Dr. Francis Monroe Hammond

Written by Spencer Pearce and Jacquelyn Deppe

Dr. Francis Monroe Hammond (1911-1978) was Seton Hall University’s first African-American professor who was “committed to racial equality, grounded in a Catholic understanding of human dignity, was the defining fact of his life.”1 He was born in Liverpool, Nova Scotia, Canada on November 24, 1911, later moving to Pleasantville, New Jersey where he would attend grammar school and high school and later become a naturalized U.S. citizen.

Fluent in French, Dr. Hammond would briefly attend Howard University and New York University before he left to attend the University of Louvain in Belgium. He earned two certificates from the University of Louvain in Belgium and the University of Haiti in 1934 and 1935 respectively. Dr. Hammond then went to Xavier University in Louisiana, sister school of the University of Louvain. There he would become a teaching fellow and meet his wife, Violet Hayes, who also earned a degree from the school. After Dr. Hammond obtained his BS in chemistry and biology in 1937, the couple would later go on to have ten children together.

Dr. Hammond in academic robes.Dr. Hammond returned to the University of Louvain from 1938 to 1939 where he would earn a Licentiate in Philosophy. Dr. Hammond went back to Louisiana to start his teaching career as an assistant professor of philosophy from 1940 to 1945, also gaining a PhD in Philosophy and Social Psychology from University of Laval in his birth country of Canada in 1943.  He would then be made chairman of the Modern Languages Department of Southern University in Louisiana from 1945 to 1946, aided by his ability to speak seven languages including Spanish, Italian, Portuguese, Dutch and German.

Hired under Monsignor James F. Kelley, Dr. Hammond came from Southern University in Baton Rouge, Louisiana. He became a Professor of Philosophy who would rise to head the Department of Philosophy, the oldest department in Seton Hall history, in 1946 October where he supervised a staff of fourteen teachers and four priests. The Philosophy program only allowed students “who have shown signs of intellectual ability, judgment, and studious habits in their Freshman and Sophomore years are admitted.”3

In 1949 Dr. Hammond organized and moderated the Philosophy Circle which was a club to help broaden students’ knowledge in philosophy and to stimulate further interest in it ’49 248. Philosophy Circle consisted of:

“a student committee prepar[ing] programs for members. Reading of the works of important philosophers, both past and present, is encouraged to enliven group discussions which furnish the nucleus of the circle’s activities. Last year, Dr. Charles DeKonnick, Dean of the Philosophy Faculty of Laval University, delivered a splendid lecture on “Dialectical and Historical Materialism.”3

The 1949 Galleon yearbook stated:

“Dr. Hammond is amazed by the amount of student enthusiasm in the philosophy club. “Before the war,” he recalls “students were indifferent, generally, toward philosophy. Now there is a new awareness — perhaps because the students are older and more mature, maybe because of their experience with foreign peoples and ideas while in service.”

To Dr. Hammond, philosophy is basically the study of a way of life. “And,” he asserts, “we hope, in the Philosophy Circle, by reading, judging and comparing various ideas, to arrive at a firmer grasp of the Christian way.”3

Dr. Hammond was also involved in the Inter-Racial Conference (Council) at Seton Hall University which was:

“designed to inculcate in its members, and through them, in the entire student body, the traditional Catholic principles of the “oneness” of mankind, and of the dignity of the individual, irrespective of race. It strives to promote better relations among races, and to give practical application to the principles in the field of every-day living. Monthly meeting are held, both for student discussion, and far addresses by leading authorities in the field.”2

He remained at Seton Hall University from 1946-1955, leaving for a short time to become the Assistant Director of the Commission on Religious Organizations for the National Conference of Christians and Jews (NCCJ) from 1951 to 1952. Dr. Hammond returned to Seton Hall as chairman of the Department of Psychology from 1952 to 1955 before leaving the university to work with the United State Information Agency (USIA) in Europe and Africa.

Dr. Hammond went on a two-month tour Europe and Africa on behalf of the State Department before becoming employed by the USIA, where he stated that “colored diplomats are welcome anywhere in the world.” During this tour, Dr. Hammond met with the emperor of Ethiopia, Haile Selassie I, where it is believed he received the Lion of Judah medal. 

He started as a Social Psychologist and Advisor on Minority Affairs in 1955, but later went on to become a cultural attaché at the American Embassy in Morocco from 1956 to 1961 where he would be a diplomat for the United States during the Cold War. During this time, Dr. Hammond and his family were profiled in Ebony magazine, where he stated that he believed his large family helped him to make friends in North Africa. Dr. Hammond and his family left Morocco for Washington D.C. in 1965, later becoming the Regional Representative for the Department of Health, Education and Welfare in 1966.

The Hammond family in Morocco.

Throughout his life Dr. Hammond often commented on and published articles on race in a Catholic and global context. He was the director of the Catholic Scholarship for Negroes, and an active member of the National Association for the Advancement of Colored People (NAACP), the Urban League and the Civil Rights Commission of Orange, New Jersey. In 1951, he would be awarded the tenth annual James J. Hoey Award for Interracial Justice by the New York Catholic Interracial Council for his work promoting Catholic education for Black people. And 1975 an honorary degree in engineering from the Stevens Institute of Technology.

His collection contains mainly correspondence in both French and English from his life and travels as well as family photographs, his degrees and awards, and even select copies of books from his library.

For more information about the collection, check out the Finding Aid.

