will benefit the reader of today and the future alike.
Access to the digitized collection of Seton Hall Yearbooks can be found via the following link – https://scholarship.shu.edu/yearbooks/ Hard copies of the Yearbook can be accessed via the Archives & Special Collections Center during office hours and by appointment.
For more information regarding yearbook content and all other aspects of school history please feel free to contact us via the Archives & Special Collections Center at Seton Hall University – Alan.Delozier@shu.edu / (973) 275-2378.
We are currently poised to celebrate the latest Seton Hall commencement in creative ways during this time of COVID-19, but even without a formal communal ceremony we are proud to honor the graduates of the Class of 2020 nonetheless. We offer them congratulations, but also pause to remember several thousand others who received degrees from Seton Hall over the last few centuries. In looking back at the history of school commencement exercises and alumni rolls, a common question often arises. Have you ever wondered who was the first individual to receive a diploma from the Seton Hall? The answer takes us back to 1862 when a young man by the name of Louis Firth earned a Bachelor of Arts degree and became the first to set a trend that lasts to the present day.
When Louis Firth crossed the Hudson River to New Jersey from his New York City home to attend Seton Hall College as a freshman in 1857 he knew that a seven-year academic journey (Prep and College divisions were combined at this time) that a unique intellectual awakening awaited him. What he experienced followed a set of prescribed and orderly goals that he and his fellow Setonians took to heart: “The object of the Institution is to impart a good education in the highest sense of the word – to train the moral, intellectual, and physical being. The health, manners, and morals of the pupils, are an object of constant attention. The system of government is mild and paternal, yet firm in enforcing the observance of established discipline. No pupil will be received from another College without unexceptional testimonials, and none will be retained, whose manners and morals are not satisfactory.”
After graduation, Firth moved back to New York City and lived most of his life at West 37th Street in Manhattan as one of a growing number of alumni who remained in the metropolitan area. In an interview conducted during the early 20th century, Firth opened up to the local press about his days at Seton Hall and some of the memorable figures he encountered during his halcyon days on campus.
Early in the article the reporter noted that: “Mr. Firth who is hale and hearty and as active as a man twenty years his junior, paid a tribute to the work of the first president (Father Bernard McQuaid) when the college was at Madison, where he first saw him in 1857, and at South Orange when the college was established there.” Of Reverend McQuaid, Firth marveled at his “vigor” and went on to recount that: “. . . this remarkable man had a wonderful influence over the boys at college . . . the holy and learned men with which he surrounded himself and taught us imparted the qualities which fit a man to live. Character was formed at Seton Hall, because of the environment.”
When it came to recollecting his graduation day, Firth colorfully illustrated the scene and his creativity in marking this historical day . . .
“The first commencement exercises were held on an improvised stage built under the trees just east of the present college buildings. There were but a small number present, as South Orange was but a hamlet, and there were no cars to Newark. Through a prank played by the boys a few nights before commencement day, I came very near not being the first graduate of the college. It happened in this way: The college bell rang every morning at 4 o’clock, and the farmers for miles around roe by it. One night we planned to ring it at 2 o’ clock instead, and after setting the college clock two hours fast, I was selected to pull the rope. I did it, and hustled back to bed. The college prefect, whose duty it was to ring the bell, appeared just then, looked at the clock and went about his early morning work, wondering all the while how the bell rung. The farmers were awakened and started in to do a day’s work. Needless to say, when the sun did not rise at the appointed time, watches were compared, and the faculty decided that a prank had been played.” Needless to say that despite the “time change” Firth managed to make it to the ceremony and receive his honor due. A full overview of the ceremony can be viewed below . . .
For more information on the 1862 academic year and other early 19th century details featuring studies at Seton Hall please consult our Undergraduate Catalog(ue) links found via the Archives & Special Collections – eRepository site at – https://scholarship.shu.edu/archives/ We are also available to assist with information on commencement ceremonies along with other research questions concerning Seton Hall and we can be reached via e-mail at: Archives@shu.edu
Contributed By Jack Kelly, BA ‘66, MMAS US Army Command and General Staff College, 1981
Anyone writing about Seton Hall student organizations history can access significant material in the Archives & Special Collections Center. This is especially true with regard to the founding and first airing of radio station WSOU-FM, the first College operated FM station in New Jersey. On April 14, WSOU celebrated its 72nd Anniversary.
Among the archival items which provided the background and ensuing explanation of the WSOU founding were the Memoirs of Msgr. James F. Kelley ’24, the President of Seton Hall College. The Memoirs have a section devoted to WSOU as a student run activity and can be coupled with important description of the events which took place from the inception and thought to the actual on-air event on April 14th, 1948.
