{"id":2713,"date":"2020-01-08T12:51:32","date_gmt":"2020-01-08T17:51:32","guid":{"rendered":"http:\/\/blogs.shu.edu\/lawrencefrizzell\/?p=2713"},"modified":"2020-01-08T12:51:32","modified_gmt":"2020-01-08T17:51:32","slug":"tiffany-windows","status":"publish","type":"post","link":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/tiffany-windows\/","title":{"rendered":"Tiffany Windows"},"content":{"rendered":"
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\"\"<\/a>The work of Louis Comfort Tiffany (1848-1933) and his colleagues provides a delightful background for the celebration of Christian worship in many American Episcopal and Protestant churches from the late 19th and early 20th centuries. The Richard H. Driehaus Museum in Chicago offers an exhibit of these windows, \u201cEternal Light: The Sacred Stained-Glass Windows of Louis Comfort Tiffany,\u201d until March 8, 2020.<\/div>\n<\/div>\n
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Edward Rothstein offers a review, <\/span>“‘Eternal Light: The Sacred Stained-Glass Windows of Louis Comfort Tiffany’ Review: A Vibrant, Luminous Faith,”<\/a> in the WSJ<\/em>. He quotes the introduction to the exhibit, \u201cexplaining how Tiffany\u2019s experimentation with glass- its coloration, its texture and its manufacture- led to the revival of a Medieval religious art form.\u201d<\/div>\n<\/div>\n
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The website of the exhibit gives a few samples of the themes relating to the faith-filled prayer evoked in the light of the windows: http:\/\/driehausmuseum.org\/exhibition\/eternallight\/<\/a>.<\/span><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The work of Louis Comfort Tiffany (1848-1933) and his colleagues provides a delightful background for the celebration of Christian worship in many American Episcopal and Protestant churches from the late 19th and early 20th centuries. The Richard H. Driehaus Museum … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2011,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-2713","post","type-post","status-publish","format-standard","hentry","category-art"],"aioseo_notices":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/posts\/2713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/users\/2011"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/comments?post=2713"}],"version-history":[{"count":4,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/posts\/2713\/revisions"}],"predecessor-version":[{"id":2722,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/posts\/2713\/revisions\/2722"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/media?parent=2713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/categories?post=2713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.shu.edu\/lawrencefrizzell\/wp-json\/wp\/v2\/tags?post=2713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}