 

References

  1. Quinn, D., & Project Muse. (2023). Seton Hall University : A History, 1856-2006. Rutgers University Press.
  2. Seton Hall University Bulletin of Information, 1950-1951, Box: 5, Folder: 73. Office of the Registrar records, SHU-0024. The Monsignor Field Archives & Special Collection Center.
  3. Seton Hall University, “Galleon 1949” (1949). Seton Hall University Yearbooks. 57.
    https://scholarship.shu.edu/yearbooks/57

Captain Roy G. Fitzsimmons: Arctic Explorer and World War II Serviceman

The Fitzsimmons Diary is a recent assession obtained by the Archives and Special Collections Center. Who was he?

LeRoy (Roy) G. Fitzsimmons was born 1915 June 1, one of ten children born to John F. (1867-1958) and Alice Brown (1873-1941) from 50 Leslie Street, Ward 16 of Newark, New Jersey. He is mostly remembered as having served on the MacGregor Arctic Expedition (1937 July 1-1938 October 4) and as a member of Richard Evelyn Byrd Jr.’s third expedition in the United States Antarctic Service Expedition (1939-1941) working in the Rockefeller Mountains where a peak bears his name.

While his name may be attached to these expeditions and even the Carnegie Institution where he was trained in magnetometry and on the operation of magnetic equipment with C.J. MacGregor in June of 1937 1 , Roy Fitzsimmons was first and foremost a Pirate of Seton Hall College who graduated in 1937 with a Bachelor of Arts in Physics.

Commencement Program from 1937 which shows Roy Fitzsimmons graduating

Much like the Seton Hall University of today that encourages students to partake in activities, Seton Hall College in the 1930s also encouraged their students to take part in student activities. The course catalog from 1937 lists:

The Student Council

The Setonian

The Dramatic Society

The College Glee Club

The Schola Cantorum

The Brownson Club

The Athletic Association

The Orchestra

The Society for the Propagation of the Faith

The Altar Society

The Press Club

The Photography Club

Catholic Activities Club

The Pre-Medical Seminar

Le Cercle Francais

The Chess Club

While this is the official listing from the 1937-1938 course catalog 6 , there was also the Chemistry Club, which shows up in the Setonian throughout the 1930s. Due to the Great Depression there was no yearbook printed between 1934-1938 which makes it difficult to fully understand the extent of student activities being offered and how Fitzsimmons might have participated.

However, the Setonian 7 was able to capture some of the student activities taking place. While the Archives and Special Collections Center does not have all the copies published during the 1930s, the ones they do have contain enlightening insights into Seton Hall during the Great Depression. According to a Setonian published on 1936 December 17, Roy Fitzsimmons participated in a theater production, Breezy Money. And in his final year as a senior he was in a one act play The Master of Solitaire according to a 1937 February 25 issue.

In another Setonian published 1937 June 2 in the Senior Who’s Who column, Roy Fitzsimmons was known as:

FROID-Has penchant for best sellers…Only $1500 between him and North Pole…The class chemist…Will be remembered as Press Agent deluxe in “Breezy Money”.

Ambition: Psychologist.

Prediction: Psycho-Analyst.

While Fitzsimmons may have not made it directly to the North Pole or became the psychologist he wanted to be or the psycho-analyst his fellow classmates predicted, he did become an arctic explorer and accompanied well known explorers on their expeditions not only into the Arctic but to Antarctica as well. His diary details one part of his expedition of the MacGregor Arctic Expedition from 1938 March 20-1938 July 31, including meteorological data for September 1937 and May 1938. Included in the pages are phantom silhouette marks of plants that once called the pages home but have long since been removed.

In an oral history facilitated by Rutgers University for the Rutgers Oral History Archives of World War II, Robert Inglis in an interview dated 1998 October 27 with G. Kurt Piechler and Michael Ojeda, talks about being a Boy Scout. He specifically talks about how during an Order of the Arrow Banquet, he approached C.J. MacGregor, who he had met previously in Wyoming, about joining MacGregor’s expedition. Inglis then states:

“It wasn’t too long afterward that I got a letter from Mr. MacGregor that if I was interested in being a Boy Scout on the expedition he would be glad to take me along. That’s how I got to go to Greenland on an Arctic expedition. I was seventeen years old, didn’t know any better. It was one of those experiences that you would pay one million for, but wouldn’t do again for $1 million” 4 .

Further on in the interview, Inglis mentions Roy Fitzsimmons setting up a magnetometer that needed to be anchored to solid rock to avoid vibrations. A magnetometer is a delicate instrument, consisting of magnets attached to mirrors suspended on threads with a light beam directed at the mirrors which then reflected onto photographic tape to record horizontal and vertical intensity of earth’s magnetic sphere 4 . Inglis remembers:

“Anytime anybody went within one fourth mile of that instrument with a rifle or anything they had to let Roy know about it, so he could compensate on his instrument” 4 .

In a different diary held at Ohio State University, Ernest Earl Lockhart describes part of the Antarctic expedition where he mentions:

“We of the biological party 7 are finding it difficult to change from the rigorous schedule we have been observing to this not so rigorous one of the base” 2

A footnote to this sentence mentions Roy Fitzsimmons as the “physicist for the seismic station” 2. Images of Fitzsimmons on this expedition can be seen in a journal article, Results of Auroral Observations at West Base, Antarctica, April to September, 1940, published in Proceedings of the American Philosophical Society, Vol. 89, No. 1 published 1945 April 30.