As a new of enterprise, Seton Hall needed approval of the Board of Trustees and the then Archbishop of Newark, Thomas J. Walsh for whom the Walsh gymnasium is named and the home of WSOU for its 72 year history. Msgr. Kelley described an exchange with U.S. President Harry Truman and his daughter Margaret, at which time a possible allocation of a station might be accomplished. He merely had to educate and persuade the Board of Trustees. In addition, the actual cost of the building of the station would be a significant amount of money, Msgr. Kelley finessed this by persuading several donors to finance the acquisition of the needed equipment, and through his many contacts, he even acquired a radio tower, which still stands today at the rear of the Walsh Gymnasium and Regan Athletic Center complex.
Construction of the Seton Hall radio station actually began in January 1948, as reported in the Setonian, under the tutelage of Fr. (later Msgr.) Thomas J. Gillhooly ‘33 whom he had appointed the Director, in the previous December with a mission of actually getting station built. Fr. Gillhooly organized the original staff of the station and with the help of several students, notably Thomas N. Parnham ‘50, who would remain the Chief Engineer until his death in 1994 and Victor J. Kemper ’50, later to become a noted cinema-photographer in Hollywood, the actual physical installation of the WSOU was accomplished in time to go on air as needed on April 14, even if the radio tower was not yet erected and a lower power output had to be used.
The big day arrived on a Wednesday, and at 8:00 PM the first words were spoken by Fr. Gillhooly to start the event, with the Archbishop in attendance along with the Master of Ceremonies for the evening, Ted Husing, a noted sports announcer of the time, and for whom the Press box in Walsh Gymnasium was subsequently dedicated. Soon afterward the initial launch, the “Voice of Seton Hall” would be on the air seven days a week, providing a variety of programs, including live performances, recorded music, the first nationality oriented programs and eventually remote broadcast of events such as Baseball and Basketball as well as community topics of interest in the New York Metropolitan area.
The legacy and importance of formal African American Studies curricular development on campus goes back five decades. Originally known as the Center for Black Studies, its founding date of August 1, 1970 heralded the start of a unique and valuable learning opportunity for the Seton Hall University academic community which continues to this day.
From its adoption, the early vision of Dr. George Jackson who was appointed the first Director of Black Studies combined with strong administrative support from Msgr. Thomas Fahy, University President and Bishop John Dougherty, President Emeritus, the program had a successful launch and solid foundation from which to build further recognition. The Center for Black Studies offered students the choice of a certificate, or degree-bearing option of study which included a Bachelor of Arts in Black Culture or Black Community Studies upon successful completion of coursework. This program has continued to evolve over time and from the 1980s forward changed its operating title and is now focused on offering diplomas centered on both African American and Africana Studies in particular.
The ongoing mission of the Center for African American Studies has been well-documented throughout its history via the existence of various writings produced by the institute from its planning days during the late 1960s forward. The following passage captures the philosophical approach created by the founders and developed upon over time: “The Black Studies Center seeks to encourage Black scholars to develop vital skills in the interest of the Black community . . . It also recognizes that part of its mission must be to operate in a manner which will promote humane application of contemporary knowledge and skills to the Black community and to society in general. If scholarship is to be one of the tools by which total freedom is to be obtained then the Black scholar and those who guide his development must accept no compromise for excellence.” This all tied into the prime objective of training individuals who would continue to promote research and create publications related to African American themes for present and future generations to explore in more depth.
The archival records that correspond to the Center for African American Studies contain materials documenting the operation of the institute from 1970 until the late 1980s. Included within our holdings connected to this area are examples of budget data, office memoranda, course offering overviews, meeting minutes, newsletters, notices, and various operational files that show the inner-workings of the Center. More details about this collection can be found by consulting the following finding aid: https://archivesspace-library.shu.edu/repositories/2/resources/316
In addition to the Center for African American Studies proper, the Monsignor William Noé Field Archives & Special Collections Center holds a number of other resources related to the African American experience. More details on specific collections and relevant holdings can be found via the following site: https://library.shu.edu/collections-guide/african-american-studies
For more information on any aspect of African-American or University History you can contact us by phone: (973) 275-2378, or via e-mail at: <Alan.Delozier@shu.edu>
With the calendar pointing to late October, reading trends this time of year often focus on tales of mystery and mayhem connected with the observance of Halloween. Counted among the most famous authors who represent this time of year so vividly is Edgar Allan Poe (1809-49). Among his varied literary accomplishments, Poe is often credited with being the first to create and popularize the genre of science fiction. Many of his stories touched on the darker side of human nature, but his writing style was unique and captured the public imagination. Within an academic context, the short stories penned by Poe are still assigned by many professors as required reading for their students to study and learn from in turn.
