“O’Neill’s Global Legacy,” June 11-15, Tao House, Danville CA.
Panel: “Performing Race, Gender, and Nation: Susan Glaspell, Eugene O’Neill
and the Modern Drama Classroom.”
Chair: Monica Stufft, University of California Berkeley.
This panel explored the global legacies of the two playwrights and considered the ways we locally stage these legacies in a broadly defined modern drama classroom that includes scholarship and productions. Papers investigated intertextual links around issues of race, gender and/or nation, and considered questions such as how do the plays of Glaspell and O’Neill construct identities both nationally and internationally? How might issues of race, gender and/or nation circulate when we frame these playwrights as American in relation to the European modern theatrical tradition and, in our scholarship and productions, as part of the modern drama canon?
Papers: “Divided by a Common Language: O’Neill, Glaspell and the European Modern Drama Tradition,” Francesca Coppa;
“Performing Liberalism: Empathy and Protest in an Age of Nationalist Fervor,” Michael Winetsky, City University of New York;
“American Bodies: Intersections of Race and Gender in Emperor Jones and Inheritors,” Monica Stufft, University of California Berkeley.