In the same Setonian issue:

Remember Fitzsimmons at the Junior Prom? Miss Durin does!

Even if this is not the same Fitzsimmons, the Junior Prom was a highlight for the students. In 1936-1937 Nicholas Rosa captured some of the Seton Hall events which would later be published in the Setonian as he was the photographer on staff. Many of his photographs found their way into a scrapbook including the one of the cast of Breezy Money, where Roy Fitzsimmons comes to life with a photograph. Unfortunately, this is not the case for other graduates during 1934-1938, many of which remain faceless.

Image of the cast of Breezy Money from the Nick Rosa scrapbook

Come 1942, he joined the United States Air Force and became Captain Roy G. Fitzsimmons. He served six months in India using his meteorological knowledge in scheduling strategic bombings of industrial targets in Japan, China, and Southeast Asia using Boeing B-29 Superfortress bombers 3 . Three years later on the 5th of May 1945, Captain Roy G. Fitzsimmons was killed while returning from active duty in Cuba.

Alumni Bulletin from 1945 June 11 that states the death of Captain Roy Fitzsimmons.During 1945, much of the public would have learned of Fitzsimmons death from local and national newspapers while Seton Hall alumni servicemen stationed within the United States and overseas would have learned of his death through the Seton Hall Alumni Bulletin 5 , an issue dated 1945 June 11. This newsletter connected alumni back to Seton Hall and to other alumni servicemen. One newsletter describes a Pirate who discovered a fellow Pirate stationed near them and how they made plans to meet up. With these newsletters are correspondence from servicemen to Dan McCormick and John O’Neill, the editors of the newsletter. They discuss fellow Pirates, their memories of Seton Hall, and details about the war that didn’t need to be censored.

After this there is no more mention of Captain Roy G. Fitzsimmons. However, his name will reside within the details of the collections at the Carnegie Institution of Washington, Rutgers University, Ohio State University, Seton Hall University, and others.


References

11936-1937 Year Book – Carnegie Institution of Washington, 1937, by Carnegie Institution of Washington. Online: https://archive.org/details/yearbookcarne36193637carn/page/278/mode/2up?q=fitzsimmons

2Ernest Earl Lockhart’s Antarctic Journal, 25 December 1940 to 16 January 1941, n.d. Online at: https://kb.osu.edu/server/api/core/bitstreams/fe6cc4ef-2ac5-5967-86dd-02e4967fcba7/content#nbiological

3Former Explorer Killed: Mass to be Said Tomorrow for Capt. Ray G. Fitzsimmons, May, 13, 1945, New York Times (1923-). Online at: https://www.proquest.com/historical-newspapers/former-explorer-killed/docview/107092484/se-2

4Inglis, Robert Oral History Interview, October 27, 1998, by G. Kurt Piehler and Michael Ojeda, Tape #1, Rutgers Oral History Archives. Online: https://oralhistory.rutgers.edu/alphabetical-index/interviewees/30-interview-html-text/513-inglis-robert

5Office of University Advancement records, SHU-0029. The Monsignor Field Archives & Special Collection Center. https://archivesspace-library.shu.edu/repositories/2/resources/516

6Office of the Registrar records, SHU-0024. The Monsignor Field Archives & Special Collection Center. https://archivesspace-library.shu.edu/repositories/2/resources/330 

7The Setonian, SHU-0054. The Monsignor Field Archives & Special Collection Center. https://archivesspace-library.shu.edu/repositories/2/resources/524

A People’s History: Surveying the Archives of the Sahrawi People

This image depicts three individuals, two wearing hijab, standing in front of a desert-style archives building.

Archives are the backbone of our collective memory, a vital thread connecting us to our past, informing our present, and shaping the future. While the perception remains of Archivists locked away in basements amongst dusty shelves and locked cabinets—and trust me, we find ourselves there often!–sometimes the work leads to unexpected projects and places. In November of 2024, Dr. Sarah Ponichtera, Assistant Dean of Special Collections & the Gallery, and Professor Joseph Huddleston of the School of International Relations and Diplomacy, headed to the Sahara Desert to conduct a survey of materials in multiple repositories cared for by the Sahrawi people—a partially recognized state governed by the Polisario Front since 1976. These materials were created by these people, for these people—documenting their history, colonization, and struggle for liberation and independence.  

Two ancient musical instruments sit in a museum display case.

The start of this project began with a simple inquiry from Professor Huddleston in regards to digitization of materials. Huddleston explained the challenges of conducting research in the Sahrawi refugee camps, where he had studied the foreign policy of the Polisario government in exile. Huddleston worked with the Sahrawi people and foreign ministry for many years, and the last time he was there he was granted access to a repository of rare materials but found the information to be in a vulnerable state. The materials are located in a very remote area that is extremely challenging to get to, where there is limited access to the internet and sometimes even electricity. Since the Sahrawi government is not technically part of Algeria, they are not afforded the same resources or services as the rest of the country. Recognizing how important these archives are to not only Huddleston’s research, but to researchers across the world, he sought to digitize the materials himself on his next trip so that he can make this information widely available.  

 Collaboration between faculty and the archives in a university is common, but for the most part, it is a simple request and exchange of information within the confines of the archives or email. They work within the same spheres, but rarely within the same level of activity. Here there is a unique collaboration between these spheres to conduct a field analysis together—Dr. Ponichtera can bring advice and insight into archival practices of caring for physical materials and process and procedures for digitization, where Huddleston can emphasize how these applications will help to preserve the collective history of these people for generations to come. The goal of this trip was to conduct a survey of materials– what materials are there, how many boxes and containers, getting a better sense of what types of materials there are, what equipment will be needed, and how many people will be needed in order to digitize the collection in a future phase.  

