{"id":819,"date":"2011-10-27T22:07:08","date_gmt":"2011-10-28T02:07:08","guid":{"rendered":"http:\/\/blogs.shu.edu\/glaspellsociety\/?p=819"},"modified":"2013-05-10T17:00:15","modified_gmt":"2013-05-10T21:00:15","slug":"self-and-space-in-the-theater-of-susan-glaspell","status":"publish","type":"post","link":"https:\/\/blogs.shu.edu\/glaspellsociety\/2011\/10\/self-and-space-in-the-theater-of-susan-glaspell\/","title":{"rendered":"Self and Space in the Theater of Susan Glaspell (McFarland 2011)"},"content":{"rendered":"

\"\"<\/a>Published by McFarland, Noelia Hernando-Real’s exploration of eleven Glaspell plays written between 1915 and 1943 focuses on one of\u00a0her\u00a0major themes, the interplay between place and identity.\u00a0Hernando-Real examines the means Glaspell employs to engage her characters in proxemical and verbal dialectics with the forces of place that turn them into victims of location, and her characters\u2019 attempts to escape the influence of territoriality and shape identities of their own.
\nPrint ISBN: 978-0-7864-6394-7
\nEBook ISBN: 978-0-7864-8832-2
\nTo order:
\nhttp:\/\/www.mcfarlandpub.com\/contents-2.php?id=978-0-7864-6394-7<\/a><\/p>\n

Hernando-Real has also recently published “Sane Enough to Kill: On Women, Madness, and the Theatricality of Violence in Susan Glaspell’s The Verge<\/em>” in Violence in American Drama. Essays on Its Staging, Meanings and Effects<\/em>. Eds. Alfonso Ceballos Mu\u00f1oz, Ram\u00f3n Espejo Romero and Bernardo Mu\u00f1oz Martinez. Also published by McFarland.<\/p>\n","protected":false},"excerpt":{"rendered":"

\"\"<\/a>Published by McFarland, Noelia Hernando-Real’s exploration of eleven Glaspell plays written between 1915 and 1943 focuses on one of her major themes, the interplay between place and identity. Hernando-Real examines the means Glaspell employs to engage her characters in proxemical and verbal dialectics with the forces of place that turn them into victims of location, and her characters\u2019 attempts to escape the influence of territoriality and shape identities of their own. <\/p>\n","protected":false},"author":458,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[16,4],"tags":[],"class_list":["post-819","post","type-post","status-publish","format-standard","hentry","category-16","category-publications"],"yoast_head":"\nSelf and Space in the Theater of Susan Glaspell (McFarland 2011) - The International Susan Glaspell Society<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.shu.edu\/glaspellsociety\/2011\/10\/self-and-space-in-the-theater-of-susan-glaspell\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Self and Space in the Theater of Susan Glaspell (McFarland 2011) - The International Susan Glaspell Society\" \/>\n<meta property=\"og:description\" content=\"Published by McFarland, Noelia Hernando-Real's exploration of eleven Glaspell plays written between 1915 and 1943 focuses on one of her major themes, the interplay between place and identity. 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