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Presently on exhibit in the Archives & Special Collections Center Reading Room, Walsh Library Display Case (First Floor Across from 
Stairs/Elevator) and within the Window Space of the Walsh Library Gallery are three views of the life and works of Dr. John Ching Hsiung Wu 吴经熊 (1899-1986) who was a former Professor of Asian Studies and Law at Seton Hall during the 1950s-60s along with his wider work in justice studies, inspirational verse, academic promotion, and publishing endeavors. More biographical information can be found via this website which provides some introductory context on his scholarship to go along with the primarily source materials found on campus.  These and other sites can offer further insight on the legacy of Dr. Wu.

In more specific terms, among the accomplishments made during the lifetime of Dr. Wu include his role as lead author of the Zhōnghuá Mínguó Xiànfǎ (中華民國憲法) or Constitution of the Republic of China (present day Taiwan) which was adopted at the National Constituent Assembly of this nation on 25 December 1946 and went into action exactly one year later.  He was there at the foundation of the Seton Hall University Law School in 1951 with its campus in Newark became another specialized educational center that offered courses in juris prudence to its student body.  Dr. John Wu who received his doctorate from the University of Michigan became one of the founding faculty members of the new institution and was active in teaching, scholarship, and promotion of legal education at home and abroad.

In line with the contributions of Dr. Wu, with the successful launch of the Far Eastern Studies Institute during the early 1950s and contributions of a dedicated faculty and supportive administrators led to wider educational and diplomatic initiatives later in the decade.  This culminated with the awarding of honorary doctor of letters degrees to four major Asian leaders that included (in alphabetical order): John Myun Chang (Vice-President of the Republic of Korea), Chang Chi-yu (Minister of Education of the Republic of China [Taiwan]), Ngo Dinh-Diem (President of the Republic of Viet-Nam), and Paul Francis Kotaro Tanaka (Chief Justice of the Supreme Court of Japan) in 1957 and was a landmark time as Seton Hall had cemented a solid relationship with the different Asian nations which contributed to international collaboration and good will.  This also led to a period of creating reference guides for the wider linguistic community and those who wanted to publish and led to the creation of the Seton Hall University Press in operation during the 1960s and 70s which was active in producing dictionaries, grammar studies, and other aids to help students locally and across the globe.

The aforementioned components can be represented in these displays and the lasting availability of archival resources based on the life and works of Dr. Wu are based in large measure on the recent Symposium held from April 21-22^nd 2016 here on the campus of Seton Hall University.  More information about the speakers and subject areas can be found on the Symposium webpage.  When it comes to specific exhibit themes various books by and about Dr. Wu from our collection and that of the Main Collection, Walsh Library are shown along with a number of information leads that represent the 65^th anniversary of the Far Eastern Studies Institute along with the latter day Asia Center, and the contributions of those who have made Asian culture a significant part of the academic and cultural life of Seton Hall over the past six decades plus.

For more information about Dr. John Wu, Seton Hall history, or other queries please feel free to contact us by e-mail: Alan.Delozier@shu.edu  or via phone at: (973) 275-2378.  Thank you in advance for your interest.

A common thread shared by most students enrolled in a formal educational program is the traditional meeting in a classroom space of some type with a teacher to guide lesson plans and discussion regardless of time or place.  For example, in Ireland during the nineteenth century there were some academies that remained largely private, separately governed, tuition driven, and primarily located near, or within well-populated towns and cities. The famed “hedge” schools (or scoil chois claí) conducted in rural areas were usually taught out of doors in between bushes (hence the name) in a more basic setting that served as an alternative option for those who did not have access to a more formal school house in their respective area. Considering the want and need of learning, a more modern approach was had in 1831 as a National School initiative was formally established with the goal of providing an educational bond between Catholic and Protestant children under one system. However, even as administrators sought to: “unite in one system children of different creeds,” the preferred method expressed by ecclesiastical officials was to have each individual school house placed under control of an individual church.  Despite the sponsorship questions that arose, the curricular objective was to offer a more liberal arts (reading, writing, and arithmetic) focus with a heavy “moral” component to the young students of which an estimated 300-400,000 throughout all of Ireland attended during the 1830s after the formal system was set into action.

