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Women’s Conference

Did you miss the “NJ Women of Interfaith Dialogue and Holocaust Education” presentation from Session I: Women and Gender in the Archives of the Conference on Women and Gender 2024 that took place on Friday, April 5, 2024?

Don’t worry! We are making the speech available here along with the slides used that day.

 


 

New Jersey Women of Interfaith Dialogue and Holocaust Education

Presented by: Athena Frade, Archdiocese of Newark and Rutgers University and Jacquelyn Deppe, Seton Hall University

Abstract

This presentation, based on research in Seton Hall’s archives, will share the stories of three devout women, each coming from a different faith and perspective, whose work intertwined because of their dedication to the importance of teaching Holocaust and genocide education.

First is sister Rose Thering, who started as a Dominican nun in Racine Wisconsin. She very quickly realized her passions, which led to her research on a doctoral thesis that would eventually affect Vatican II, and influenced the church’s publishing of the Nostra Aetate, which spoke on the Catholic Churches relationship with the Jewish faith. She then spent the rest of her career focusing on strengthening the ties between the Catholic faith and the Jewish faith, including involvement in the New Jersey Commission for Holocaust Education.

Second is Nancy Forsberg, who was a pastor for the Faith United Church of Christ. She founded the Union Interfaith Committee on Holocaust Awareness, which was one of the committees also instrumental to integrating the teaching of Holocaust education into the public-school curriculum, which would eventually become state-wide law.

Third is Luna Kaufman. Kaufman, who was born in Krakow, first lived through the German occupation of Krakow and later held as a prisoner the concentration camps of Plaszow and Leipzig. She was able to survive the Holocaust, and eventually emigrated to America. She and her husband settled in New Jersey, where Kaufman was an active part of the Jewish Community and became the first woman president of her Temple. It was later in life she began to work and advocate for Holocaust education, picked by former Governor Kean to work on the Advisory Council for Holocaust Education when it was first formed in 1982. Kaufman spoke at Forsberg’s Interfaith Committee, and would eventually find her way to speaking and teaching at Seton Hall, where she met and then worked with Sister Rose on Holocaust education.

Together, these women worked tirelessly to bring Holocaust education to New Jersey while simultaneously bridging an interfaith divide. Their work brought both to the attention of the State of New Jersey, where their efforts eventually culminated in the 1994 law that mandated the teaching of the Holocaust and genocide in New Jersey schools. As prominent women of faith, they used their knowledge and cooperation to make education better for every student, regardless of faith.

 


 

Presentation

In 1994, New Jersey became the second state in in the nation to mandate the teaching of the holocaust and genocide in all elementary and high schools in the state. This law is still on the books today, and continues to make sure school curricula properly cover and inform students about the importance of learning about and from genocide. But this law did not spring out of nowhere, but was instead the concerted effort of passionate professionals. Seton Hall is lucky enough to house some of these professionals’ collections of papers which include evidence of their efforts.

The Archives and Special Collections Center at Seton Hall University recently reprocessed and rehoused the collections of three prominent religious women, Sister Rose Thering, Nancy Forsberg, and Luna Kaufman, under a grant funded project, Feisty Women in Interfaith Dialogue: The Second Vatican Council Years, from the New Jersey Historical Commission. These collections allow scholars not only to explore the often-untold story of women’s activism in changing the terms of religious dialogue but in transforming the educational system, ensuring that their values would be instilled in future generations. Through our reprocessing we discovered these women accomplished this through their involvement in development of Holocaust Education in New Jersey.

This reprocessing project for these three collections entails updating folder titles to be more reflective of their contents, replacing folders with chemically neutral archival folders to slow down deterioration and acidification of the paper, replacing boxes with chemically neutral archival boxes, and placing photographs in transparent polypropylene sleeves to protect surrounding paper from off-gassing chemicals from the photo, and protecting the photo itself, allowing it to be handled and seen without removing it from its sleeve. These are essential steps that allow a collection to be accessible in terms of information discovery and physical handling. Furthermore, this preservation will ensure that the collections will be available for longer periods. Allowing these invaluable primary sources to continue serving students and scholars alike as they research points of view, collect evidence, explore agreements and contradictions to gain a deeper understanding of history.

