{"id":130,"date":"2017-12-19T12:23:51","date_gmt":"2017-12-19T17:23:51","guid":{"rendered":"http:\/\/blogs.shu.edu\/litandthecity\/?p=130"},"modified":"2017-12-19T15:53:30","modified_gmt":"2017-12-19T20:53:30","slug":"edgar-allan-poe","status":"publish","type":"post","link":"https:\/\/blogs.shu.edu\/litandthecity\/2017\/12\/19\/edgar-allan-poe\/","title":{"rendered":"Edgar Allan Poe"},"content":{"rendered":"<figure id=\"attachment_168\" aria-describedby=\"caption-attachment-168\" style=\"width: 264px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-168\" src=\"https:\/\/blogs.shu.edu\/litandthecity\/files\/2016\/11\/130_eapoe-208x210.jpg\" alt=\"Public Domain photo, courtesy of Wikimedia. \" width=\"264\" height=\"266\" \/><figcaption id=\"caption-attachment-168\" class=\"wp-caption-text\">Public Domain photo, courtesy of Wikimedia.<\/figcaption><\/figure>\n\n<p>Edgar Allan Poe (January 19, 1809\u00a0\u2013 October 7, 1849) was one of the most famous of the Gothic writers that came about at the end of the American Renaissance. Famous for his short stories and poetry about murders and mystery such as \u201cThe Fall of the House of Usher\u201d and \u201cThe Raven,\u201d his literary criticism and journalistic pieces, which were his major source of income, are often forgotten.<a href=\"http:\/\/www.poemuseum.org\/who-was-edgar-allan-poe\">[1]<\/a> His criticism, contrary to his contemporaries, focused on how style and construction contributed to a work\u2019s effectiveness or failure.<a href=\"https:\/\/www.poetryfoundation.org\/poets\/edgar-allan-poe\">[2]<\/a> Poe\u2019s short stories and poems inarguably employ the very formalist techniques he highlights in his academic works.<\/p>\n<p>Normally associated with Baltimore, where he lived off-and-on, Poe also had a considerable stay in New York City. After being expelled from West Point in 1931, he moved to the city to publish his third collection of poems, simply titled Poems, satirically dedicated to his former classmates.<a href=\"https:\/\/books.google.com\/books\/about\/Edgar_Allan_Poe.html?id=CU8jFX1pnLcC\">[3]<\/a> Within a year, he relocated to Baltimore, where he lived with his aunt and her daughter, Virginia. He subsequently moved to them both Richmond and took his cousin as his bride.<a href=\"https:\/\/www.poetryfoundation.org\/poets\/edgar-allan-poe\">[4]<\/a><\/p>\n<p>Poe did not return to New York for his longer stint in the city until 1844. Shortly after his arrival, Poe wrote and published \u201cThe Raven\u201d in January 1845. He and Virginia moved around Manhattan for two years while he gave lectures and tried to run a magazine, The Broadway Journal.<a href=\"https:\/\/www.poemuseum.org\/poes-biography\">[5]<\/a> When the magazine and Virginia\u2019s health both declined, Poe and his wife took up residence in pastoral Fordham Village, now the Bronx. While there, he wrote one of his most famous poems, \u201cAnnabel Lee,\u201d as well as \u201cThe Bells\u201d and the short story \u201cThe Cask of Amontillado.\u201d<a href=\"https:\/\/www.smithsonianmag.com\/arts-culture\/when-edgar-allan-poe-needed-to-get-away-he-went-to-the-bronx-180949454\/\">[6]<\/a><a href=\"http:\/\/bronxhistoricalsociety.org\/poe-cottage\/\">[7]<\/a> Virginia died in late 1847, but Poe remained at his cottage until 1849. Indeed, his final years were spent in New York, only going to Baltimore a few months before dying.