Shelves hold a variety of obsolete audio video formats, from audio tape to cassettes to VHS recordings.

Upon arrival, Huddleston and Ponichtera faced a variety of challenges, but also triumphs. First off there were far more collections than previously thought—5 different repositories under 5 different ministries, each with their own levels of care. The archives of the ministry of information, for instance, started as the archive of the local radio and television station that had been documenting the Sahrawi struggle since the 1970s. This poses issues because of so many different formats, different kinds of magnetic tape, and the overall evolution of media that will require specialists to repair and digitize it. There is also the fact that an active conflict is going on in the Western Sahara and sensitive information is sometimes found mixed in with materials meant for public access. And then there is the matter of properly storing the materials themselves. While an NGO from Austria came and built a state-of-the-art archival building that is secure, contains collection storage shelving, and has temperature/humidity control, there is a strong need for folders, boxes, and new types of archival housings for fragile materials such as photographs for which the technology has radically improved within the last decade.  

Mural depicting leaders of the Sahrawi struggle.

But what Ponichtera and Huddleston want to stress is the tenacity, kindness, and dedication of the Sahrawi people themselves. There is currently a team of 7 professionals who maintain this archive and want to make it accessible to everyone. They have developed their own organizational structure of the materials which fit their specific preservation needs. These materials are not neglected—far from it—it is a just a matter of the lack of resources they currently have which is a sentiment archives from around the world can relate to. What they have been able to preserve in both volume and diversity of materials, is as remarkable as it is inspiring. During their time living within the camp with Sahrawi families, Ponichtera noted how community-minded this community is—anywhere you go you are welcome with open arms, a place to stay, and a warm meal. The creative and independent spirit developed by living in a hostile climate like the Sahara sets the future of this project in good stead. Now that the survey has been conducted, the Sahrawi archivists are creating updated descriptions to enable future researcher access. When this is complete the planning for the full digitization project will begin.  

 This project is more than just preserving some materials—it is a living repository, a chance for the Sahrawis to tell their OWN stories and experiences, a way for researchers to perhaps change and enrich their understanding of the world. Isn’t that what history is all about?  

Spooky Stories — a mini series with Jackie and Martha

Happy Halloween! This year to get into the ~spooky season~ spirit, we wanted to share some various books, poems, periodicals found in Seton Hall’s Archives and Special Collections. Join Jackie Deppe (Technical Services Archivist & Rare Books Specialist) and Martha Slomczewski (Special Collections Assistant & Social Media Coordinator) over the next 11 days as they read these selections and provide colorful commentary on the works themselves and the history surrounding them. We will update this post each day with a new episode. Happy Halloween and happy listening!

To listen to other episodes please click the “Playlist” icon in the upper right hand corner of the video to see the full list of episodes or click here.

100 Years of The Setonian

 The Walsh Gallery at Seton Hall University celebrates the 100th anniversary of The Setonian, the official undergraduate student newspaper founded in 1924. For more than a centennial the paper has been the the voice of the University community, delivering coverage from all angles of campus. From reporting on the frontlines of student-led protests to dissecting the latest fashion trends, The Setonian has remained steadfast in its reporting. The paper also serves as a training ground for journalists and reporters while upholding the First Amendment. The exhibition explores the beginning of the newspaper, envisioned by student John Erigena Robinson in a diary entry dated 1873 through the present day with stories of the paper’s hiatus during COVID-19, its subsequent return online, and then, in print. The exhibit pairs news articles with objects from the gallery and archival collections in themed sections that borrow from the format of a traditional print paper.

The exhibition celebrates the dedicated students that worked at the newspaper over the past century while diving into key themes and stories in the history of the paper, student life and the University. Sections include Greek Life, Sports, ROTC, and Editorials. The exhibition was made possible through the work of many people on campus, – especially the staff and advisors of The Setonian, but also the student researchers and fellows, interns, archivists and gallery staff that each had a role in documenting, preserving, transcribing, researching and displaying the wealth of materials on view.

Celebrate the exhibit and this 100 year milestone with us on October 24th, from 4-6pm in Walsh Gallery.  There will be refreshments and an opportunity to gather with current and former Setonian staff.  We hope to see you there!

In addition, we’re happy to share with you that much of the historic run of the Setonian is now available digitally!  Starting last semester, the archives began to digitize early additions of The Setonian that are currently only available to view via microfilm. In digitizing these files, they will be able to be accessed by not only Seton Hall students and faculty, but the general public as well. You will be able to follow the progress of the project here, as new digital editions will be linked here as they are published.  They will also be available through the archives regular research portals Archivesspace and Preservica.  

UPDATE: The first 30 years have been digitized! You can access them via Archivesspace here.

 

Women’s Conference

Did you miss the “NJ Women of Interfaith Dialogue and Holocaust Education” presentation from Session I: Women and Gender in the Archives of the Conference on Women and Gender 2024 that took place on Friday, April 5, 2024?

Don’t worry! We are making the speech available here along with the slides used that day.

 


 

New Jersey Women of Interfaith Dialogue and Holocaust Education

Presented by: Athena Frade, Archdiocese of Newark and Rutgers University and Jacquelyn Deppe, Seton Hall University

Abstract

This presentation, based on research in Seton Hall’s archives, will share the stories of three devout women, each coming from a different faith and perspective, whose work intertwined because of their dedication to the importance of teaching Holocaust and genocide education.