Sister Rose Thering

Labeled as the “feisty nun” Sister Rose Thering was a strong proponent of Judeo-Christian relations as can be seen in her doctoral dissertation. Sister Rose Thering started as a nun in Racine, Wisconsin, joining the Racine Dominican sisters at the age of sixteen. From there, she would earn an undergraduate degree from Dominican College there, then a Master’s from St. Paul University in Minnesota, and finally a doctorate from St. Louis University. With her doctoral thesis, she made the decision to focus on how Jewish people were depicted in Catholic education textbooks. In particular, her work focused on the long running antisemitic myth, that the Jews killed Jesus, and how, even with absolutely no biblical proof of this, it was a myth that was being taught and retold in classrooms to unsuspecting students. This thesis would later prove influential enough to catch the attention of Pope John XXIII, and in the Second Vatican Council, her work was used to draft the 1965 document ‘Nostra Aetate’, a proclamation that transformed Jewish-Christian relations after 1965. But her work did not stop there. She then spent an entire career making efforts to connect with the Jewish community, and bridge the gap between the Catholic community and the Jewish one. That includes years of leading trips of Seton Hall students on educational tours of Israel, establishing workshops educating people on Judaism, and she was head of the Jewish-Christian Department here at Seton Hall University. Sister Rose went on to become a part of the New Jersey Holocaust Education Committee, the one that she, and fellow subject of this grant Luna Kaufman, were both a part of, and helped author the 1994 bill. She had been on the Governor’s Advisory Council on Holocaust education since its founding in 1982. However, by 1994, the committee was able to put together a comprehensive curriculum for New Jersey Public School students, going all the way from kindergarten up through 12th grade, educating students on genocide and the Holocaust.

What that looked like for young students was understanding topics such as ‘The Self and Others’, ‘Dislikes and Prejudice’ and simply being able to define ‘The Holocaust’ (MSS 0016 Box 5 Folder 23) while older students were analyzing what propaganda and how it was used in both the holocaust and other genocides, and different types of resistance in the face of genocide. By the time students were in high school, the curriculum became much more in depth, older students being able to comprehend and digest the heavy topics being covered. It was a curriculum aimed at teaching students not only what the holocaust was and why it matters, but also was meant to instill a lifetime of resistance towards the mechanisms that push societies towards genocide.

A lifetime of resisting genocide was a large part of sister Rose’s career, and in the later part of her life, eventually the Sister Rose Thering Endowment was established in her name, meant to honors others who have done major work in holocaust education and interfaith work. Amongst its recipients were the author of the book Night, Eli Weisel, and Luna Kaufman. And it is an endowment that is still gifted today, extending Sister Rose’s dedication to interfaith education and holocaust and genocide education up into the present day. For the remainder of the semester, you can see an exhibit the archives have put up focusing on the legacy of Sister Rose Thering, to get an idea of the scope her works and papers encompass.

Nancy Forsberg

Nancy Forsberg became the pastor for the First Congregational Church in Union, New Jersey in 1961, but had already begun to do work of interfaith relations before that. She had spent her summers with the Intergroup Relations Experience, doing tours of churches in Germany and Switzerland, and doing a study tour in the Middle East covering Turkey, Greece, Egypt, Syria, Lebanon, Jordan, and Israel. in both 1960 and 1963, she would do independent study and work in Israel, living with both Jewish and Arab families. She had also spent time as a freelance lecturer in America and Canada, where she lectured on the Middle East and Israel, all of which she saved in her papers.

During her time as the Pastor of First Congregational Church, her work in interfaith relations did not stop. She was able to start conversations by first educating her parish with the help of other holocaust educators, inviting speakers like Luna Kaufman, fellow educators on the horrors of the holocaust. And that spirit of collaboration, also present in Sister Rose’s work, is an important throughline with the education these women provided. Both Sister Rose and Nancy Forsberg recognized the importance of teaching holocaust and genocide studies, and knew part of teaching it, was to reach out to Jewish voices and survivors, and make sure their experiences were heard in their own religious communities. In her own words, “Many People still regard the Holocaust as a matter of Jewish concern, but nothing could be farther from the truth” (Mss0022 Box 12 Folder 5).

While also doing things like creating a successful bus ministry, a form of community outreach which involved bussing people to Sunday services they might not have otherwise been able to go to, and the creation of a nursery school, she also founded the Union Interfaith Committee on Holocaust Studies in 1982. To initiate this committee’s work, she invited people to her congregation during the ‘National Days of Remembrance of the Victims of the Holocaust’ that year, April 18-25th, and from there, endeavored to organize a permanent committee on Holocaust Awareness of Union Township. Finally, she was a part of the Holocaust Council of New Jersey Professors, whose goals and standards for education would eventually influence the 1994 law, influencing those statewide standards to ensure a comprehensive holocaust and genocide education.

Luna Kaufman

Luna Kaufman was born in Krakow, Poland where she lived through the German occupation and survived the concentration camps of Plaszow and Leipzig. Once she was liberated, she returned to Krakow and obtained a degree before emigrating to Israel and then to America. She and her husband settled in New Jersey, where Kaufman was an active part of the Jewish Community and became the first woman president of her Temple.