<\/p>\n<p><strong>Edgar Allan Poe Cottage<\/strong><\/p>\n<figure id=\"attachment_168\" aria-describedby=\"caption-attachment-168\" style=\"width: 595px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-563 aligncenter\" src=\"https:\/\/blogs.shu.edu\/litandthecity\/files\/2016\/11\/Screen-Shot-2017-12-16-at-12.55.05-AM-450x163.png\" alt=\"\" width=\"595\" height=\"215\" srcset=\"https:\/\/blogs.shu.edu\/litandthecity\/files\/2016\/11\/Screen-Shot-2017-12-16-at-12.55.05-AM-450x163.png 450w, https:\/\/blogs.shu.edu\/litandthecity\/files\/2016\/11\/Screen-Shot-2017-12-16-at-12.55.05-AM-768x278.png 768w, https:\/\/blogs.shu.edu\/litandthecity\/files\/2016\/11\/Screen-Shot-2017-12-16-at-12.55.05-AM.png 1192w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><figcaption id=\"caption-attachment-168\" class=\"wp-caption-text\">Left: Engraving of Poe Cottage (image: James Horsey Finken via Library of Congress); \u2028Right: Poe Cottage as it is located in Poe Park in the Bronx (image: Jimmy Stamp via Smithsonian.com)<\/figcaption><\/figure>\n<p>Edgar Allan Poe Cottage is located in Poe Park, at Kingsbridge Road and the Grand Concourse in the Bronx. It was built in 1812 as a working house, but served as \u201cbucolic\u201d retreat from the surrounding city for Poe.<a href=\"http:\/\/bronxhistoricalsociety.org\/poe-cottage\/\">[8]<\/a> From Poe\u2019s death until the 1890\u2019s, Poe Cottage grew dilapidated and even faced demolition. However, preservation groups and the building\u2019s owner worked together to eventually relocate the farmhouse to a constructed park, Poe Park, in 1913. As the only surviving home from early-19th century Fordham, author for Smithsonian.com Jimmy Stamp brings forth that Poe Cottage is \u201ca testament to preservation &#8211; not only of Poe\u2019s history, but of New York\u2019s history\u201d.<a href=\"https:\/\/www.smithsonianmag.com\/arts-culture\/when-edgar-allan-poe-needed-to-get-away-he-went-to-the-bronx-180949454\/\">[9]<\/a>\u00a0Poe Cottage is not short on history or innovation: it was meticulously restored in 2011 in addition to the construction of a new, raven-shaped visitor center.<a href=\"#_ftnref1\" name=\"_ftn1\"><\/a><\/p>\n<figure id=\"attachment_168\" aria-describedby=\"caption-attachment-168\" style=\"width: 353px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-565\" src=\"https:\/\/blogs.shu.edu\/litandthecity\/files\/2016\/11\/visitorscenter-315x210.jpg\" alt=\"\" width=\"353\" height=\"236\" srcset=\"https:\/\/blogs.shu.edu\/litandthecity\/files\/2016\/11\/visitorscenter-315x210.jpg 315w, https:\/\/blogs.shu.edu\/litandthecity\/files\/2016\/11\/visitorscenter.jpg 553w\" sizes=\"auto, (max-width: 353px) 100vw, 353px\" \/><figcaption id=\"caption-attachment-168\" class=\"wp-caption-text\">The Visitor Center neighboring Poe Cottage within Poe Park (image: WSJ.net)<\/figcaption><\/figure>\n<p><strong>Fun Facts:<br \/>\n<\/strong><\/p>\n<ul>\n<li>In addition to his namesake park and cottage, Edgar Allan Poe has a street bearing his name in the Upper West Side (also marked as 84th Street), a few blocks from his bust at Columbia University.<\/li>\n<li>The Baltimore Ravens are so named for Poe\u2019s work, even if it wasn\u2019t written in Baltimore. The three mascots are named Edgar, Allan, and Poe, respectively.<\/li>\n<\/ul>\n<p><strong>Analysis of <a href=\"https:\/\/www.eapoe.org\/works\/info\/pmdgm.htm\">\u201cThe Doings of Gotham\u201d<\/a> by Alexander Grey<\/strong><br \/>\nWithin his letters \u201cThe Doings of Gotham,\u201d Poe takes care to point out every fault he sees in New York, no matter how minute, to present an accurate view of a city that is relatively unknown to much of the nation at the time. While Poe does tend into the realm of the mundane as he gripes at length about the necessity of moving to a wood-paved street (Poe 103), he seems to have far more substance to his arguments. Indeed he sees the creation of small non-houses in Brooklyn as akin to \u201cblowing up a House of Parliament,\u201d (103) and that the impression of new Sunday-specific laws are \u201cin palpable violation of the Constitution\u201d (97).