First is sister Rose Thering, who started as a Dominican nun in Racine Wisconsin. She very quickly realized her passions, which led to her research on a doctoral thesis that would eventually affect Vatican II, and influenced the church’s publishing of the Nostra Aetate, which spoke on the Catholic Churches relationship with the Jewish faith. She then spent the rest of her career focusing on strengthening the ties between the Catholic faith and the Jewish faith, including involvement in the New Jersey Commission for Holocaust Education.

Second is Nancy Forsberg, who was a pastor for the Faith United Church of Christ. She founded the Union Interfaith Committee on Holocaust Awareness, which was one of the committees also instrumental to integrating the teaching of Holocaust education into the public-school curriculum, which would eventually become state-wide law.

Third is Luna Kaufman. Kaufman, who was born in Krakow, first lived through the German occupation of Krakow and later held as a prisoner the concentration camps of Plaszow and Leipzig. She was able to survive the Holocaust, and eventually emigrated to America. She and her husband settled in New Jersey, where Kaufman was an active part of the Jewish Community and became the first woman president of her Temple. It was later in life she began to work and advocate for Holocaust education, picked by former Governor Kean to work on the Advisory Council for Holocaust Education when it was first formed in 1982. Kaufman spoke at Forsberg’s Interfaith Committee, and would eventually find her way to speaking and teaching at Seton Hall, where she met and then worked with Sister Rose on Holocaust education.

Together, these women worked tirelessly to bring Holocaust education to New Jersey while simultaneously bridging an interfaith divide. Their work brought both to the attention of the State of New Jersey, where their efforts eventually culminated in the 1994 law that mandated the teaching of the Holocaust and genocide in New Jersey schools. As prominent women of faith, they used their knowledge and cooperation to make education better for every student, regardless of faith.

 


 

Presentation

In 1994, New Jersey became the second state in in the nation to mandate the teaching of the holocaust and genocide in all elementary and high schools in the state. This law is still on the books today, and continues to make sure school curricula properly cover and inform students about the importance of learning about and from genocide. But this law did not spring out of nowhere, but was instead the concerted effort of passionate professionals. Seton Hall is lucky enough to house some of these professionals’ collections of papers which include evidence of their efforts.

The Archives and Special Collections Center at Seton Hall University recently reprocessed and rehoused the collections of three prominent religious women, Sister Rose Thering, Nancy Forsberg, and Luna Kaufman, under a grant funded project, Feisty Women in Interfaith Dialogue: The Second Vatican Council Years, from the New Jersey Historical Commission. These collections allow scholars not only to explore the often-untold story of women’s activism in changing the terms of religious dialogue but in transforming the educational system, ensuring that their values would be instilled in future generations. Through our reprocessing we discovered these women accomplished this through their involvement in development of Holocaust Education in New Jersey.

This reprocessing project for these three collections entails updating folder titles to be more reflective of their contents, replacing folders with chemically neutral archival folders to slow down deterioration and acidification of the paper, replacing boxes with chemically neutral archival boxes, and placing photographs in transparent polypropylene sleeves to protect surrounding paper from off-gassing chemicals from the photo, and protecting the photo itself, allowing it to be handled and seen without removing it from its sleeve. These are essential steps that allow a collection to be accessible in terms of information discovery and physical handling. Furthermore, this preservation will ensure that the collections will be available for longer periods. Allowing these invaluable primary sources to continue serving students and scholars alike as they research points of view, collect evidence, explore agreements and contradictions to gain a deeper understanding of history.

Sister Rose Thering

Labeled as the “feisty nun” Sister Rose Thering was a strong proponent of Judeo-Christian relations as can be seen in her doctoral dissertation. Sister Rose Thering started as a nun in Racine, Wisconsin, joining the Racine Dominican sisters at the age of sixteen. From there, she would earn an undergraduate degree from Dominican College there, then a Master’s from St. Paul University in Minnesota, and finally a doctorate from St. Louis University. With her doctoral thesis, she made the decision to focus on how Jewish people were depicted in Catholic education textbooks. In particular, her work focused on the long running antisemitic myth, that the Jews killed Jesus, and how, even with absolutely no biblical proof of this, it was a myth that was being taught and retold in classrooms to unsuspecting students. This thesis would later prove influential enough to catch the attention of Pope John XXIII, and in the Second Vatican Council, her work was used to draft the 1965 document ‘Nostra Aetate’, a proclamation that transformed Jewish-Christian relations after 1965. But her work did not stop there. She then spent an entire career making efforts to connect with the Jewish community, and bridge the gap between the Catholic community and the Jewish one. That includes years of leading trips of Seton Hall students on educational tours of Israel, establishing workshops educating people on Judaism, and she was head of the Jewish-Christian Department here at Seton Hall University. Sister Rose went on to become a part of the New Jersey Holocaust Education Committee, the one that she, and fellow subject of this grant Luna Kaufman, were both a part of, and helped author the 1994 bill. She had been on the Governor’s Advisory Council on Holocaust education since its founding in 1982. However, by 1994, the committee was able to put together a comprehensive curriculum for New Jersey Public School students, going all the way from kindergarten up through 12th grade, educating students on genocide and the Holocaust.

