Author Archives: Martha Carpentier

Susan Glaspell Provincetown Play-Reading Marathon 2004

On June 26 The Provincetown Fringe Festival hosted the Susan Glaspell Play-Reading Marathon, where Glaspell scholars had the chance to meet and celebrate Glaspell’s dramatic oeuvre.

Many thanks to Artistic Director Marjorie Conn and Director Karen Maloney for providing this wonderful opportunity for theatre professionals and academic scholars to get together in Glaspell’s beloved Provincetown to read, hear, and discuss Glaspell’s plays. Starting at 12:00 noon we read Trifles and Alison’s House. After a dinner break we returned to read The Outside and The Verge. The event took place at The Provincetown Inn, right on the tip of Cape Cod, very appropriately the actual locus of The Outside. It was, indeed, a marathon, and an exhilarating experience to hear and participate in these
living, moving works.

Visiting Susan’s home at 564 Commercial Street, currently owned by Mr. & Mrs. William Teague, we found the sundial and thought of Susan posing for Jig’s graceful statues:

“I like to remember that winter in Provincetown. The wind would shake the little house on the sand, but we kept the fire bright in the big stove in the dining-room. Jig was modeling the four figures for his sun-dial. Dawn or the dreamer. She who faces the south Noon, the work of the world. Sunset work done, old age, the grave. And the North Star, the beyond-the-sun.” — Road to the Temple, 278.

Sun-dial photos courtesy of Bill Teague, current owner of Glaspell's house in Provincetown

14th Annual American Literature Association Conference 2003

May 22-25, Cambridge MA.
American Theatre and Drama Society Sponsored Panels:
“Disclosing Intertextualities I: The Stories, Plays, and Novels of Susan Glaspell.”
Chair: Barbara Ozieblo, University of Malaga.

Papers: “Susan Glaspell and the Three-Act Novel,” Martha C. Carpentier, Seton Hall University;

Suppressed Desires and Tickless Time: Intertextuality and Modernity in Glaspell’s One-Act Plays,” Marcia Noe, University of Tennessee, Chattanooga;

“Susan Glaspell’s Naturalist Scenarios of Determinism and Blind Faith,” Mary E. Papke, University of Tennessee, Knoxville.

“Disclosing Intertextualities II: The Stories, Plays, and Novels of Susan Glaspell.”
Chair: Barbara Ozieblo, University of Malaga.

Papers: “The Narrow House: Glaspell’s Trifles and Wharton’s Ethan Frome,” Susan Koprince, University of North Dakota;

“The Queerness of Susan Glaspell or Misfiring for Life,” Lucia V. Sander, University of Brasilia;

“Re-visioning Susan Glaspell: An Intertextual Reading of The Verge and Strindberg’s A Dream Play,” Monica Stufft, University of California, Berkeley.

After these sessions at the ALA, the Susan Glaspell Society was founded by Martha C. Carpentier, Barbara Ozieblo, Mary E. Papke, Marcia Noe, Lucia V. Sander, and Susan Koprince.

31st Annual Twentieth-Century Literature Conference 2003

Feb. 27 – March 1, Louisville KY.
Panel: “Susan Glaspell: Post-Provincetown.”
Chair: Martha C. Carpentier, Seton Hall University.

Papers: “Biography and Fiction: Mothers and Daughters in Susan Glaspell’s Mature Novels,” Barbara Ozieblo, University of Malaga;

“‘A Silent Burden’: Susan Glaspell’s Deconstruction of Marriage,” Martha C. Carpentier, Seton Hall University;

“Staging the Unscriptable: Transgression in Susan Glaspell’s Mature Novels,” Mary E. Papke, University of Tennessee.