Luna Kaufman’s passion for Holocaust Education began in the 1970’s. During this decade, she was becoming active in discussing her religion and her experience surviving the Holocaust to audiences of students and adults alike. A trip to Amsterdam as the president of Temple Shalom with Rabbi Goldman and a confirmation class of the Hebrew School solidified her interest and need to be involved in Holocaust Education. In 1982 her efforts picked up when she was appointed to the Advisory Council on Holocaust Education by Governor Thomas Kean. On this council she served with Sister Rose Thering who she met previously during a 1974 Holocaust observance held at Seton Hall University where her prison dress was set upon the altar.

Their friendship and respect for one another was strong as was their passion for Judeo-Christian Relations and Holocaust Education. In pages of Luna Kaufman’s diary, Sister Rose appears throughout it. This page talks about the memorial that took place at Yad Vashem for Sister Rose Thering and how Luna Kaufman had to iron out some details.

Together, Luna Kaufman and Sister Rose Thering served on the Human Resources Committee of the New Jersey Advisory Council for Holocaust Education. This committee had the basic charge:

“to compile an annotated and descriptive listing of ‘experts’ available to implement Holocaust Education objectives in the schools and to recommend available training programs” (MSS 0102, Folder 7, Box 3).

According to the committee, ‘experts’ were individuals who were survivors, liberators, second generation persons, social scientists, historians, prosecutors of Nazi war criminals, artists, and community leaders who could address moral and ethical dimensions (MSS 0102, Folder 7, Box 3). Furthermore, the committee determined an interview and screening process to determine which individuals would be best suited to participate in different aspects of Holocaust education.

Conclusion

One of the things that unite these women’s collections, besides their own lifetimes of collaboration on education together, is the fact that these collections can still be used for that education. Each woman collected a lifetime of holocaust and education materials- from dozens of conferences and speeches, to various trips to the middle east or to concentration camps, there are boxes of materials focused on educating people on the horrors of the holocaust. And, now that they’ve been reprocessed on an archival level, each collection is easier to search through than ever. These were women dedicated to education, and the continued use of their works and papers in that education, would be a fitting way to remember the work these women did.

New Jersey Women of Interfaith Dialogue and Holocaust Education – PowerPoint

 


 

For more information about these collections check out the finding aids:

Sister Rose Thering

Nancy Forsberg

Luna Kaufman

If you have further questions, contact us at archives@shu.edu or (973)761-9476. To schedule an appointment to view materials, please submit a Research Appointment Request Form by clicking here.

New Online Collections Database Goes Live!

image of artifacts in collections database
image of new collections database

Seton Hall University’s Walsh Gallery announces the launch of its online database of art and artifacts, featuring a selection of objects from the university’s collections. The database provides free online access to items in the extensive collections of art and artifacts from prehistory to the present day, allowing digital visitors around the world to browse, research and enjoy Seton Hall University’s rich past through works of art and artifacts. The database allows users to customize searches to meet their needs and preferences. Users can browse objects using the random image search. The keyword search is targeted, allowing users to use a word, words, phrases or sets of words to get results. The advanced search function target specific fields and collections to receive more precise results. To search object types such as books or paintings, users can use the object search function. These search options offer an engaging and accessible experience for everyone interested in the university’s vast and diverse collections of art and artifacts.

In all, there are 261 individual objects in the new collections portal and there will be regular updates to include as much of the collections as possible. The initial release includes a wide selection of Roman, Greek and Byzantine coins from the D’Argenio Collection of Coins and Antiquities, donated by alumnus Ron D’Argenio. D’Argenio became interested in ancient coins when taking courses in Greek drama and history as an undergraduate at Fordham University in the 1970’s. In 2001, he generously donated his collection to Seton Hall University in memory of his father, Rinaldo J. D’Argenio, who served in World War II and was awarded a Bronze Star for his valor.

object record from the database – Mother Seton medal – Gift of Monsignor Robert F. Coleman

Also represented is The Wang Fang-Yu Collection of Asian Art, assembled by and named for the university professor who taught Mandarin language and chaired the department of Asian studies. He was also part of the team which developed the first Chinese language teaching computer system and authored several books on the Mandarin language. There are many more objects and collections to explore. What will you discover?

In addition to this online portal, users can make an appointment to use the collections for research, class visits or other scholarly pursuits, please contact us.  We would love to hear about your projects and how we can work together to illustrate your ideas!

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The Walsh Gallery has a considerable collection of fine art, artifacts and archeological specimens for use by faculty, students and researchers. For in-person access to these or other objects in our collections, contact us at 973-275-2033 or walshgallery@shu.edu to make a research appointment. 

Extra, Extra, Read All About It!

The Archives and Special Collections Center has received some important editions to the collections from the Family of Franklin Matthew Rogers ’41!