What that looked like for young students was understanding topics such as ‘The Self and Others’, ‘Dislikes and Prejudice’ and simply being able to define ‘The Holocaust’ (MSS 0016 Box 5 Folder 23) while older students were analyzing what propaganda and how it was used in both the holocaust and other genocides, and different types of resistance in the face of genocide. By the time students were in high school, the curriculum became much more in depth, older students being able to comprehend and digest the heavy topics being covered. It was a curriculum aimed at teaching students not only what the holocaust was and why it matters, but also was meant to instill a lifetime of resistance towards the mechanisms that push societies towards genocide.

A lifetime of resisting genocide was a large part of sister Rose’s career, and in the later part of her life, eventually the Sister Rose Thering Endowment was established in her name, meant to honors others who have done major work in holocaust education and interfaith work. Amongst its recipients were the author of the book Night, Eli Weisel, and Luna Kaufman. And it is an endowment that is still gifted today, extending Sister Rose’s dedication to interfaith education and holocaust and genocide education up into the present day. For the remainder of the semester, you can see an exhibit the archives have put up focusing on the legacy of Sister Rose Thering, to get an idea of the scope her works and papers encompass.

Nancy Forsberg

Nancy Forsberg became the pastor for the First Congregational Church in Union, New Jersey in 1961, but had already begun to do work of interfaith relations before that. She had spent her summers with the Intergroup Relations Experience, doing tours of churches in Germany and Switzerland, and doing a study tour in the Middle East covering Turkey, Greece, Egypt, Syria, Lebanon, Jordan, and Israel. in both 1960 and 1963, she would do independent study and work in Israel, living with both Jewish and Arab families. She had also spent time as a freelance lecturer in America and Canada, where she lectured on the Middle East and Israel, all of which she saved in her papers.

During her time as the Pastor of First Congregational Church, her work in interfaith relations did not stop. She was able to start conversations by first educating her parish with the help of other holocaust educators, inviting speakers like Luna Kaufman, fellow educators on the horrors of the holocaust. And that spirit of collaboration, also present in Sister Rose’s work, is an important throughline with the education these women provided. Both Sister Rose and Nancy Forsberg recognized the importance of teaching holocaust and genocide studies, and knew part of teaching it, was to reach out to Jewish voices and survivors, and make sure their experiences were heard in their own religious communities. In her own words, “Many People still regard the Holocaust as a matter of Jewish concern, but nothing could be farther from the truth” (Mss0022 Box 12 Folder 5).

While also doing things like creating a successful bus ministry, a form of community outreach which involved bussing people to Sunday services they might not have otherwise been able to go to, and the creation of a nursery school, she also founded the Union Interfaith Committee on Holocaust Studies in 1982. To initiate this committee’s work, she invited people to her congregation during the ‘National Days of Remembrance of the Victims of the Holocaust’ that year, April 18-25th, and from there, endeavored to organize a permanent committee on Holocaust Awareness of Union Township. Finally, she was a part of the Holocaust Council of New Jersey Professors, whose goals and standards for education would eventually influence the 1994 law, influencing those statewide standards to ensure a comprehensive holocaust and genocide education.

Luna Kaufman

Luna Kaufman was born in Krakow, Poland where she lived through the German occupation and survived the concentration camps of Plaszow and Leipzig. Once she was liberated, she returned to Krakow and obtained a degree before emigrating to Israel and then to America. She and her husband settled in New Jersey, where Kaufman was an active part of the Jewish Community and became the first woman president of her Temple.

Luna Kaufman’s passion for Holocaust Education began in the 1970’s. During this decade, she was becoming active in discussing her religion and her experience surviving the Holocaust to audiences of students and adults alike. A trip to Amsterdam as the president of Temple Shalom with Rabbi Goldman and a confirmation class of the Hebrew School solidified her interest and need to be involved in Holocaust Education. In 1982 her efforts picked up when she was appointed to the Advisory Council on Holocaust Education by Governor Thomas Kean. On this council she served with Sister Rose Thering who she met previously during a 1974 Holocaust observance held at Seton Hall University where her prison dress was set upon the altar.

Their friendship and respect for one another was strong as was their passion for Judeo-Christian Relations and Holocaust Education. In pages of Luna Kaufman’s diary, Sister Rose appears throughout it. This page talks about the memorial that took place at Yad Vashem for Sister Rose Thering and how Luna Kaufman had to iron out some details.

Together, Luna Kaufman and Sister Rose Thering served on the Human Resources Committee of the New Jersey Advisory Council for Holocaust Education. This committee had the basic charge:

“to compile an annotated and descriptive listing of ‘experts’ available to implement Holocaust Education objectives in the schools and to recommend available training programs” (MSS 0102, Folder 7, Box 3).

According to the committee, ‘experts’ were individuals who were survivors, liberators, second generation persons, social scientists, historians, prosecutors of Nazi war criminals, artists, and community leaders who could address moral and ethical dimensions (MSS 0102, Folder 7, Box 3). Furthermore, the committee determined an interview and screening process to determine which individuals would be best suited to participate in different aspects of Holocaust education.

Conclusion

One of the things that unite these women’s collections, besides their own lifetimes of collaboration on education together, is the fact that these collections can still be used for that education. Each woman collected a lifetime of holocaust and education materials- from dozens of conferences and speeches, to various trips to the middle east or to concentration camps, there are boxes of materials focused on educating people on the horrors of the holocaust. And, now that they’ve been reprocessed on an archival level, each collection is easier to search through than ever. These were women dedicated to education, and the continued use of their works and papers in that education, would be a fitting way to remember the work these women did.

