{"id":1261,"date":"2017-07-17T10:26:43","date_gmt":"2017-07-17T14:26:43","guid":{"rendered":"http:\/\/blogs.shu.edu\/glaspellsociety\/?p=1261"},"modified":"2017-07-17T10:57:04","modified_gmt":"2017-07-17T14:57:04","slug":"susan-glaspells-poetics-and-politics-of-rebellion-university-of-iowa-press-2017","status":"publish","type":"post","link":"https:\/\/blogs.shu.edu\/glaspellsociety\/2017\/07\/susan-glaspells-poetics-and-politics-of-rebellion-university-of-iowa-press-2017\/","title":{"rendered":"Susan Glaspell&#8217;s Poetics and Politics of Rebellion (University of Iowa Press, 2017)"},"content":{"rendered":"<p><a href=\"https:\/\/blogs.shu.edu\/glaspellsociety\/jouve_uip\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blogs.shu.edu\/glaspellsociety\/files\/2017\/07\/Jouve_uip-100x150.jpg\" alt=\"\" width=\"100\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1263\" srcset=\"https:\/\/blogs.shu.edu\/glaspellsociety\/files\/2017\/07\/Jouve_uip-100x150.jpg 100w, https:\/\/blogs.shu.edu\/glaspellsociety\/files\/2017\/07\/Jouve_uip.jpg 150w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><\/a> \u201cIn Susan Glaspell\u2019s Poetics and Politics of Rebellion, <strong>Emeline Jouve<\/strong> has cleared away what Lawrence Langer once called Glaspell\u2019s \u2018old lace\u2019 to reveal the \u2018steel lining beneath the tender surface\u2019\u2014the politics and, really, outrage at injustice and belief in democratic idealism that are at the center of Glaspell\u2019s dramaturgy\u2014and her raison d\u2019\u00eatre as a writer.\u201d \u2014 Drew Eisenhauer, Coventry University<\/p>\n<p>A pioneer of American modern drama and founding member of the Provincetown Players, Susan Glaspell (1876\u20131948) wrote plays of a kind that Robert Brustein defines as a \u201cdrama of revolt,\u201d an expression of the dramatists\u2019 discontent with the prevailing social, political, and artistic order. Her works display her determination to put an end to the alienating norms that, in her eyes and those of her bohemian peers, were stifling American society. This determination both to denounce infringements on individual rights and to reform American life through the theatre shapes the political dimension of her drama of revolt.<\/p>\n<p>Analyzing plays from the early Trifles (1916) through Springs Eternal (1943) and the undated, incomplete Wings, author Emeline Jouve illustrates the way that Glaspell\u2019s dramas addressed issues of sexism, the impact of World War I on American values, and the relationship between individuals and their communities, among other concerns. Jouve argues that Glaspell turns the playhouse into a courthouse, putting the hypocrisy of American democracy on trial. In staging rebels fighting for their rights in fictional worlds that reflect her audience\u2019s extradiegetic reality, she explores the strategies available to individuals to free themselves from oppression. Her works envisage a better future for both her fictive insurgents and her spectators, whom she encourages to consider which modes of revolt are appropriate and effective for improving the society they live in. The playwright defines social reform in terms of collaboration, which she views as an alternative to the dominant, alienating social and political structures. Not simply accusing but proposing solutions in her plays, she wrote dramas that enacted a positive revolt.<\/p>\n<p><strong>A must for students of Glaspell and her contemporaries, as well as scholars of American theatre and literature of the first half of the twentieth century.<\/strong><\/p>\n<p>https:\/\/www.uipress.uiowa.edu\/<\/p>\n<p><strong>$65 or Sale Price $48 with promo code jouv17<br \/>\n9781609385088<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p><a href=\"https:\/\/blogs.shu.edu\/glaspellsociety\/jouve_uip\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blogs.shu.edu\/glaspellsociety\/files\/2017\/07\/Jouve_uip-100x150.jpg\" alt=\"\" width=\"100\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1263\" srcset=\"https:\/\/blogs.shu.edu\/glaspellsociety\/files\/2017\/07\/Jouve_uip-100x150.jpg 100w, https:\/\/blogs.shu.edu\/glaspellsociety\/files\/2017\/07\/Jouve_uip.jpg 150w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><\/a> \u201cIn Susan Glaspell\u2019s Poetics and Politics of Rebellion, Emeline Jouve has cleared away what Lawrence Langer once called Glaspell\u2019s \u2018old lace\u2019 to reveal the \u2018steel lining beneath the tender surface\u2019\u2014the politics and, really, outrage at injustice and belief in democratic idealism that are at the center of Glaspell\u2019s dramaturgy\u2014and her raison d\u2019\u00eatre as a writer.\u201d\u2014Drew Eisenhauer, Coventry University<\/p>\n","protected":false},"author":458,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[51,4],"tags":[],"class_list":["post-1261","post","type-post","status-publish","format-standard","hentry","category-2017-publications","category-publications"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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