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Historical records of the Order Sons of Italy in America Umberto Primo Lodge No. 750 now available for research!

Italian-Flag-Wallpaper-ImageOriginally called “Figli d’Italia” and later renamed “L’Ordine Figli d’Italia in America,” Order Sons of Italy in America (OSIA) was founded on June 22, 1905 in the Little Italy neighborhood of New York City by Dr. Vincenzo Sellaro and five compatriots who came to the United States during the great Italian migration of the late 19th and early 20th centuries. Initially established as a mutual aid society for early Italian immigrants, OSIA aimed to create a support system that would assist Italian immigrants with obtaining citizenship, provide health and death benefits and educational opportunities, and offer assistance with assimilation into American society.  So far reaching were the organization’s early efforts that the Italian government designated OSIA as its official representative of Italians in the United States in 1922. Today OSIA is the oldest service and advocacy organization for individuals of Italian heritage in the United States and is dedicated to preserving and promoting Italian American culture, heritage, and traditions.

The Umberto Primo Lodge No. 750 of Susquehanna, Pennsylvania, a now defunct lodge of OSIA, was established in 1920 as a local lodge under the jurisdiction of the Grand Lodge of Pennsylvania.  The lodge was active until 1991 when it merged with the Roma Madre Lodge No. 1342 of Sayre, Pennsylvania.

View the collection’s finding aid here.

The First Seton Hall Medical School & Its Roots – A Retrospective Exhibit, 1915-2015

When the announcement of plans to form a new medical school at Seton Hall became public in January of 2015 thoughts of future possibilities joined with remembrances of earlier strides in curative education opportunities on campus.  The original Seton Hall College of Medicine and Dentistry was in operation within the walls of the Jersey City Medical Center between 1956-1965.  As the first formal medical school established in New Jersey, and one of the few Catholic university-sponsored institutions of its kind, this institution has a notable place in the annals of academic and state history.

Setonian_New Jersey welcomes opening of Seton Hall Medical-Dental College

This display traces the evolving popularity of medical inquiry and training over the past century through early course work at Seton Hall during the World War I-era with various natural science class offerings which remained a constant and helped to inspire creation of the School (and later College) of Nursing that evolved between 1937-40 and ultimately led to early attempts at developing a medical school on campus between the 1940s-50s.  Official approval was secured in 1954 and an elevated focus on health care to the community became a top priority through the development of specialized training methods, student support, and practical application which helped to sustain the school through its years of affiliation with Seton Hall.  With the closure of the College of Medicine and Dentistry in 1965 and transfer to the State of New Jersey, Seton Hall has since made additional attempts to promote medical instruction on an advanced level with the creation of a Graduate School of Medical Education in 1987 and the overall School of Health and Medical Sciences which currently sponsors this, and all related programs in the field.  The story of our second medical school remains to be written, but further information about the past and early planning objectives can be found within the article from the Setonian.

           New Jersey's first college of medicine and dentistry Seton Hall college of medicine and dentistry

Featured within this exhibit are documents and artifacts borrowed from our College of Medicine and Dentistry Collection and other materials from our University Archives and affiliated holdings.  Letters of support, operational reports, event programs, promotional publications, study aids, and various other documentation that traces the development of the school are presented chronologically and thematically to show how the first medical school was formed and what its mission entailed.

New Jersey's first medical-dental college, the Seton Hall college of medicine and dentistry

For more information about this exhibit and the research services offered through the Archives & Special Collections Center please feel free to access our homepage, or e-mail us with any specific questions or comments at: Alan.Delozier@shu.edu.  Thank you in advance for your interest and comments.

La Hija del Caribe: The Activist

Written by Carly Miller, Special Collections Intern

Portrait of Trina Padilla de Sanz, 1956
Portrait of Trina Padilla de Sanz, 1956

When I began my internship at the Monsignor William Noé Field Archives & Special Collections Center, I knew that Trinidad Padilla de Sanz (La Hija del Caribe) was a Puerto Rican writer and poet who lived from 1864 to 1957. Although I was excited to dive into this historical project, I did not expect to connect on a personal level with La Hija’s work. As a twenty-something in the twenty-first century, I did not anticipate much common ground with a twentieth century poet. Different eras, different problems, different opinions. Or so I thought.

Sifting through La Hija’s work, my preconceived notions were quickly disproved.