New Jersey Women of Interfaith Dialogue and Holocaust Education – PowerPoint

 


 

For more information about these collections check out the finding aids:

Sister Rose Thering

Nancy Forsberg

Luna Kaufman

If you have further questions, contact us at archives@shu.edu or (973)761-9476. To schedule an appointment to view materials, please submit a Research Appointment Request Form by clicking here.

Extra, Extra, Read All About It!

The Archives and Special Collections Center has received some important editions to the collections from the Family of Franklin Matthew Rogers ’41!

Franklin Matthew Rogers, known as Buck, attended Seton Hall Prep before Seton Hall College. He graduated in 1941 in Business and received the following snippet in the 1941 yearbook:

“Dr. King’s right arm in government class. His remarks were in as good taste as his clothes”.

We are particularly excited about:

Setonians

Because of the Great Depression (1929-1939) and World War II (US: 1941-1945), copies of the Setonian are scarce in the Archives. We are now able to add not only additional copies to the years we already have but include copies we have not had before such as 1939 April 21; 1939 May 5; 1940 May 3; 1941 February 14; 1941 April 25; and 1941 May 16! Stay tuned as we continue to digitize our Setonian collection.

Seton Hall Alumni Servicemen’s News (Alumni Bulletin)

This was a monthly bulletin that was sent out to Seton Hall alumni in military service. It contained information about alumni as they went off to train and to different bases around the world. Included are excerpts of letters written to the editors which mention snippets of their lives in the military.

“12” Club

Organized in 1937, this organization would invite about ten percent of the graduating class to join. Members were accepted because of their active participation in things concerned with Seton Hall, specifically the Athletic Association and the Knights of Setonia.

These items among the program for the Junior Class play titled “Forty-One on the Run”, programs for the Junior Promenade for the Class of ’41, and athletic programs, add invaluable documentation to collection that record student life at Seton Hall.

The Cursed L

Creating your own 3D printed movable type printing press can cause some unexpected problems.

Even when everything is built to plan, exported correctly, and sent to the printer, there are still issues. For my project this manifested in printing the letter “l,” which often failed to print completely. Even with the successfully completed l’s there were still irregularities. While the print was functional, I was still curious as to what was going wrong, why the PLA was not adhering to the build plate and why the skirt (which is part of the build plate adhesion process) was intersecting the print. This issue has been a case study in how many ways a print job can fail.

The first issue which was part of build plate adhesion problem was a blob effect. According to Dremel FAQ’s:

“Why is the filament blobbing on the build platform?

This may be the result of a build failure or a poorly constructed file. The building process may have been interrupted by the computer disconnecting, or by removing the SD card/USB flash drive during the building process. Run the Dremel Test Print to verify that your printer is working correctly, allowing the print to finish completely before disconnecting it.”2

But even though there was a blob, it seemed to have started with an adhesion issue which is a common and reoccurring problem throughout this project. Research about this problem  yielded many results, tips and tricks from different sources. According to Autodesk Instructables, poor adhesion could be due to the heat of the build plate which for PLA should be about 60 degrees Celsius.1  Suggestions to help adhesion include using painter’s tape, a layer of Elmer’s glue, and even hairspray!

Other suggestions even included ensuring the extrusion temperature was appropriate. It needs to be hot enough to push out enough plastic and cold enough to solidify and adhere to the build plate. But if it was too hot then it could not cool, not adhere, and ultimately be dragged around. For PLA this temperature should be around 200 degrees Celsius.1

In another source from 3D Printing – StackExchange, a thread titled Reasons for a PLA print not sticking to bed all the sudden? is answered by a user named Trish who mentions factors to keep in mind:

“Have a sufficient surface for the print to stick. A pyramid printed on the tip can’t print properly.

Check the leveling of your bed occasionally and relevel the bed. By removing prints, one can easily unlevel it over time without noticing it.

Clean your print bed from fingerprints and grease every so often. Fats are good separators between the print and the bed. Getting them off with Isopropyl alcohol or other solvents can restore print surfaces in an instant.”3

This is followed by an answer from another user JayCrossler who mentions a time when their printers all had a non-stick issue around the same time and it was “mostly around changes in temperature and humidity – the outside temperature changed inside AC settings/wind-flow, etc.”3

Any one of these were potential solutions to test; however, the next letter that was printed after the first two fails of the letter “l” came out with a new issue which was seemingly under- extrusion. The base printed fine and the letter was completed but there are tiny gaps within the print, leading me to believe it is a case of under extrusion, where the extrusion temperature was too cool making the layer not want to adhere to the previous layer. Or, another likely issue is that after the two failures, the nozzle was still a little clogged.

The next letter after printed better; however, there was a base issue where the skirt was printed into the print itself. Nothing in my settings had changed and I ensured the print was lying flat. Ultimately, I’m not quite sure what is wrong and why there are issues that seemingly come and go. All I can really think of is that it is a print failure that occurs and like other printers, it’s a typical moody printer.

Perhaps we will just have to take the “L.”


