Object of the Week: Jennings Petroglyph

Jennings Petroglyph
sandstone
5’ x 4’ x 9.5”
3000-1000 BCE
FIM 610
Seton Hall University Museum of Anthropology and Archaeology

 

NOVEMBER IS NATIONAL NATIVE AMERICAN HERITAGE MONTH

The Jennings Petroglyph, an uncommon example and one of the largest of its kind in New Jersey, was created between 1,000 and 5,000 years ago. It was originally located on the New Jersey side of the Delaware River across from Dingmans Ferry in Pike County, Pennsylvania. Meaning “rock carving,” the word petroglyph combines “petro” meaning “rock” and “glyph” meaning “symbol.” The exact significance of the imagery on the petroglyph has been obscured over time, though it is believed to likely be sacred. The petroglyph’s surface features 21 identifiable figures and 12 non-identifiable forms – including carvings of anthropomorphic and zoomorphic figures as well as dots and circles (cupules). Professor Emeritus of Anthropology at Seton Hall, Herbert Kraft (1927-2000), described the images as “lizard-like figures or men with sexual appendages.”[1]

Diagram of the meaning of some of the imagery on the petroglyph
Interpretations of visuals on the petroglyph

The petroglyph was unearthed by Rudyard Jennings in 1965. It was donated to Seton Hall with the intention of protecting it from flooding caused by the proposed Tocks Island dam on the Delaware River site where the petroglyph was previously located. Ultimately, the dam was never built. The petroglyph’s first home at Seton Hall University was in the lobby of Fahy Hall, but it was moved to the second floor of the Walsh Library in August 2015. This move has allowed for easy viewing access by the university community and the public.

View of the Petroglyph on the 2nd floor of the Walsh Library
View of the Jennings Petroglyph on the 2nd floor of the Walsh Library

The Jennings Petroglyph will be featured in an exhibit at the National Scenic Visitors Center (NSVC) in Zionsville, Pennsylvania. The NSVC, founded in 2016, has the ultimate 10-year goal of creating Earthwalk USA, a 300-foot-long, 3D relief map of the United States from California to Maine, along with Alaska and Hawaii in correct geospatial orientation.[2] In the meantime, they have planned a traveling exhibit called Earthwalk Explorer featuring a 16’ x 8’ walkable relief map of the Northeast along with two Geoshows. In both Earthwalk USA and the traveling show, visitors will walk over the relief map in socks so that they can feel the topography of the United States for themselves! Our very own Jennings Petroglyph will be highlighted in one of the Geoshows, which centers on petroglyphs in Pennsylvania and how native groups of the region used them to communicate along trails. In early 2020, Michael Bianco of MZB Productions, Inc. came to Seton Hall to make a high-resolution scan of the petroglyph in-situ in order to create a 3D facsimile.

Image of the petroglyph being scanned
Michael Bianco and Collections Manager Romana Schaeffer scanning the Jennings Petroglyph

The Jennings Petroglyph is part of the Seton Hall University Museum of Anthropology and Archaeology (SHUMAA) collection. It is but a small part of a vast collection of artifacts from the SHUMAA collection, founded by Seton Hall Professor Herbert Kraft (1927-2000), a leading archaeologist and authority on the Leni Lenape tribe which inhabited New Jersey, Delaware, southern New York and eastern Pennsylvania at the time Europeans arrived in the Americas.  For almost forty years, Kraft cultivated the collection with artifacts excavated from archaeological digs conducted throughout the region. Kraft was also instrumental in securing donations of artifacts from noted collectors and archaeologists. The SHUMAA collection includes over 26,000 Native American, Asian and African art and artifacts.

 


The Walsh Gallery has a considerable collection of fine art, artifacts and archeological specimens for use by faculty, students and researchers. For access to this or other objects in our collections, contact us at 973-275-2033 or walshgallery@shu.edu to make a research appointment.

 

[1] https://library.shu.edu/ld.php?content_id=51066456, accessed 11/23/2020.