While the topics that Padilla wrote about reflected the issues facing her generation, many would also comfortably fit today in the evening news segment or on the front page of the paper. She voiced her opinions on topics ranging from divorce and feminism to wealth disparity and the death penalty. She was an activist before it was vogue, using the power of her pen to speak on behalf of society’s most marginalized groups.

Padilla’s activism is just one facet of her diverse and extensive career. She also delved into history, music, the arts, and literature. She was a pianist, a literary critic, and a teacher. She was unfailingly devoted to her family. Yet, it was the activism that I was able to most indentify with. It constituted a large part of her life and defined not only her work, but her strong character as well.

For this reason, the online exhibit features works which highlight her activism as a writer. Specifically, the exhibit focuses on works related to patriotism, women’s issues, and social topics. While the exhibit cannot begin to encompass La Hija’s life and career, it hopefully provides a glimpse into the person I discovered this summer.

If you are interested in learning more about Trina Padilla de Sanz, please check out the online exhibit.

Continue to check back for updates on the Padilla de Sanz papers or stop by the archives to fully immerse yourself in her world.

The Presidency & Memory of John F. Kennedy, An Exhibit by Alexandra Jousset

Within the Monsignor William Noé Field Archives and Special Collections Center are a variety of valuable resources available to students and scholars alike. As a recent graduate of Seton Hall University with a major in history and minor in art history, interning in the archives proved to be one of the most engaging and educational experiences in my academic career. This experience resulted in my researching and organizing materials on President John F. Kennedy as well as his connection to Newark and more specifically Seton Hall in this exhibit.

White House invitation card, Mr. and Mrs. Seiji Ozawa

The exhibit on display this summer represents many materials pertaining to John F. Kennedy, including photographs, correspondence, books and campaign buttons. The first case illustrates President Kennedy’s career as a Senator as well as his campaign to Presidency. Some of the highlights in the first case include a replica of Kennedy’s Knights of Columbus application dated April 26, 1946. There are also a variety of rare campaign buttons and facsimile documents of invitations to the White House during Kennedy’s presidency. The exhibit also displays two rare photographs of President Kennedy with New Jersey Governor Richard J. Hughes.

John F. Kennedy photograph

The second case of the exhibit displays items that commemorate the assassination of John F Kennedy and its aftermath. Highlights in the second case include a Western Union Telegram and a record from January 19, 1964 of the service held at the Cathedral of the Holy Cross in Boston by the Boston Symphony Orchestra in honor of President Kennedy. Another key item is a book that includes the addresses from the United States Senate and House of Representatives titled Memorial Addresses in the Senate of the United States in Eulogy of John Fitzgerald Kennedy. Overall the exhibit is meant to represent the variety of materials and sources on John F. Kennedy that can be found in the Monsignor William Noé Field Archives and Special Collections Center. It is important for students and the public alike to be aware of the rich resources available here.

The exhibit can be viewed on the ground floor of the Walsh Library and is open all hours the library is open. For more information on this exhibit and questions about John F. Kennedy that I discovered please feel free to e-mail me: Alexandra.Jousset@shu.edu

Exhibit on JFK in Archives Reading Room

Carly Miller Joins Archives as Summer Intern

Carly MillerCarly Miller is the Special Collections intern at Seton Hall University Libraries. She is currently working on the Trina Padilla de Sanz papers. The papers of Puerto Rican poet and activist Trina Padilla de Sanz are in the Msgr. William Noé Field Archives & Special Collections Center through the Unanue Latino Institute. Her responsibilities include outreach and publicity, translation of materials, and arranging exhibitions for the collection.

She holds a Bachelor of Arts in History and Spanish from The College of New Jersey. After graduating in 2013, she moved to Madrid, Spain for a year to teach English in a bilingual elementary school. This experience allowed her to challenge herself in a new environment, practice her language skills, and travel extensively. Since returning to New Jersey, Carly is employed as a Spanish interpreter for a claims adjusting company, facilitating communication between clients and their legal representatives.

Beginning in the fall of 2015, Carly will be attending Rutgers University to obtain a Master’s degree in Library and Information Science. She is interested in pursuing this degree in order to learn not only how to organize information in today’s digital age, but also how to connect people to information. With her current internship, she hopes to further nurture her passion for history and gain valuable, hands-on experience in archival work.