<\/p>\n<p>In Poe\u2019s presentation of New York, it seems the inhabitants always go further down this road of ignorance presented, until they are completely absorbed in the vanity of whatever trend is in vogue or with the gossip of the street. These people have completely forgotten the ability to see the world around them objectively, simply creating, without regard to their effect on the geography (as he argues in the construction of new streets and the building of ports) because they are too absorbed with themselves. Indeed the whole collected letters seem to be but filled with anger over the people he must interact with, which seems it stay in line with the dark and depressing image of Poe that current readers hold, proving that even when not writing his darker stories, Poe is a Gothic to the end.<\/p>\n<div style=\"padding-left: 4em;text-indent: -4em\">\n<p>Poe, Edgar Allan. \u201cFrom: Doings of Gotham.\u201d Writing New York:A Literary Anthology. Ed. Phillip Lopate. 10th ed. New York: Library of America, 2008. 90-106. Print.<\/p>\n<\/div>\n<p><strong>Analysis of <a href=\"https:\/\/www.eapoe.org\/works\/reading\/pt063r1.htm\">\u201cThe Cask of Amontillado\u201d<\/a> by Mary Cramer<\/strong><br \/>\nIn contrast to \u201cThe Doings of Gotham\u201d\u2014a poem written by Poe about New York while he resided in Baltimore\u2014\u201cThe Cask of Amontillado\u201d was penned during Poe\u2019s time in city, but its setting transcends any colonial domain Poe visited. However, his feelings about society are similarly expressed in his thoughtful choice of placing the narrative within a vague, carnival counter-society wherein law and reason yield to fantasy. The circumstances of Fortunato\u2019s drunk inhibitions and Montressor\u2019s dubious plan could not have come to fruition within the constraint\u2019s of colonial New York society. To start, a rich and powerful man would never willingly assume the guise of a fool; American foolishness is blind and arrogant. Moreover, New York as portrayed by Poe in \u201cGotham\u201d is a society of greed and turmoil wherein all fantasies are crushed. Considering the failure of his business, the death of his wife, and the decline of his own state within in New York, it is unsurprising Poe would continue to demonize the urban city during his time there.<\/p>\n<p>Montressor\u2019s act of leading Fortunato to his death underscores Poe\u2019s desires for an existence free from society\u2019s judgements and restrictions. His plan is one of revenge wherein he exacts the final judgement (and restrictions) upon Fortunato. Compounding the subversion of society further, is the scene wherein Fortunato invokes the Freemasons to which Montressor presents a masonry trowel. This clever inclusion at once illuminates a counterculture, the Masons, but also establishes yet another society from which Montressor is excluded. As such, when Montressor assaults Fortunato, he is also attacking what Fortunato stands for: the successful society man. In taking advantage of Fortunato\u2019s carnival identity\u2014indulgent, uninhibited, trusting\u2014Poe\u2019s antihero is able to exact his revenge against the judgmental, pretentious identity Fortunato symbolizes in his reality. Thus, the murder of Fortunato frees Montressor not only from the literal torments of the deceased, but more so, of his own powerlessness within traditional society.