[2] https://www.nsvc.us/exhibits-features/earthwalk-usa-map/, accessed 11/23/2020.

Object of the Week: Pomo Basket

Pomo basket
Plant fiber and shell
5” x 20” x 9 ½”
c. 1880
Collected by Brian Templeton, Seton Hall University Museum of Anthropology and Archaeology
M2125

 

NOVEMBER IS NATIONAL NATIVE AMERICAN HERITAGE MONTH

“Among our people, both men and women were basket makers. Everything in our lifestyle was connected to those baskets. Our lives were bound the way baskets were bound together.” -Susan Billy, Ukiah Pomo, master weaver and teacher[1]

This canoe-shaped gift basket with geometric designs and shell bead decoration is from the Pomo of California who are world renowned for their basketry. The Pomo are native to Mendocino, Sonoma and Lake Counties in Northern California. Historically, the Pomo were comprised of seven different groups with distinct dialects, each living in different areas. They lived in small groups linked by geography, lineage, cultural expression and marriage. However, they are not linked socially or politically as a unified group. Today there are more than 20 independent communities that make up the Pomo people.[2]

Pomo basketry comes in all shapes and sizes and both coiling and twining techniques are adeptly used. Coiling begins at the center of a basket and radiates outward in spirals. Each spiral is sewn to the one that precedes it. Twining is a technique in which one thread is woven over another to form a strong foundation of horizontal and verticals. Historically, the Pomo were known for making baskets woven so tightly they were naturally waterproof. Sedge grasses, willow roots and bullrushes gathered in local coasts and wetlands are commonly used in basket-making, in addition to bird feathers and shells.[3] Once collected, materials are dried, cleaned, split, soaked and dyed.[4] A common design in many Pomo baskets is the Dau, also called the “Spirit Door” which allows good spirits to come circulate inside the basket. There is no specific way for it to be designed – it could be depicted in a minute change in the stitching or an opening between stitches.[5]

In the past, baskets were decorative and given as gifts to respected elders and loved ones, while others served practical purposes in daily life. Women produced most Pomo baskets, specifically those for cooking, storage, and religious ceremonies, while men traditionally made baskets for trapping, fishing, and cradles.[6] Beginning in the 1880’s the tourist industry boomed and a demand for woven goods invigorated production for sale rather than use.

This Pomo basket is from the Seton Hall University Museum of Anthropology and Archaeology (SHUMAA) collection. It is but a small part of a vast collection of artifacts from the SHUMAA collection, founded by Seton Hall Professor Herbert Kraft (1927-2000), a leading archaeologist and authority on the Leni Lenape tribe which inhabited New Jersey, Delaware, southern New York and eastern Pennsylvania at the time Europeans arrived in the Americas.  For almost forty years, Kraft cultivated the collection with artifacts excavated from archaeological digs conducted throughout the region. Kraft was also instrumental in securing donations of artifacts from noted collectors and archaeologists. The SHUMAA collection includes over 26,000 Native American, Asian and African art and artifacts.

 


The Walsh Gallery has a considerable collection of fine art, artifacts and archeological specimens for use by faculty, students and researchers. For access to this or other objects in our collections, contact us at 973-275-2033 or walshgallery@shu.edu to make a research appointment. 

 

 

 

 

 

 

 

 

 

[1] http://www.kstrom.net/isk/art/basket/pomohist.html, accessed 11/16/2020.

[2] https://www.drycreekrancheria.com/history-2/, accessed 11/13/2020.

[3] https://www.drycreekrancheria.com/culture/, accessed 11/16/2020.

[4] https://americanindian.si.edu/exhibitions/all_roads_are_good/pomobasket.htm, accessed 11/16/2020.

[5] https://americanindian.si.edu/exhibitions/all_roads_are_good/pomobasket.htm, accessed 11/16/2020.

[6] https://www.hoplandtribe.com/culture-traditions, accessed 11/16/2020.