Franklin Matthew Rogers, known as Buck, attended Seton Hall Prep before Seton Hall College. He graduated in 1941 in Business and received the following snippet in the 1941 yearbook:

“Dr. King’s right arm in government class. His remarks were in as good taste as his clothes”.

We are particularly excited about:

Setonians

Because of the Great Depression (1929-1939) and World War II (US: 1941-1945), copies of the Setonian are scarce in the Archives. We are now able to add not only additional copies to the years we already have but include copies we have not had before such as 1939 April 21; 1939 May 5; 1940 May 3; 1941 February 14; 1941 April 25; and 1941 May 16! Stay tuned as we continue to digitize our Setonian collection.

Seton Hall Alumni Servicemen’s News (Alumni Bulletin)

This was a monthly bulletin that was sent out to Seton Hall alumni in military service. It contained information about alumni as they went off to train and to different bases around the world. Included are excerpts of letters written to the editors which mention snippets of their lives in the military.

“12” Club

Organized in 1937, this organization would invite about ten percent of the graduating class to join. Members were accepted because of their active participation in things concerned with Seton Hall, specifically the Athletic Association and the Knights of Setonia.

These items among the program for the Junior Class play titled “Forty-One on the Run”, programs for the Junior Promenade for the Class of ’41, and athletic programs, add invaluable documentation to collection that record student life at Seton Hall.

The Cursed L

Creating your own 3D printed movable type printing press can cause some unexpected problems.

Even when everything is built to plan, exported correctly, and sent to the printer, there are still issues. For my project this manifested in printing the letter “l,” which often failed to print completely. Even with the successfully completed l’s there were still irregularities. While the print was functional, I was still curious as to what was going wrong, why the PLA was not adhering to the build plate and why the skirt (which is part of the build plate adhesion process) was intersecting the print. This issue has been a case study in how many ways a print job can fail.

The first issue which was part of build plate adhesion problem was a blob effect. According to Dremel FAQ’s:

“Why is the filament blobbing on the build platform?

This may be the result of a build failure or a poorly constructed file. The building process may have been interrupted by the computer disconnecting, or by removing the SD card/USB flash drive during the building process. Run the Dremel Test Print to verify that your printer is working correctly, allowing the print to finish completely before disconnecting it.”2

But even though there was a blob, it seemed to have started with an adhesion issue which is a common and reoccurring problem throughout this project. Research about this problem  yielded many results, tips and tricks from different sources. According to Autodesk Instructables, poor adhesion could be due to the heat of the build plate which for PLA should be about 60 degrees Celsius.1  Suggestions to help adhesion include using painter’s tape, a layer of Elmer’s glue, and even hairspray!

Other suggestions even included ensuring the extrusion temperature was appropriate. It needs to be hot enough to push out enough plastic and cold enough to solidify and adhere to the build plate. But if it was too hot then it could not cool, not adhere, and ultimately be dragged around. For PLA this temperature should be around 200 degrees Celsius.1

In another source from 3D Printing – StackExchange, a thread titled Reasons for a PLA print not sticking to bed all the sudden? is answered by a user named Trish who mentions factors to keep in mind:

“Have a sufficient surface for the print to stick. A pyramid printed on the tip can’t print properly.

Check the leveling of your bed occasionally and relevel the bed. By removing prints, one can easily unlevel it over time without noticing it.

Clean your print bed from fingerprints and grease every so often. Fats are good separators between the print and the bed. Getting them off with Isopropyl alcohol or other solvents can restore print surfaces in an instant.”3

This is followed by an answer from another user JayCrossler who mentions a time when their printers all had a non-stick issue around the same time and it was “mostly around changes in temperature and humidity – the outside temperature changed inside AC settings/wind-flow, etc.”3

Any one of these were potential solutions to test; however, the next letter that was printed after the first two fails of the letter “l” came out with a new issue which was seemingly under- extrusion. The base printed fine and the letter was completed but there are tiny gaps within the print, leading me to believe it is a case of under extrusion, where the extrusion temperature was too cool making the layer not want to adhere to the previous layer. Or, another likely issue is that after the two failures, the nozzle was still a little clogged.

The next letter after printed better; however, there was a base issue where the skirt was printed into the print itself. Nothing in my settings had changed and I ensured the print was lying flat. Ultimately, I’m not quite sure what is wrong and why there are issues that seemingly come and go. All I can really think of is that it is a print failure that occurs and like other printers, it’s a typical moody printer.

Perhaps we will just have to take the “L.”