“We Must and Can be Independent”: La Hija del Caribe and Puerto Rican Liberation

Written by Carly Miller, Special Collections Intern
Since the arrival of Spanish explorers in the late fifteenth century, a defining characteristic of Puerto Rico has been colonialism. In one form or another, this tiny island has been subjugated by a larger power. After four centuries of Spanish rule came to an end in the late 1800s, Puerto Rico fell under U.S. control as a territory, a status that continues to the present day. As a result of this perpetual intrusion by foreign nations, a parallel theme throughout the island’s history has been the fight for independence.

Trina Padilla de Sanz was no stranger to this liberation movement. Although she wore many hats during her lifetime, it was her Puerto Rican pride that was most inextricably linked to her identity. Her devotion to her homeland, or “La Patria,” permeated all aspects of her life. Her nickname, “La Hija del Caribe,” was not only tribute to her father, but an acknowledgement of her cultural pride as well.

La Hija championed Puerto Rican independence and preservation of its culture and customs using the most effective weapon at her disposal, her pen. Throughout her lifetime she wrote harsh critiques of American influence in Puerto Rico, believing fervently in Puerto Rico’s right to self-govern. In an inquiry entitled “Apuntes sobre Puerto Rico,” La Hija boldly addressed the hypocrisy of a nation, predicated on the idea of democracy, denying another nation its independence.

“…y si Estados Unidos no quiere verse ante los pueblos del mundo como una irrisoria República, tiene que dar a Puerto Rico su Independencia…un derecho que nadie puede negar.”

Translation:

“…and if the United States does not want to see itself in front of the nations of the world as a laughable Republic, it has to give Puerto Rico its Independence…a right that nobody can deny.”

With this sharp declaration, Padilla de Sanz demonstrated that she did not passively observe with her pen, rather she actively fought for change with it. She was firm, vocal, and unwavering in her defense of Puerto Rico.

Part of her pro-independence stance included extolling Puerto Rican culture and language. She regularly called on her fellow compatriots to fight to preserve the Spanish language, understanding a language’s role in preserving a culture’s identity. She believed that cultures that let themselves be completely absorbed by stronger powers would simply cease to exist. She was quick to highlight the many accomplishments produced by Puerto Ricans in literature, the sciences, and the arts.

In addition to her writings, La Hija rebelled against foreign influence in other ways. Her granddaughter, Yolanda Fernández Sanz, recalled a time in which Padilla de Sanz, ignoring the law against displaying the Puerto Rican flag, hung it defiantly from her balcony. Although it was an illegal act, no one challenged La Hija (Fernández Sanz 158).

La Hija’s fight for independence was an unyielding constant throughout her life. Shortly before passing, she made the request to be buried with the Puerto Rican flag. Even in death, her devotion and loyalty to her treasured Puerto Rico was unequivocally on display.

The Trina Padilla de Sanz collection is now available for research at The Monsignor William Noé Field Archives & Special Collections Center.  Click here to view this collection’s finding aid.

 

Works Cited

Fernández Sanz, Yolanda. Trina Padilla de Sanz: La Hija del Caribe. Madrid: Talleres Gráficos Peñalara, 1996. Print.

Padilla de Sanz, Trina. “Apuntes sobre Puerto Rico.” Arecibo, 1945. Print.

 

A First Glimpse at the Trina Padilla de Sanz Papers

Written by Carly Miller, Special Collections Intern

It would be impossible to discuss Puerto Rican literature without mentioning the distinguished poet, Trina Padilla de Sanz. Born in 1864 in Vega Baja, Puerto Rico, Padilla de Sanz was the daughter of the poet, medic, and political activist José Gualberto Padilla, also known as “El Caribe.” Following in her father’s literary footsteps, Padilla de Sanz developed an impressive career in poetry, editing her father’s works as well as publishing her own collections. Writing under the moniker “La Hija del Caribe,” many of her poems were laced with powerful imagery of nature to celebrate the beauty of life, while her style reflected a harmonious and musical touch.

During her lifetime, La Hija’s passions extended beyond poetry. She was also a gifted pianist, a beloved and dedicated piano teacher, a writer, a suffragist, a social activist, and a crusader for Puerto Rican independence and cultural preservation. She was a regular contributor to many publications, writing essays on an array of topics including Puerto Rican politics, women’s rights, education, religion, the plight of the poor, and the defense of the Spanish language. In an era when expectations for women revolved around the domestic sphere, Padilla de Sanz was a woman ahead of her time, voicing her strong opinions without apology.

