{"id":1714,"date":"2024-01-16T11:17:18","date_gmt":"2024-01-16T16:17:18","guid":{"rendered":"https:\/\/blogs.shu.edu\/glaspellsociety\/?p=1714"},"modified":"2024-01-16T11:19:47","modified_gmt":"2024-01-16T16:19:47","slug":"susan-glaspell-teatro-vanguardia-y-humor-1917-1918","status":"publish","type":"post","link":"https:\/\/blogs.shu.edu\/glaspellsociety\/2024\/01\/susan-glaspell-teatro-vanguardia-y-humor-1917-1918\/","title":{"rendered":"Susan Glaspell: teatro, vanguardia y humor (1917-1918)"},"content":{"rendered":"

In\u00a0Susan Glaspell: teatro, vanguardia y humor (1917-1918)<\/i> [Susan Glaspell: theatre, avant-garde and humour (1917-1918)], <\/span><\/i>published by <\/span>Universitat de Val\u00e8ncia<\/span>, <\/span><\/i>three of Glaspell\u2019s one-act classics have been rendered into living Spanish translations by poet and scholar, <\/span>Nieves Alberola Crespo<\/span>.\u00a0<\/b>The Outside, Woman\u00b4s Honor\u00a0<\/i>and\u00a0Tickless Time<\/i> range from the tragic, psychological, and profound to the light and humorous, yet they deal with Glaspell’s essential themes: the struggle for women\u2019s social and political equality in America and the need for and success of women\u2019s solidarity. They demonstrate Glaspell\u2019s pioneering and often over-looked early modernist experimentation, which rivaled and preceded that of her friend Eugene O\u2019Neill. Each play is\u00a0<\/b>accompanied by a detailed essay which provides not only academic criticism, but also notes, contexts, interviews with practitioners, and other invaluable background that can help readers, teachers, students or actors understand and, most importantly, play the amusing and heartbreaking work of Susan Glaspell.<\/span><\/p>\n

https:\/\/puv.uv.es\/susan-glaspell-teatro-vanguardia-y-humor-1917-1918.html<\/a><\/p>\n

Table of contents:<\/strong><\/p>\n

\"\"<\/a>Pr\u00f3logo, Drew Eisenhauer<\/p>\n

M\u00e1s all\u00e1 del dolor
\nEn las afueras<\/em><\/p>\n

\u00a0<\/em>Juego de apariencias
\nEl honor de una mujer<\/em><\/p>\n

La quimera del tiempo
\nEl reloj de sol<\/em><\/p>\n

Bigliograf\u00eda<\/p>\n","protected":false},"excerpt":{"rendered":"

In\u00a0Susan Glaspell: teatro, vanguardia y humor (1917-1918) [Susan Glaspell: theatre, avant-garde and humour (1917-1918)], published by Universitat de Val\u00e8ncia, three of Glaspell\u2019s one-act classics have been rendered into living Spanish translations by poet and scholar, Nieves Alberola Crespo.\u00a0The Outside, Woman\u00b4s Honor\u00a0and\u00a0Tickless Time range from the tragic, psychological, and profound to the light and humorous, yet […]<\/p>\n","protected":false},"author":458,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[66,4],"tags":[],"class_list":["post-1714","post","type-post","status-publish","format-standard","hentry","category-2023-publications","category-publications"],"yoast_head":"\nSusan Glaspell: teatro, vanguardia y humor (1917-1918) - 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