BradBuilds. Failed 3D Prints, and How to Fix Them. (n.d.). Autodesk Instructables. https://www.dremel.com/us/en/digilab/3d-printers-faq

Dremel. Frequently Asked Questions. (n.d.). https://www.dremel.com/us/en/digilab/3d-printers-faq

Reasons for a PLA print not sticking to bed all the sudden? (2019 September 6). 3D Printing – StackerExchange. https://3dprinting.stackexchange.com/questions/10980/reasons-for-a-pla-print-not-sticking-to-bed-all-the-sudden

Time Machines: Final Project Results

On Wednesday, April 24h, as part of the 8th annual Petersheim Exposition, our five Time Machines researchers presented their final projects to an audience of their peers, advisors, and faculty. In addition to the presentations, the Archives staff displayed all of the objects that were featured in the presentations.

Pegi Bracaj

Object of Choice: The Miriam Rooney Papers

Photo of Pegi Bracaj presenting her Time Machines Project.

To tell the story of Miriam Rooney, Bracaj created a three episode podcast entitled “The Echoes of the Archives: Unveiling Hidden Gender Narratives at Seton Hall”.  The first episode “delves into the university’s gendered past, from its origins as a male-only institution to its transition to coeducation.” The second episode “explores the often overlooked stories of women within the university’s archives. ” The third and final episode dives deeper into Miriam Rooney herself,  uncovering “Rooney’s achievements as the Dean of Seton Hall University School of Law, her academic and professional journey, and her multifaceted contributions to the community.” To supplement the podcast, Bracaj also created a webpage that provides a brief biography of Miriam Rooney and details her collection of papers held here in the Archives. You can view Bracaj’s project here. 

Eman Fatima

Objects of Choice: Coin, Mughal Dynasty; Coin, 1/4 Anna

Photo of Eman Fatime presenting her Times Machine Project.

Eman Fatima, who moved to the US from Pakistan at age 16, wrote an op-ed entitled “The Construction of Two Coins: The Past and the Present”. The piece utilizes the two coins as symbols of just how far reaching the impact of British colonization had on and continues to have on South Asia.

Austin DelSontro 

Object of Choice: The Setonian Newspapers, 1924-2024

Photo of Austin DelSontro presenting his Times Machine Project.Photo of Austin's self published newspaper comprising of stories from The Setonian in the 1960s as part of his Time Machines project.

Inspired by the 100th anniversary of The Setonian, Austin DelSontro originally sought to examine the entire Setonian archive, but instead chose to focus his research on The Setonian in the 1960s upon learning the publication was briefly banned in 1964. In his presentation, DelSontro selected a few stories from the 1960s, such as Seton Hall transitioning into a coed institution, the Setonian ban and the protests that erupted as a result, and a retrospective on the 1953 men’s basketball team and their experience at the NIT championship. In addition to his presentation, Delsontro also created his own newspaper in both a physical and digital format. You can view the digital version here.

Collin Doyle 

Object of Choice: Journal of Roy Fitzsimmons, 1937-1938

Photo of Collin Doyle presenting his Time Machines project.Photo of Collin's poster he created as part of his Time Machines project.

Collin Doyle took the research from the Roy Fitzsimmons’s journal documenting the MacGregor Arctic Expedition and through Mathmatica, produced three-dimensional maps that represent the same part of the Arctic that was traversed during the expedition. In doing so, Doyle illustrated the importance of climate consciousness through the creation of interactive visualizations of sea level rise. Doyle also presented a poster that features direct quotes from the journal.

Hope Mahakian

Object of Choice: WWII Ration Books, 1943

Photo of Hope Mahakian presenting her Times Machine Project.

Hope Mahakian, dressed in 1940s inspired attire, presented her video on the history of ration books and how they were used during WWII, followed by her friends’ attempts at recreating popular recipes during the US rationing period. The first half of the video is edited in the style of a 1940’s informercial, while the recipe recreation was done more like a modern day vlog. You can watch the video for yourself here.

Congratulations to all of our student researchers on a job well done, and a special thanks to the Archives staff and faculty advisors for your support throughout this project!

3D Printing the Past (Update)

The FIG project is near completion! This is a project that is aimed at recreating a historic moveable typeface using 3D modeling and printing in connection with a block press to recreate the printing process. The goal is to engage faculty and students in a discussion, where they will be able to recall the steps in the printing process; identify a historic typeface; and discuss how technology can be used to resurrect a typeface.


As the project wraps up, I’d like to share the process.

Working in the Archives and Special Collections Center and having access to numerable examples of different typefaces, I decided to recreate Fraktur one of the oldest typefaces. By researching some different type specimens, my first step was to create an outline of the letters. I printed out a guide and traced the letters making some edits to smooth out shapes and lines, onto paper which I then scanned into the computer.

From there I opened the scan in Photoshop to enhance the contrast of the scan. Using Curves and the black and white eye droppers is a quick way to make the scan into a black and white image while darkening and lightening specific areas. This method is successful when the tracing is clean, no smudging, and crisp lines. Tracing in ink is ideal especially with a superfine tipped marker.