<\/p>\n<div style=\"padding-left: 4em;text-indent: -4em\">\n<p>Poe, Edgar Allan. \u201cThe Cask of Amontillado.\u201d Edgar Allan Poe Society of Baltimore, www.eapoe.org\/works\/reading\/pt063r1.htm.<\/p>\n<\/div>\n<p><strong>Poe\u2019s New York Bibliography<\/strong><br \/>\n<em>Poems<\/em> (Published but not written in New York) &#8211; 1831<br \/>\n\u201cThe Raven\u201d &#8211; 1845<br \/>\n\u201cThe Cask of Amontillado\u201d &#8211; 1846<br \/>\n\u201cEureka: A Prose Poem\u201d &#8211; 1848<br \/>\n\u201cThe Bells\u201d &#8211; 1849<br \/>\n\u201cAnnabel Lee\u201d &#8211; 1849<\/p>\n<p style=\"text-align: center\"><b>References<\/b><\/p>\n<div style=\"padding-left: 4em;text-indent: -4em\">\u201cWho Was Edgar Allan Poe?\u201d <em>Poe Museum<\/em>, Poe Museum, http:\/\/www.poemuseum.org\/who-was-edgar-allan-poe.\u201cEdgar Allan Poe.\u201d <em>Poetry Foundation<\/em>, Poetry Foundation, https:\/\/www.poetryfoundation.org\/poets\/edgar-allan-poe.<\/p>\n<p>Meyers, Jeffrey. <em>Edgar Allan Poe: His Life and Legacy<\/em>. Cooper Square Press, 2000.<\/p>\n<p>\u201cPoe\u2019s Biography.\u201d <em>Poe Museum<\/em>, Poe Museum, https:\/\/www.poemuseum.org\/poes-biography.<\/p>\n<p>Stamp, Jimmy. \u201cWhen Edgar Allan Poe Needed to Get Away, He Went to the Bronx.\u201d <em>Smithsonian.com<\/em>, Smithsonian Institution, 28 Jan. 2014, www.smithsonianmag.com\/arts-culture\/when-edgar-allan-poe-needed-to-get-away-he-went-to-the-bronx-180949454\/.<\/p>\n<p>\u201cEdgar Allan Poe in the Bronx.\u201d <em>Bronx Historical Society<\/em>, Bronx Historical Society, http:\/\/bronxhistoricalsociety.org\/poe-cottage\/.<\/p>\n<p>\u201cThe Collected Works of Edgar Allan Poe.\u201d <em>Edgar Allan Poe Society of Baltimore<\/em>, Edgar Allan Poe Society of Baltimore, www.eapoe.org\/index.htm.<\/p>\n<\/div>\n<p><strong>Contributors: Alexander Grey and Mary Cramer<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edgar Allan Poe (January 19, 1809\u00a0\u2013 October 7, 1849) was one of the most famous of the Gothic writers that came about at the end of the American Renaissance. Famous for his short stories and poetry about murders and mystery such as \u201cThe Fall of the House of Usher\u201d and \u201cThe Raven,\u201d his literary criticism &hellip;<\/p>\n","protected":false},"author":3985,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[15],"tags":[38,94,46,37,47,36,35,96,95,97],"class_list":["post-130","post","type-post","status-publish","format-standard","hentry","category-authors","tag-doings-of-gotham","tag-edgar-allen-poe","tag-gossip","tag-gotham","tag-mary-balkun-is-the-bomb","tag-new-york","tag-poe","tag-poe-cottage","tag-poe-park","tag-the-cask-of-amontillado"],"acf":[],"_links":{"self":[{"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/posts\/130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/users\/3985"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/comments?post=130"}],"version-history":[{"count":5,"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/posts\/130\/revisions"}],"predecessor-version":[{"id":604,"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/posts\/130\/revisions\/604"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/media?parent=130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/categories?post=130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.edu\/litandthecity\/wp-json\/wp\/v2\/tags?post=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}