More detailed information about the development of grade school level information in the annals of Irish history can be researched through our collections with a particular emphasis on how educators articulated the proper method of instruction.  In particular there are two volumes – The Schoolmaster’s Manual (1825) and The Handbook of School Management and Methods of Teaching by P.W. Joyce (1864) articulate the goals inherent in formative academic training methodology.  As the first work from the 1820s told readers by way of an introductory observation – “As this work is intended for the assistance of those who are convinced that well-ordered education, suited to their respective stations, should be diffused as extensively as possible amongst all classes in society, and who are desirous of  becoming acquainted with the modern improvements in the manner of imparting instruction to the poor.”  The Handbook would offer an expression of its own philosophy to the reader in the following words – “. . . the site of a school should be dry and cheerful, and easily accessible to the great bulk of the population.”  These words and the guidance provided to instructors and students alike would help to show the development of educational life in Ireland over time and provides a window to past practice in the process.

For more information about accessing these and other works on education and other subject matter please feel free to inquire via e-mail: Alan.Delozier@shu.edu  or call (973) 275-2378 for more details.

In 2015, the Archives and Special Collections Center received a donation of research materials from Seton Hall Professor Emeritus Daniel J. Leab. Dr. Leab taught in the history department for over thirty years, and over the course of his career he has served the University as director of the American Studies program, chair of the History Department, chair of the Rank and Tenure committee, and founder and director of Seton Hall’s Multi-Cultural Program. The materials in this collection were used by Dr. Leab in his research on various topics, including the Cold War, American communism, the American labor movement, the history of the FBI and the CIA, and the history of film.

The majority of the collection is made up of books, most notably a nearly complete run of House Un-American Activities Committee (HUAC) reports. The HUAC materials represent years of hearings based on the alleged subversive activities of private citizens and they seem to symbolize the climate of fear and suspicion during the Cold War era. Included in the HUAC reports are the controversial Hollywood investigations, in which many members of the entertainment industry were subpoenaed based on alleged communist activities.

The collection contains many additional books which address the Cold War era, providing rich context for the HUAC reports and exploring other aspects of the time period, such as Senator Joseph McCarthy’s anti-communist activities. In addition, there are a number of volumes on American labor relations. A full list of the books in the collection can be viewed in the Daniel J. Leab collection research guide.

As a supplement to the book collection, there is also a small archival collection containing publications relating to the Cold War and labor relations, and a number of photocopies from the American Heritage Center’s Louis de Rochemont collection, which Dr. Leab consulted while researching his book Orwell Subverted: the CIA and the filming of Animal Farm. A finding aid for the collection is available.
The Daniel J. Leab collection may be viewed by appointment in the Archives and Special Collections Center Reading Room. To make an appointment, please contact 973-761-9476 or archives@shu.edu.

The Archives and Special Collections center recently acquired the Jacob. I Fass papers, a small collection of the WWII-era correspondence, notes, and photographs of chemical scientist Jacob I. Fass.

Fass was a chemical engineer who worked at National Oil Products Co. (NOPCO) during World War II. The collection includes the secret notes that he took while employed there, documenting his work processes as well as office politics and conversations between employees. The fact that these notes were kept in secret—folded up into tiny squares so that Fass could smuggle them out of the building—speaks to his unease and even paranoia surrounding his work, his co-workers, and his fear of being drafted for the war.

The majority of the collection consists of his correspondence with family and friends. The letters cover a wide variety of topics including politics, philosophy, music, photography, and the war. While much of the correspondence is serious, there are also many letters from close friends with a lighthearted, affectionate tone. Fass received one letter from a friend in Washington that was hand-written in miniscule print, joking that the full letter of 3,210 words could be found on the head of a pin stuck through the middle of the page.

This collection will be of interest to researchers investigating World War II, the history of chemistry, and American communism. The finding aid for this collection can be viewed here. The Jacob I. Fass papers may be viewed by appointment in the Archives and Special Collections Center Reading Room. To make an appointment, please contact 973-761-9476 or archives@shu.edu.

On display now through the Spring semester is a special exhibit designed to honor the Women of Setonia from student to administrator to faculty to alumnae and all who have derived benefit of the institution over the last several decades.  Through the design efforts of Katie Wolchko and in anticipation of the 80^th anniversary of co-education at Seton Hall we present some images that show the first enrollment at the Urban Division and Summer Session of Seton Hall in 1937 along with the heralding of full equality on the South Orange campus over three decades later.  This ushered in a number of resources on campus including the Women and Gender Studies program and the Women’s Resource Center.  With such founding visionaries as Professors Tracy Gottlieb, Judith Stark, and Gisella Webb to present day leadership under Professors Karen Gevirtz and Vanessa May, the work of this office is vital in keeping the issues and contributions of Women in society alive and visible to all members of our community.  This brings us to the present-day and the Women’s Conference of 2016. Various publication covers by those speaking in accompanied by a listing of all participants along with affiliated faculty and administrators who work directly with the Women and Gender Studies program.  For more information about the Women’s Conference 2016 please consult the Women’s Conference webpage.  The Women and Gender Studies Program site is also accessible here. 