Tracing of the Fraktur letters

Next was to open, or copy and paste, the edited scan in Illustrator. I would suggest opening the document in Illustrator so that you do not have both programs open and running which can cause them to crash. Once in Illustrator you can create a tracing of the edited scan. If all went well with editing the scan in Photoshop then the resulting tracing in Illustrator should yield a nicely rendered set of letters in black and white.
This is an important step because it creates vector shapes. Once you ungroup and delete the unnecessary white space and use the minus function to ensure letters have the appropriate shape cut out so that the O looks like an O and not a black circle. After that, it is time to save the file as an .svg which will then be uploaded to Fusion360.

Fusion360 offers free trials but is free to use for educators and students which is why I selected it for this project. I have also had previous experience using Fusion360 and other Autodesk software which played a part in my decision. In Fusion360, after inserting the .svg and finishing the sketch, select the shape, the letter should highlight, and under the Create tab select Extrude to extrude the shape. Once that is complete, you can add the base by selecting box and adding the box over the letter that has been extruded.

If you traced and scanned the way I did, the letter will be the correct way as opposed to backwards which is what you need. However, do not worry! If you navigate to the underside of your modeling, you will see that the letter is backwards so it’ll all work out in the end.

Once the letter is extruded and the base added, you can select the entire body, right click and hold to select Isolate. Doing this allows you to export the body to an .stl file. If you export without this step, you would export everything in the file. Afterwards, I always do Ctrl z to undo the Isolation.

Computer screen shows DigiLab Slicer program with3D printers in the background of the photoYou can find all exported files in your files within Fusion360. Here you can download all the .stl’s. While it’s tempting to go straight to printing, there is another step! At least there was for me as I was using a Dremel 3D printer. Using Dremel DigiLab Slicer you can open the .stl and set up your print. You’ll select the material, specify the quality of the print along with how much infill, build plate adhesion, and generate supports if your print requires it. There is also a mode to customize your print where you get more into the details of 3D printing. With all your details set, which includes orienting the file on the build plate, an important step that you shouldn’t forget. From there you can Prepare Slice followed by saving the file as a .gcode.

Using a USB drive, I plugged that into the printer and selected my file to print. From there the printer does its steps to orient itself and warm up while you’ll want to cross your fingers to make sure it all comes out okay!


The specs of the project will vary depending on a number of factors that are specific to your project such as the size of the letter itself and the size of the box that serves as the base of the letter. I tested a few before I came to the one that worked the best for myself and this project.

I started off small, which proved to be an issue. It is important to remember that 3D printers can only print so small. Small prints, especially those that rely on details, may lose those details in printing. I decided to increase the size to keep that detail. Furthermore, I realized I would be using these pieces in a workshop and having a larger example would be easier to show as opposed to the small one.

Here are my tests and their specs with the how they printed:

Test 1:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: Yes
        • Build Plate Adhesion: Yes
        • Status: FAILED
        • Letter: ENTIRE ALPHABET

Test 2:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: Yes
        • Build Plate Adhesion: Yes
        • Status: SUCCESSFUL
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .5 inches
              • Letter Height: .125 inches
        • Letter: ENTIRE ALPHABET

Test 3:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: SUCCESSFUL
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: ONE LETTER

Test 4:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: FAILED
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: THREE LETTERS

Test 5:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: FAILED
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: ONE LETTER (FILLED IN B, HOLES NOT PRESENT)

Test 6:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: SUCCESSFUL
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: ONE LETTER C

Test 7:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: FAILED
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: ONE LETTER (FILLED IN B, HOLES NOT PRESENT)

Test 8:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: SUCCESSFUL
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .5 inches
              • Height: .5 inches
              • Letter Height: . 5 inches
        • Letter: ONE LETTER B (BUILT DIFFERENTLY IN FUSION360)*
            • *Extrude the sketch which already had the holes.

Final:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Size:   
              • Scale Design: 3.5
              • Width: VARIES
              • Length: 1.75 inches
              • Height: .5 inches
              • Letter Height: .5 inches

Undergraduate History Internship Opportunity: Fall 2024

Student Opportunity: Seton Hall Archives & Special Collections Internship

Level: Undergraduate (Two positions available)

Mentor: Quinn Christie, Public Services Archivist

Project:

The student with an interest in archives will learn modern archival best practices, including physical rehousing, metadata description, and digitization.

