{"id":1881,"date":"2025-06-13T12:28:42","date_gmt":"2025-06-13T16:28:42","guid":{"rendered":"https:\/\/blogs.shu.edu\/glaspellsociety\/?p=1881"},"modified":"2025-06-13T13:26:20","modified_gmt":"2025-06-13T17:26:20","slug":"isgs-presents-a-staged-reading-of-inheritors-at-ala-2025-in-boston","status":"publish","type":"post","link":"https:\/\/blogs.shu.edu\/glaspellsociety\/2025\/06\/isgs-presents-a-staged-reading-of-inheritors-at-ala-2025-in-boston\/","title":{"rendered":"ISGS Presents Staged Reading of Inheritors at ALA 2025, Boston"},"content":{"rendered":"

When Susan Glaspell’s Inheritors<\/em> premiered in 1921, America was in the throes of a postwar conservative backlash as the “100% Americanism” movement fostered attitudes of isolationism, nationalism, xenophobia, racism, and the suppression of free speech. The play centers on the impact on a Midwestern college campus–with students from India deported for anti-colonial activism, a student imprisoned for violating the Espionage Act, a professor pressured to keep quiet on political issues, and the political awakening of the play’s central character, Madeline Morton, who traces her growing commitment to the ideals of American democracy to her grandfather, Silas Morton, the founder of the college.<\/p>\n

And here we are again in the throes of another “100% Americanism” movement! Let no one wonder about Glaspell’s remarkable ability to dramatize the central conflicts at the heart of American identity nor the continuing relevance of her drama to America today. As Eva Le Gallienne once said, this play remains “a burning challenge to America.”<\/p>\n

\"\"<\/a><\/p>\n

Stage Directions & Prologue\u00a0\u2013 read by\u00a0Cheryl Black, Professor of Theatre Emerita, University of Missouri<\/div>\n
<\/div>\n
Senator Lewis\u00a0\u2013 read by\u00a0Stuart Hecht, Retired Associate Professor of Theatre, Boston College<\/div>\n
<\/div>\n
Felix Fejevary II\u00a0\u2013 read by\u00a0Jeff Kennedy, Associate Professor in the School of Humanities, Arts and Cultural Studies at Arizona State University<\/div>\n
<\/div>\n
Horace Fejevary\u00a0\u2013 read by\u00a0Andy Harper, Assistant Professor of English, St. Louis University<\/div>\n
<\/div>\n
Madeline Morton\u00a0\u2013 read by\u00a0Lyndsi Skewes, Performing Artist and Early Childhood Educator<\/div>\n
<\/div>\n
Isabel Fejevary\u00a0\u2013 read by\u00a0Anne Fletcher, Professor of Theatre Emerita, Southern Illinois University<\/div>\n
<\/div>\n
Professor Holden\u00a0\u2013 read by\u00a0Joseph G. Ramsey, Senior Lecturer in English and American Studies, University of Massachusetts, Boston<\/div>\n
<\/div>\n
Ira Morton\u00a0\u2013 read by\u00a0Stuart Hecht<\/div>\n
<\/div>\n
Emil Johnson\u00a0\u2013 read by\u00a0Andy Harper<\/div>\n
<\/div>\n
\n

The reading went extremely well with a packed house! Many stayed for the discussion afterward, and it was a really robust discussion. This staged reading was a great success thanks to Cheryl\u2019s adaptation and direction of the work, and our luck in getting such a dedicated and talented cast.<\/p>\n

\"\"<\/a>

Stuart Hecht as Senator Lewis and Lyndsi Skewes as Madeline Morton<\/p><\/div>\n

\"\"<\/a>

Post-reading discussion with (l to r) Joseph G. Ramsay, Lyndsi Skewes, Anne Fletcher, Stuart Hecht, and Cheryl Black<\/p><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

When Susan Glaspell’s Inheritors premiered in 1921, America was in the throes of a postwar conservative backlash as the “100% Americanism” movement fostered attitudes of isolationism, nationalism, xenophobia, racism, and the suppression of free speech. The play centers on the impact on a Midwestern college campus–with students from India deported for anti-colonial activism, a student […]<\/p>\n","protected":false},"author":458,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[75,3,17,5],"tags":[],"class_list":["post-1881","post","type-post","status-publish","format-standard","hentry","category-2025-conferences","category-conferences","category-inheritors","category-performances"],"yoast_head":"\nISGS Presents Staged Reading of Inheritors at ALA 2025, Boston - The International Susan Glaspell Society<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.shu.edu\/glaspellsociety\/2025\/06\/isgs-presents-a-staged-reading-of-inheritors-at-ala-2025-in-boston\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ISGS Presents Staged Reading of Inheritors at ALA 2025, Boston - The International Susan Glaspell Society\" \/>\n<meta property=\"og:description\" content=\"When Susan Glaspell’s Inheritors premiered in 1921, America was in the throes of a postwar conservative backlash as the “100% Americanism” movement fostered attitudes of isolationism, nationalism, xenophobia, racism, and the suppression of free speech. 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