Inside the Archives & Special Collections are different historical anthologies and special edition volumes that capture the written legacy of Poe in greater detail. Included are the following titles under his authorship: Eurkea, Marginalia; A Chapter on Autobiography (Boston: L.C. Page, 1884); Poetical Works With Original Memoir (New York: J.S. Redfield, 1858); Poems and Essays (Boston: L.C. Page, 1884); Prose Tales (Boston: L.C. Page, 1884); and Tales of Mystery and Imagination (New York: Brentano’s, 1923) among other works of scholarship that have endured the test of time.
These and other works by Poe and different authors who specialize in suspense and other genres can be found through within our collection. For more information about Edgar Allan Poe, Rare Book holdings, and research opportunities please feel free to contact us to arrange an appointment via e-mail: <firstname.lastname@example.org> or by phone at: (973) 275-2378.
In honor of National Hispanic Heritage Month and the 45th Anniversary of the Joseph A. Unanue Latino Institute, the Archives & Special Collections Center is proud to present an exhibit that honors the contributions of this Center and its varied accomplishments.
The historical course of Seton Hall has been enhanced with the presence of Latino students from its foundation years to the present day. Within the earliest college registers it has been discovered that Mr. Ernesto Regil, a native of the Yucatan Mexico was the 20th student ever enrolled at the school on October 20, 1856. This milestone led the way to a number of other students from across Mexico along with future classmates from the Latin American countries of Cuba, Ecuador, and Panama among other lands who would consistently fill class rosters during the mid-late 19th century. Their example led the path, but over time countless students, faculty, administrators, and friends of the Latino experience have also contributed to the positive growth of Seton Hall in their own respective ways.
More formal recognition of the contributions made by the Latino community came about in 1974 with the creation of the Puerto Rican Institute (which would later come to be known as the Joseph A. Unanue Latino Institute) at Seton Hall University. Their objective has been to promote scholarship, culture, history, and build further recognition of the value connected with this unique area of study as shown in part through various examples found within this exhibit and within our collective research holdings.
Various reproductions from original texts found within the Archives & Special Collections Center have been included to highlight the early days of the Joseph A. Unanue Latino Institute in order to show in part the educational mission, cultural support, and overall vibrancy and value of this organization across campus and to the wider community.
Examples from our collection will be on exhibit from September through December of 2019 in the First Floor foyer of Walsh Library located across from the stairs and elevator.
For additional background and more information on this topic and other aspects of Seton Hall please feel free to contact University Archivist, Alan Delozier at: email@example.com or by phone: (973) 275-2378.
In commemoration of the 50th anniversary of the first successful Moon Landing by humankind, this month has been a time of reflection in regard to the wonders of inter-galactic exploration that have made history. The American space program was very active during the 1960s as a number of different astronauts and support staff completed memorable missions beyond the borders of Earth made it possible for scores of individuals to learn more about our solar system as a result of their collective efforts. Those connected with Seton Hall were no different in its fascination with astronomological studies through the sharing of news updates, course content, and seeing what would come next in the evolution of space travel and discovery.
In light of the popularity of the cosmos created through the National Aeronautics and Space Administration (NASA) and its successful work made those associated with the program not only trailblazers, but also heroes and role models. This led Seton Hall to bestow an honorary degree of science on James Alton McDivitt (b. 1929), a United States Air Force Brigadier General (Ret.), Aeronautical Engineer, and Astronaut whose work with various programs between 1962-72 as part of NASA led to command of the Gemini 4 mission which included the first U.S. spacewalk and the Apollo 9 mission of April, 1969. This latter endeavor encompassed the testing of Lunar Modules and hardware that would be used a few months later on the famed mission to the Moon that achieved success and renown two months later.
McDivitt himself made history as the first Roman Catholic to soar into space. Along with this milestone, his accomplishments on the whole were recognized by University President, the Most Reverend John Dougherty in his last official act before retirement when he introduced then Colonel McDivitt at the morning commencement ceremony of June 7, 1969 with the following words . . .
“Mother Earth is a Jealous Guardian, and Few are the Men who have been privileged to free themselves completely from her embrace. Yet he whom we honor here has done so twice . . . Were it not for the knowledge gleaned from the experiments with Apollo 9, of which he was the command pilot, we would not now – – actually and vicariously – – be standing on the threshold of the moon and, perhaps, beyond. Stalwart in honor, upright in integrity, steadfast in bravery, devoted to his family and his country and his God, he was but a natural choice to become an adopted son of Seton Hall. For he is of the stuff of heroes.”