The student will work under the Public Services Archivist on various tasks which may potentially include:

· Applying arrangement and rehousing best practices

· Working with a variety of format types and applying skills based on need of item

· Describing collections in ArchivesSpace and applying controlled vocabulary

· Flagging items in poor condition and creating unique housings for certain materials

· Digitizing materials for use in a digital exhibit

Learning Outcomes:

The student will learn:

· The benefits of item rehousing and recognizing common agents of decay

· To act on appraisal decisions and ethically dispose of archival materials

· To apply best practices for storing, describing, and digitizing materials

· About principles of digital curation and the production of digital exhibits

· About theory related to archival arrangement and description

Daily Work Schedule: flexible during 9-5, M-F schedule

To apply: Please send a resume and brief cover letter addressing your interest in the position to quinn.christie@shu.edu.

Please note: Registration in HIST 4710 is required for this internship. Contact Sara Fieldston to register for this course. Email: sara.fieldston@shu.edu

3D Printing the Past

A black Speedball black press, a gray inking plate, and a Speedball brayer.

Working in the Archives and Special Collections Center, we showcase historically significant print materials to visiting classes who have made these visits part of their curriculum. Implementing a printing demonstration and an opportunity for students and faculty to get involved with the printing process itself will bring a new form of learning into the space and a new way to engage and appreciate the items before them. A Faculty Innovation, or FIG grant, now makes this possible.

Over the years I have had the pleasure of attending Rare Book School out of the University of Virginia in Charlottesville, Virginia, which proved to be part of my inspiration for this project. Just this past summer I saw a working reproduction of an eighteenth-century press which is typically given the name of Franklin Printing Press since it is believed that Benjamin Franklin used something similar. I saw the metal moveable type that was laid out, how the ink was applied, how the paper was arranged, and the strength needed to press the paper onto the moveable type. The entire process made me wish I could requisition a press to be built, procure trays of moveable type, have ink balls, quality paper, and ink.

But that would require thousands of dollars, so the question became how can I do this without spending that amount of money? How can I make it portable? And how can I share the results with others?

My project was born. I decided to take one the earliest typefaces to bring back to life by using emerging technology of the 21st century. This project utilizes Photoshop and Illustrator from Adobe Creative Campus in connection with Fusion360 and a Dremel 3D40 printer which uses PLA filament. Additionally, this project uses a Speedball Block Press and brayer along with an inking plate. I will be using the Archives and Special Collections blog to share updates, tips and tricks, successes and failures so that the process can be expanded and even improved upon by others interested in creating a similar project.

While this project is aimed at becoming an interactive component to class visits in the Archives and Special Collections Center for faculty and students, I also get to practice and refine my skills in Photoshop, Illustrator, and 3D modeling while learning about the 3D printing process. And ultimately, I get to take my first steps in faculty scholarship and in crafting a unique learning experience for the community.

As part of this grant, I have been asked how this project can be implemented within the curriculum. Metal moveable type and the printing press, even the digital aspects of this project, relate to many different subject areas as I will outline below but can apply to much more.

Typography and Graphic Design
Since typography is focused on learning about letterforms and words as design elements as well as the historical roots which goes back to Gutenberg this project would be an addition to these learning objectives. As would it be to graphic design where students are focused on creative, conceptual, and practical aspects of graphic design and advertising.

Book History (History of Books)
This project will allow exploration into the process of how books were made focusing on the materiality of the book. It will allow further conversations into materials and even marks of book use and ownership.

Ethics
Much like we have plagiarism policies in place today to discourage the stealing and appropriation of someone else’s work as your own, a similar issue was around during the time of the printing press. Printers would merely obtain a copy of a work that is selling well and print it for themselves.

Education
The printing press led to an increase in books and printed items. Those who wanted books no longer had to rely on scriptoriums to hand-copy books and could now obtain them more easily. With a new influx of books being produced at a rapid pace, educational standards improved. More people learned to read and write while laws were created to ensure people received an education.

Ideology
Did you know Hitler banned Fraktur in a 1941 statement? According to the document the font was believed to have Jewish ties and was therefore banned. While this document was most certainly typed on a typewriter, the idea is the same. The printing press allowed people to share their thoughts more freely and spread their ideologies faster.

3D Technology
This project would not be possible without the use of 3D technology of the 21st century. There are many different applications in which 3D technology can be utilized, not just to replicate typefaces to explore printing press and history but to scan and have objects available for viewing digitally. Furthermore, it allows the development of digital skills in a digital realm where there seems to be very few limitations.

Communications
The printing press revolutionized mass communication. Where the world once relied upon oral traditions and the slow pace of a scriptorium, there was now the printing press which could print multiple pages at a time.

These are just a few examples of how this project can be used to start discussions in different subject areas that are part of the curriculum. And when fully developed and operational, the project in connection with displays of items from the archives and special collections that used a similar process when they were initially created will allow visitors to fully appreciate them.

In an increasingly digital world, materiality still has a foothold that can not be replicated. We can read, we can watch videos, but nothing compares to a live demonstration and exploration into the physical process that sparks conversation beyond our primary impressions.

