{"id":3016,"date":"2020-07-08T15:18:08","date_gmt":"2020-07-08T19:18:08","guid":{"rendered":"http:\/\/blogs.shu.edu\/lawrencefrizzell\/?p=3016"},"modified":"2020-07-08T15:22:37","modified_gmt":"2020-07-08T19:22:37","slug":"music-of-those-persecuted-by-the-nazis","status":"publish","type":"post","link":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/music-of-those-persecuted-by-the-nazis\/","title":{"rendered":"Music of Those Persecuted by the Nazis"},"content":{"rendered":"<div id=\"attachment_3031\" style=\"width: 594px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blogs.shu.edu\/lawrencefrizzell\/files\/2020\/07\/Prisoners-Orchestra.jpeg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3031\" class=\"wp-image-3031 size-large\" src=\"https:\/\/blogs.shu.edu\/lawrencefrizzell\/files\/2020\/07\/Prisoners-Orchestra-1024x728.jpeg\" alt=\"\" width=\"584\" height=\"415\" srcset=\"https:\/\/blogs.shu.edu\/lawrencefrizzell\/files\/2020\/07\/Prisoners-Orchestra-1024x728.jpeg 1024w, https:\/\/blogs.shu.edu\/lawrencefrizzell\/files\/2020\/07\/Prisoners-Orchestra-300x213.jpeg 300w, https:\/\/blogs.shu.edu\/lawrencefrizzell\/files\/2020\/07\/Prisoners-Orchestra-768x546.jpeg 768w, https:\/\/blogs.shu.edu\/lawrencefrizzell\/files\/2020\/07\/Prisoners-Orchestra-1536x1091.jpeg 1536w, https:\/\/blogs.shu.edu\/lawrencefrizzell\/files\/2020\/07\/Prisoners-Orchestra-422x300.jpeg 422w, https:\/\/blogs.shu.edu\/lawrencefrizzell\/files\/2020\/07\/Prisoners-Orchestra.jpeg 1689w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><p id=\"caption-attachment-3031\" class=\"wp-caption-text\">The prisoners&#8217; orchestra in Buchenwald concentration camp. Photo: United States Holocaust Memorial Museum, courtesy of Gedenkstaette Buchenwald<\/p><\/div>\n<p>Music is an art that can transcend the limitations of language, bringing people together and allowing us of a later time to share something of an insight into their experience.\u00a0 The study of music during the Nazi period, and especially in the concentration camps, is a special discipline that gives inspiring evidence of spiritual resistance to the brutality of the Nazis and their collaborators.<\/p>\n<p><em>The<\/em> <em>New York Times<\/em> offers a report by Milton Esterow, <a href=\"https:\/\/www.nytimes.com\/2020\/06\/21\/arts\/music\/music-concentration-camps.html\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Music From the Death Camps: Alive and Being Readied for a New Home.&#8221;<\/a> The text focuses on the plan of Mr. Francisco Lotoro of Barletta in southeast Italy to build a museum, library and theatre dedicated to the study of music by \u201cJews\u2026 political and other religious prisoners in many countries and music created by musicians \u2018of any national, social or religious background\u2019.\u201d<\/p>\n<p>An organization called the <a href=\"https:\/\/forbiddenmusic.org\/2016\/04\/12\/exil-arte-center\/\" target=\"_blank\" rel=\"noopener noreferrer\">Exil.Arte Centre<\/a> at Vienna\u2019s University of Music and Performing Arts was founded in 2017 to recover and study music banned by the Nazis as \u201cdegenerate.\u201d It arranges performances, prepares recordings and publishes books.<\/p>\n<p>In addition to Mr. Esterow\u2019s survey of other centers focusing on music that survived that tragic period, I wish to draw attention to the extensive work of Tamara Reps Freeman, D.M.A. (Rutgers University), who is an Adjunct Professor of Holocaust Music at St. Elizabeth College in Morristown-Convent Station and Montclair State University.\u00a0 Visit her website at <a href=\"http:\/\/holocaustmusic.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/holocaustmusic.org\/<\/a>.<\/p>\n<p>Lastly I would like to make reference to the global education network, ORT. This organization also maintains a website dedicated to the role of music in the Holocaust: <a href=\"http:\/\/holocaustmusic.ort.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/holocaustmusic.ort.org\/<\/a>. The website features:<\/p>\n<ul>\n<li>articles that describe the wide range of musical activities that took place in camps and ghettos across Nazi-occupied Europe<\/li>\n<li>sound recordings of music and songs written and sung by victims<\/li>\n<li>full-length compositions written primarily in <em>Theresienstadt<\/em><\/li>\n<li>a \u201cResources and References\u201d page,which offers materials that have been created specifically for secondary school teachers as well as for those educators who are interested in including music in their Holocaust commemoration events\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Music is an art that can transcend the limitations of language, bringing people together and allowing us of a later time to share something of an insight into their experience.\u00a0 The study of music during the Nazi period, and especially &hellip; <a href=\"https:\/\/blogs.shu.edu\/lawrencefrizzell\/music-of-those-persecuted-by-the-nazis\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2011,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-3016","post","type-post","status-publish","format-standard","hentry","category-jewishchristian"],"aioseo_notices":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/posts\/3016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/users\/2011"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/comments?post=3016"}],"version-history":[{"count":4,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/posts\/3016\/revisions"}],"predecessor-version":[{"id":3038,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/posts\/3016\/revisions\/3038"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/media?parent=3016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/categories?post=3016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/tags?post=3016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}