Before a graduating class of 1,887, Colonel McDivitt noted to those in attendance that: “You are entering into another form of life, and there is a lot to be done . . . With luck, skill and hard work I am confident we will land on the moon this year. I am also confident that in your lifetime you will see men on Venus and Mars. Landing on the moon is only the first step in space exploration. Perhaps in your lifetime you will be called upon to solve problems on Mars and Venus along with those on Earth and the knowledge we gain will help the lot of people all over the world.” He also urged the graduates to keep both their standards and ideals high as they made their way in the world. Another revelation came when Colonel McDivitt mentioned that he carried a relic of Mother Elizabeth Ann Seton on his Apollo 9 flight that was sent to him by a nun who prayed for his success and in the process made the bond closer between the honoree and his fellow alumni.
With his words as a prelude to the Moon landing and the exploration of Mars that is currently being undertaken, the words of Colonel McDivitt live on and have provided the Seton Hall community and others who heard his message with a hopeful note moving into the future of time and space discoveries yet to ensue.
For more information on Seton Hall history please feel free to contact Alan Delozier, University Archivist by e-mail: Alan.Delozier@shu.edu or phone: (973) 275-2378.
Walsh Gallery Highlights Seton Hall’s Sport History
“Pirates Beyond Play”
Mon June 3 – Thurs Aug 8, 2019
The Walsh Gallery, in conjunction with the Monsignor William Noé Field Archives & Special Collections Center at Seton Hall University, presents “Pirates Beyond Play” (The History and Art of Setonia Athletics, 1856-2006) on display between Monday, June 3 – Thursday, August 8, 2019. The exhibit was created and organized by Jeanne Brasile, Gallery Director and curated by University Archivist Alan Delozier. This show focuses on the symbolic, intellectual and aesthetic importance of sports on the Seton Hall University campus. Objects on display include artifacts such as vintage magazine covers, game programs, photographs, uniforms and other ephemera that give homage to numerous athletic achievements over the years.
University Archivist, Alan Delozier will present a gallery talk on the History of Athletics at Seton Hall and tour of the exhibit on Monday, June 10th from 11:00 a.m. to 12:00 p.m. An optional complimentary lunch is available. To RSVP for the talk and/or lunch, please contact at: firstname.lastname@example.org or (973) 275-2378. The exhibition and talk are free and open to the public.
The Walsh Gallery is located on the first floor of Walsh Library located on the campus of Seton Hall University. Gallery hours are Monday through Thursday, 10:30am to 4:30pm. Additional information can be found via the Walsh Gallery website – https://library.shu.edu/walshgallery/current-exhibitions or (973) 275-2033.
Seton Hall has enjoyed a historical relationship with the Village of South Orange since the school established their campus within its boundaries after moving from nearby Madison in 1860. The original land which constitutes the present-day South Orange was purchased by Robert Treat (also acknowledged as the founder of Newark) from officials of the Lenni Lenape tribe around 1666. This led to official settlement by the Brown brothers (Joseph and Thomas) who built a farmstead along the present-day South Orange Avenue by 1680 that ultimately set the stage for the development of Setonia in due course.
Over the next few centuries this area experienced steady development in terms of a resort town during the 1800s and subsequent year-round residential growth. This was in large measure made possible when South Orange became a transportation hub for the Delaware, Lackawanna, and Western Railroad as of 1869 when the area was also incorporated as South Orange Township (that originally contained present-day Maplewood before this municipality became independent) and made for a prime destination that appealed to commuters, visitors, and students from across the metropolitan area. South Orange is also known for its distinctive gas light posts and these illuminations served a symbolic and practical purpose for both hometown citizens and those affiliated with the college. These milestones and others have led to many joint landmarks and project building initiatives over time.
Along with our own resource base and work in preserving historical school records within the context of the town has been a constant. Research tools of various types are available within the University Libraries and through its book catalog, databases, and different electronic-based sites. Specialized connections have also been made with the South Orange Public Library, South Orange Historical Preservation Society, and other organizations and individuals around the area have provided valuable research connections over the years Further details can be located within a specially created Library Reference Guide devoted to South Orange resources found within the following link – https://library.shu.edu/south-orange
For more information on resources related to Seton Hall, South Orange, and other aspects of local history please feel free to contact Alan Delozier, University Archivist via e-mail at: Alan.Delozier@shu.edu or by phone: (973) 275-2378.