Stay tuned for the next blog update as the project gets underway!

Time Machines: Meet the Researchers!

The Time Machines project, which supports undergraduate research in Special Collections, is off to a great start.  The sheer diversity of the projects—podcasts, a map of climate change in the Arctic, even a cookbook —showcase just how diverse primary source-based research can be. Read on to learn more about our student researchers, their proposals, and how their projects are going thus far.

Pegi Bracaj

Object of Choice: The Miriam Rooney Papers 

Pegi Bracaj is a political science student with aspirations for a career in law upon graduation. She was drawn to the papers of Miriam Rooney, the founding dean of Seton Hall Law School and the first female dean of a law school in the United States. Pegi decided to expand upon the primary source material by creating a multi-episode podcast series. The first episode will be dedicated to Rooney’s life as based on the archival findings. In later episodes, she plans to “contextualize Miriam Rooney’s accomplishments in the context of the broader legal history, showcasing her influence on subsequent generations of female lawyers”. Through interviews with current female lawyers at Seton Hall Law School, Pegi seeks to connect Miriam Rooney’s life to the ongoing discussion and challenges faced by women in the legal sphere today.

Ashley Skladany

Object of Choice: Collection of 1967 Newark Rebellion Newsclippings 

Ashley focused her project on the 1967 Newark Riots and its impact on the campus through two mediums-an academic paper and a podcast. As a technical producer of the Global Current, the official international affairs podcast of SHU’s School of Diplomacy, Ashley will utilize her skills to record and edit a podcast that interviews individuals who attended the university at the time or who were impacted.

Eman Fatima

Object of Choice: Coin from the Mughal Dynasty ; Coin, ¼ Anna

Eman Fatima spent the first sixteen years of her life in Pakistan and describes her interest in history and decolonization stemming from a lack of substantial education on British colonialism (particularly in South Asian countries) in schools’ curriculum. In wanting to explore how colonialism has molded and continues to mold the identity, culture, and daily life in South Asian society, Eman intends to write an academic paper comparing two coins: one from the Mughal Dynasty, and the other from the 17th century amid British rule over India and Pakistan.

Collin Doyle

Object of Choice: Journal of Roy Fitzsimmons, 1937-1938*

Collin came to the Archives upon hearing that the Archives had recently acquired the journal of Roy Fitzsimmons (SHU class of 1937), a physicist and polar explorer who took said journal on the MacGregor Arctic Expedition from July 1, 1937 – October 4, 1938. The goals of the expedition were to conduct a magnetic survey, collect weather data, photograph the aurora borealis and study its effects upon radio transmission, and to explore the area northwest of Ellesmere Island. Collin intends to create a data visualization project incorporating computer algebra systems such as Mathematica to generate 3D maps, as well as contour plots, of the arctic landscapes explored by Roy Fitzsimmons in the late 1930s, with the goal of highlighting the effects of climate change over the last century. Through this medium, Collin seeks to “breathe life into the journal’s observations” while providing commentary on the urgency of climate change and the threat it poses to our society and planet as a whole.

*Journal is not currently available online but is available to view at the Archives by appointment.

Hope Mahakian

Object of Choice: WWII Ration Books, 1943 

Hope, a History major, has always been interested in the effects of WWII on the American home front. When researching possible items for this project she came across the WWII ration books but was not initially interested in pursuing them. However, after a trip to the Archives and viewing the object for herself, research questions began to emerge–”Who is or was the person that owned them? What were they used for? What do the different stamps mean? Why were some used more than others?” After discovering that all the ration books were owned by women, who were most likely in the same family, Hope decided to take a more personal approach to this project by creating her own cookbook based on the recipes that were created or became more popular due to rationing. In addition, she intends to also create a short video in the style of a 1940s infomercial, complete with filters and wardrobe choices to create the proper aesthetic, where herself and fellow actors cook the recipes themselves. Through both of these mediums Hope intends to convey what rationing looked like and how it differed across different types of families.

Austin DelSontro

Object of Choice: Setonian Newspapers, 1924-2019 

Inspired by the 100th anniversary of The Setonian, Seton Hall’s student run newspaper, Austin approached this project wanting to explore not only how campus life has changed over the course of 100 years, but what has remained the same. Further, Austin’s research will focus on the evolution of writers, the topics covered over the years, and the response to significant cultural/political events over the past 100 years. While Austin’s primary project will be an academic paper, he also intends to supplement a digital component, such as a website or a blog, and use images to illustrate key differences. Austin is also exploring the possibility of creating his own personalized newspaper, inspired by The Setonian itself, to provide a comprehensive overview of his research findings.

Final projects will be shared with the community in April 2024. Stay tuned for more updates—we cannot wait to see how they will turn out!