BradBuilds. Failed 3D Prints, and How to Fix Them. (n.d.). Autodesk Instructables. https://www.dremel.com/us/en/digilab/3d-printers-faq

Dremel. Frequently Asked Questions. (n.d.). https://www.dremel.com/us/en/digilab/3d-printers-faq

Reasons for a PLA print not sticking to bed all the sudden? (2019 September 6). 3D Printing – StackerExchange. https://3dprinting.stackexchange.com/questions/10980/reasons-for-a-pla-print-not-sticking-to-bed-all-the-sudden

3D Printing the Past (Update)

The FIG project is near completion! This is a project that is aimed at recreating a historic moveable typeface using 3D modeling and printing in connection with a block press to recreate the printing process. The goal is to engage faculty and students in a discussion, where they will be able to recall the steps in the printing process; identify a historic typeface; and discuss how technology can be used to resurrect a typeface.


As the project wraps up, I’d like to share the process.

Working in the Archives and Special Collections Center and having access to numerable examples of different typefaces, I decided to recreate Fraktur one of the oldest typefaces. By researching some different type specimens, my first step was to create an outline of the letters. I printed out a guide and traced the letters making some edits to smooth out shapes and lines, onto paper which I then scanned into the computer.

From there I opened the scan in Photoshop to enhance the contrast of the scan. Using Curves and the black and white eye droppers is a quick way to make the scan into a black and white image while darkening and lightening specific areas. This method is successful when the tracing is clean, no smudging, and crisp lines. Tracing in ink is ideal especially with a superfine tipped marker.

Tracing of the Fraktur letters

Next was to open, or copy and paste, the edited scan in Illustrator. I would suggest opening the document in Illustrator so that you do not have both programs open and running which can cause them to crash. Once in Illustrator you can create a tracing of the edited scan. If all went well with editing the scan in Photoshop then the resulting tracing in Illustrator should yield a nicely rendered set of letters in black and white.
This is an important step because it creates vector shapes. Once you ungroup and delete the unnecessary white space and use the minus function to ensure letters have the appropriate shape cut out so that the O looks like an O and not a black circle. After that, it is time to save the file as an .svg which will then be uploaded to Fusion360.

Fusion360 offers free trials but is free to use for educators and students which is why I selected it for this project. I have also had previous experience using Fusion360 and other Autodesk software which played a part in my decision. In Fusion360, after inserting the .svg and finishing the sketch, select the shape, the letter should highlight, and under the Create tab select Extrude to extrude the shape. Once that is complete, you can add the base by selecting box and adding the box over the letter that has been extruded.

If you traced and scanned the way I did, the letter will be the correct way as opposed to backwards which is what you need. However, do not worry! If you navigate to the underside of your modeling, you will see that the letter is backwards so it’ll all work out in the end.

Once the letter is extruded and the base added, you can select the entire body, right click and hold to select Isolate. Doing this allows you to export the body to an .stl file. If you export without this step, you would export everything in the file. Afterwards, I always do Ctrl z to undo the Isolation.

Computer screen shows DigiLab Slicer program with3D printers in the background of the photoYou can find all exported files in your files within Fusion360. Here you can download all the .stl’s. While it’s tempting to go straight to printing, there is another step! At least there was for me as I was using a Dremel 3D printer. Using Dremel DigiLab Slicer you can open the .stl and set up your print. You’ll select the material, specify the quality of the print along with how much infill, build plate adhesion, and generate supports if your print requires it. There is also a mode to customize your print where you get more into the details of 3D printing. With all your details set, which includes orienting the file on the build plate, an important step that you shouldn’t forget. From there you can Prepare Slice followed by saving the file as a .gcode.

Using a USB drive, I plugged that into the printer and selected my file to print. From there the printer does its steps to orient itself and warm up while you’ll want to cross your fingers to make sure it all comes out okay!


The specs of the project will vary depending on a number of factors that are specific to your project such as the size of the letter itself and the size of the box that serves as the base of the letter. I tested a few before I came to the one that worked the best for myself and this project.

I started off small, which proved to be an issue. It is important to remember that 3D printers can only print so small. Small prints, especially those that rely on details, may lose those details in printing. I decided to increase the size to keep that detail. Furthermore, I realized I would be using these pieces in a workshop and having a larger example would be easier to show as opposed to the small one.

Here are my tests and their specs with the how they printed:

Test 1:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: Yes
        • Build Plate Adhesion: Yes
        • Status: FAILED
        • Letter: ENTIRE ALPHABET

Test 2:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: Yes
        • Build Plate Adhesion: Yes
        • Status: SUCCESSFUL
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .5 inches
              • Letter Height: .125 inches
        • Letter: ENTIRE ALPHABET

Test 3:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: SUCCESSFUL
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: ONE LETTER

Test 4:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: FAILED
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: THREE LETTERS

Test 5:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: FAILED
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: ONE LETTER (FILLED IN B, HOLES NOT PRESENT)

Test 6:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: SUCCESSFUL
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: ONE LETTER C

Test 7:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: FAILED
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .34 inches
              • Height: .30 inches
              • Letter Height: .125 inches
        • Letter: ONE LETTER (FILLED IN B, HOLES NOT PRESENT)

Test 8:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Status: SUCCESSFUL
        • Size:
              • Width: .5 inch (VARIES)
              • Length: .5 inches
              • Height: .5 inches
              • Letter Height: . 5 inches
        • Letter: ONE LETTER B (BUILT DIFFERENTLY IN FUSION360)*
            • *Extrude the sketch which already had the holes.

Final:

        • Profile: High Speed (34 mm)
        • Infill: 20%
        • Generate Support: No
        • Build Plate Adhesion: Yes
        • Size:   
              • Scale Design: 3.5
              • Width: VARIES
              • Length: 1.75 inches
              • Height: .5 inches
              • Letter Height: .5 inches