- The purpose of The International Susan Glaspell Society is the recognition of Susan Glaspell as a major American dramatist and fiction writer through the ongoing production of high-quality scholarship and critical analysis of all her works, participation in national and international conferences, performances and public readings of her plays, and commitment to reprinting and teaching her plays, stories, and novels.International Susan Glaspell Society2 weeks ago**PUBLICATION: Coming soon!**
Susan Glaspell's Poetics and Politics of Rebellion by Emeline J. Jouve (University of Iowa Press)
> Out in July 2017
https://www.uipress.uiowa.edu/books/2017-spring/susan-glaspell%E2%80%99s-poetics-and-politics-rebellion.htmInternational Susan Glaspell Society4 weeks ago**PUBLICATION**
A Review of the Exhibition “Susan Glaspell (1876-1948): pionera del teatro experimental. Trifles, los Provincetown Players y el teatro de vanguardia” (“Susan Glaspell (1876-1948): The Pioneer of Experimental Theatre. Trifles, the Provincetown Players and the Avant-garde Theatre”)
Author: Quetzalina Lavalle Salvatori
Exhibition by Noelia Hernando-Real
Editor: Emeline Jouve
https://miranda.revues.org/7735International Susan Glaspell Society added 2 new photos.2 months ago**SEMINAR on Trifles: Toulouse, March, 30th**
Come and join our American Lab by the AMERICAN THEATRE PROJECT founded by Céline Nogueira and Emeline J. Jouve!
Our guest speaker will be Noelia Hernando-Real, President of the International Susan Glaspell Society.International Susan Glaspell Society2 months ago**PUBLICATION**
>> "Blood Too Bright: Floyd Dell Remembers Edna St.Vincent Milay" by Jerri Dell.
https://www.amazon.com/Blood-Too-Bright-Remembers-Vincent-ebook/dp/B01M1NZMTJInternational Susan Glaspell Society3 months ago**Trifles/The People by American Bard Theater Company**
"BWW Review: Good Things Come In Three's with American Bard's VISIONARY VOICES"
Category Archives: 2011 Publications
Published by McFarland, Noelia Hernando-Real’s exploration of eleven Glaspell plays written between 1915 and 1943 focuses on one of her major themes, the interplay between place and identity. Hernando-Real examines the means Glaspell employs to engage her characters in proxemical and verbal dialectics with the forces of place that turn them into victims of location, and her characters’ attempts to escape the influence of territoriality and shape identities of their own. Continue reading