This exhibit is housed in the Window Display Case that can viewed outside of Walsh Library opposite the Recreation Center.  For more information about the exhibit please contact Katie Wolchko at – katherine.wolchko@shu.edu

First published in 1931, the earliest editions of the SPIRIT were published bi-monthly and not included verse, but also articles on the art of expression and about the Catholic Poetry Society of America in some form along with literary book reviews of interest.  This periodical was also well-cross referenced to help readers find past submissions through the Catholic Periodical Index and Catholic Bookman from its founding days forward.  Additionally, the Catholic Poetry Society of America first headquartered in New York City had chapters in many major cities across the United States.  Over its first few decades the SPIRIT was published either in black and white or maroon colored text without illustrations.

A swell of popularity for the SPIRIT continued onward through the 1950s-60s as shown through anthology works and maintenance of its usual format of title, poem, and author citation.  Lengths varied, but the text in some way always reflected the mission of the society and publication focus.  The editions released in 1968 would turn out to be the last with New York City as its home base.  The SPIRIT would move its operations to the campus of Seton Hall University the following year.

During the course of 1969, the SPIRIT underwent various changes not only with new offices, but the publication also modified its look and aesthetic to reflect the times.  Under the Editorship of David Rogers and James R. Lindroth from the Seton Hall University Department of English, the SPIRIT would continue to publish further works and also artwork related to the Catholic experience.  This also inspired a campus-wide poetic anthology entitled – Puddle Wonderful which lasted for one issue.  Otherwise, latter day changes including more colorful cover art, theme-editions, and changing font types brought a more modern appearance to the SPIRIT through the 1970s and 80s.  Recent editions of the SPIRIT continued to promote artistic writing in verse form.  Full editions were less frequently produced and came out annually by the 1990s.  They content themes remained consistent, but the graphics would go back to more basic and classical representations found in early issues along with a change of logo from the early Eagle to a Spectre to capture the visual and symbolic look of the SPIRIT.

More about the early years and a historical overview along with examples of the poetry and art can be found in the text panels and full display visible from the Archives & Special Collections Center Reading Room and adjacent hallway from January-February, 2016.  For more information please feel free to e-mail us at: Alan.Delozier@shu.edu, or call: (973) 275-2378.

Seton Hall has long built a tradition of marking the Christmas season in varied ways including observance of Advent, Midnight Mass, a live Nativity Scene and in recent years the ceremonial tree lighting have brought the community together in celebration of the season.  Among the most memorable traditions found in the early days of school history included an annual musical Christmas program(me) which showcased the theatrical talents, voices, and instrumental prowess of the student body.  Included here are examples of the entertainment fare offered to the audiences who were there to share good cheer which did not always offer traditional carols, but rather an eclectic mix of different song titles and themes designed to entertain and inspire those in attendance.

Interestingly, it was in 1930 and the yule-time production of “The Late Cap’t Crow” where the first documented appearance of a Pirate on the shores of Setonia came about as shown in the pages of The Setonian around four months prior to the adoption of the legendary school nickname.  Santa Claus would share space on campus with the Pirates from this time forward.

Over subsequent Christmas celebrations more traditional holiday-themed events took place after World War II such as traditional holiday parties, concerts, and the like would become more commonplace.  The true spirit and meaning of Christmas is timeliness for many people.  This not only present in a religious sense, but also in popular culture circles.  For example, how many of us have ever watched the movie “A Christmas Story” and saw Ralphie’s quest for the Red Ryder B-B Gun while being roundly warned – “You’ll Shoot Your Eye Out Kid!”  This endearing tale is not only popular among Setonians, but also the wider world through the pen of legendary writer and raconteur Jean Shepherd who not only narrated this movie, but wrote this treatment based on his early life under the original title – “In God We Trust, All Others Pay Cash.”  Shepherd was an author, television, and radio personality who had a popular show on W-O-R radio in New York City for a number of years between the 1950s-70s and made regular appearances on the Seton Hall campus (including a mid-December gig in 1965 as heralded below) during these years in the limelight whose time on campus are still remembered fondly by those who saw him in concert.  Please click here to listen in on Jean Shepherd announce his date at Seton Hall on 12/16/1965.

Beyond the stage and regardless of the era and how the season was celebrated, Seton Hall has its own traditions in the art of holiday cheer and commemoration from Cap’t Crow to those who are writing their own “Christmas Story” at Seton Hall.