As a crusader for social justice, La Hija believed in fighting for change with her pen. In the poem below entitled “Ana Roque de Duprey,” she honors her recently deceased friend, the accomplished suffragist Ana Roque de Duprey. Although Roque de Duprey fought for decades for the women’s suffrage movement, she died without ever voting in her native Puerto Rico. As La Hija eloquently states:

“Y al no poder votar aquí en su suelo,

se fué a la Democracia de los astros

para dejar su voto en la urna del cielo…”

Translation:

“And upon not being able to vote here in her land,

she went to the Democracy of the stars

in order to leave her vote in the urn of the heavens…”

In just a few lines, she captures the essence of her friend and the supreme injustice of the exclusion of women from the voting process. Women’s suffrage was a long struggle, one that La Hija fought for with immense passion and dedication.

Padilla de Sanz expands upon the particular injustice suffered by Roque de Duprey at the end of her life in a note below the poem:

“…ya octogenaria, cuando éste se instituyó en la isla, salió ella a votar por primera vez y, aunque murió con la ilusión de haber votado, su voto fue anulado por ciertos tecnicismos…”

Translation:

“…now an octogenarian [Roque de Duprey], when this [women’s suffrage] was instituted on the island, she went out to vote for the first time and, although she died with the illusion of having voted, her vote was voided for certain technicalities…”

While it may be a blessing that Roque de Duprey departed this life thinking she achieved her lifelong goal of casting a ballot, the bitterness that La Hija feels for her friend is glaringly evident. It is not only a tribute to her friend’s suffering, but also reflects the struggle that women faced even after reaching major milestones in their movement.

Padilla de Sanz possessed an unparalleled passion for life, finding beauty and joy in every day despite various hardships. Well into her old age, she continued writing, playing and teaching piano, engaging with her community of Arecibo, and spending time with her cherished children and grandchildren. La Hija died at the age of 93 in Arecibo in 1957, leaving behind an impressive legacy, which cemented La Hija’s place among the most significant literary figures of the twentieth century.

The Trina Padilla de Sanz collection is now available for research at The Monsignor William Noé Field Archives & Special Collections Center.  Click here to view this collection’s finding aid.

Pomp and Circumstance, Graduation Exercises and Setonia

With the month of May comes the much awaited graduation for college seniors and the commencement ceremonies that signal the end of their Seton Hall degree earning journey.  Along with the memories of diploma receiving achievements past, the University Archives has a large number of commencement programs, photographs, and other documentation that shows the activities centering around this celebration from the inaugural exercises in 1856, the first official graduate Louis Edward Firth, AB in 1862 to the ladies and gentlemen representing the Class of 2015.  Below are a few examples of these informative program guides. Additional perspective on graduation can be found through the listing of honorary degree recipients through the years as compiled by our student volunteer Mr. Matthew Peters.

We look forward to working with you on your own commencement research exercises.  In the meantime, congratulations to all the graduates present and future!

Seton Hall College Thirteenth Annual Commencement, Wednesday June 23d, 1869.

39th Annual Commencement of Seton Hall College

Commencement Program, June 11, 1955

Angling and Hunting Explored through Rare Books opens 6 May 2015

The Msgr. William Noé Field Archives and Special Collections Center, Walsh Library ground floor houses rare books that deal in particular subject areas. This is a small collection dealing with outdoor activities of fishing and hunting. These books are special in many ways from the beautiful leather bindings in some cases, to the signatures of the authors in others.

To begin with two beautiful leather volumes, both on fishing, we have The Compleat Angler by Izaak Watson, an 1876 fac-simile reprint of the first edition published in 1653. The preface says that “This was a book not to be placed in the safe companionship of worthy but unread books…” Rather, it was well used in stream and pond, necessitating this fac-simile reprinting. This volume is printed on “paper of the same shade”, and bound in the same brown leather with “red and blue sprinkling.” It is open to the Angler’s Song on pages 216 and 217. They are the reverse of each other so that one could sing from one side, and another from the other “with the book between them while standing face to face.”

angling song

The other leather bound book, Salmon Fishing on the Grand Cascapedia by Edmund W. Davis, number 7 of 100, was printed for private distribution in 1904 on Imperial Japan paper and sports an emerald silk fly leaf and gold embossed tooling inside the cover board.

Woodcock Shooting by Edmund Davis, number 99 of 100, was printed for private distribution in 1908. It features numerous photographs of peaceful-looking woods where the woodcock can be found, and more numerous shots of bird dogs as well as a lovely engraving of a Woodcock and Young.

The remaining books in this tiny special collection are limited editions dealing with hunting. Three are by Theodore Roosevelt, and two are signed by him.

Books displayed in angling and hunting exhibit

His Outdoor Pastimes of an American Hunter, 1905, recounts hunting cougar, bear, antelope and other wildlife in Colorado, the Rockies and along the Mississippi and Little Missouri rivers between 1901and 1905. A future conservationist whose letter to John Burroughs opens this book, he carefully notes the ranges of these animals and their reduced numbers from the latter part of the 19th Century when he spent 2 years ranching and hunting in S. Dakota to recover from the deaths of his wife and mother on the same day in 1884. The volume is open to a photo of T.R. with his signature on this limited edition, number 222 of 260.

Theodore Roosevelt, Outdoor Pastimes of an American Hunter

African Game Trails, An Account of the Wanderings of an American Hunter-Naturalist by Theodore Roosevelt is number 399 of 500 published in 1910. Volume II of African Game Trails is open to a photograph with the legend in T.R.’s own hand, “My boma when I camped alone.” Boma is a term used to describe a livestock enclosure, stockade, small fort or a district government office used in many parts of the African Great Lakes region.

Finally we have Hunting with the Eskimos by Harry Whitney, a signed limited edition number 141 of 150 from 1910. It boasts many black and white photographs of Eskimo, whaling and hunting musk ox and walrus, and of sled dogs, and is open to a plate of a painting of Aurora Borealis, Smith Sound, Greenland by F. W. Stokes.

This exhibit can be viewed from the hallway between the Walsh Gallery and Msgr. William Noé Field Archives and Special Collections Center during any hour the Library is open. It will run through May 20, 2015.

St. Patrick – Study Aids At Seton Hall

March is a month closely associated with Irish history by way of honoring the patron saint (who shares this designation with Brigit/Brigid and Columba) and apostle of Ireland Patrick (Pádraig), the first bishop of Armagh and Primate of Éire who lived during the 5th century A.D.  In popular and latter-day culture, the legacy of Patrick is often drawn to oft-repeated tales of his driving snakes out of Ireland, teaching the symbolism of the Holy Trinity through use of a shamrock, his walking stick growing into a tree, and the plethora of parades staged throughout the world in his honor.  By extension, Irish culture and heritage is widely recognized with the feast day of March 17th for Patrick being a source of celebration “with the wearing of the green” each year.  His popularity is secure and icons dedicated to his memory abound to the present day.

St. PatrickDelving beneath iconic depictions (many of which are modern enhancements, i.e. the wearing of a miter, holding of a crosier and the robes of high ecclesiastical office, etc.) which are most familiar, the life story of Patrick was actually one of hardship and dedication when reading various accounts of his adventures.  In brief terms, Patrick was born into poverty and enslaved as a youth.  He was able to escape his master as a young adult, make his way back to his native Britain, adopt Christianity, and migrate to the Europe continent for further study.  Patrick ultimately made his way to Ireland as a missionary where he achieved success in his work with, and on behalf of, the people he befriended and administered to during his lifetime.                 St. Patrick portrait   patrick-text

Researching the life, words, and example of Patrick has been made easier and more accessible through the works of a number of scholars from historians, theologians, philosophers, poets, artists, and others who have an interest in his legacy.  Please feel free to follow the link to learn more about Patrick (and other Saints of Ireland from Abbán moccu Corbmaic to Tigernach of Clones and many others of note) through the Archives & Special Collections Center and University Libraries information resource links.  Here are some introductory works to help you on your journey of discovery…

Irish Studies Library Guide

St. Patrick

Saints of Ireland
Irish-Bible

Homage to Patrick also exists on a hometown basis as numerous statues and structures exist in many places around the globe.  Included are those on the campus of Seton Hall University and the Archdiocese of Newark.  Most notably is the Pro-Cathedral of St. Patrick located in Newark which has a long and notable history as documented by Seton Hall faculty member Monsignor Robert Wister, Hist.Eccl.D. who wrote a detailed account of this parish and its place in local and national religious history…

St. Patrick’s Pro-Cathedral, Newark, New Jersey: An Historical Reflection, 1850-2000

St. Patrick’s Pro-Cathedral…An Artistic and Symbolic Description

St. Patrick's Pro Cathedral      St. Patrick's Cathedral, Newark NJ

Whether searching for memorials dedicated to Patrick, or for materials on the man himself, we are happy to assist with your project needs and offer additional leads alike.  In the meantime, continued success on your respective searches and Lá Fhéile Pádraig faoi mhaise duit!