{"id":342,"date":"2011-05-18T09:18:05","date_gmt":"2011-05-18T13:18:05","guid":{"rendered":"http:\/\/blogs.shu.edu\/glaspellsociety\/?page_id=342"},"modified":"2022-09-17T11:44:51","modified_gmt":"2022-09-17T15:44:51","slug":"secondary-sources","status":"publish","type":"page","link":"https:\/\/blogs.shu.edu\/glaspellsociety\/secondary-sources\/","title":{"rendered":"Secondary Sources"},"content":{"rendered":"

This is an up-to-date bibliography of literary criticism and scholarly research on the work of Susan Glaspell.\u00a0 If you have recently published an article, book chapter, or book on Susan Glaspell’s work, and do not see it included here, contact the Susan Glaspell Society Webmaster, Martha Carpentier. For an annotated bibliography of reviews of Glaspell’s plays from 1916 to 1992 and for citations prior to 1975, see Mary E. Papke, Susan Glaspell: A Research and Production Sourcebook<\/em>, Greenwood Press, 1993.<\/p>\n

Aarons, Victoria. “A Community of Women: Surviving Marriage in the Wilderness.” In Portraits of a Marriage in Literature<\/em>. Ed. Anne C. Hargrove and Maurine Magliocco. Macomb, IL: Western Illinois University, 1984. 141-49. Also in Rendezvous: Idaho State University Journal of Arts and Letters<\/em> 21.2 (Spring 1986): 3-11.<\/p>\n

Abramson, Doris, Maria Irene Fornes, Carolee Schneemann, Florence Falk, Bonnie Marranca, and Rosette C. Lamont. “Women in the Theatre.” Centerpoint: A Journal of Interdisciplinary Studies <\/em>3.3\/4 [Issue 11] (Fall\/Spring 1980): 31-7.<\/p>\n

Adler, Thomas P. Mirror on the Stage: The Pulitzer Plays as an Approach to American Drama<\/em>. West Lafayette, IN: Purdue University Press, 1987.<\/p>\n

Ak\u015fehir, Mahinur.\u00a0 \u201cThe Glory of the Conquered:\u00a0 Speaking Silence of Women\u2019s Space in Susan Glaspell\u2019s \u2018A Jury of Her Peers.\u2019\u201d\u00a0 Kad\u0131n\/Woman 2000:\u00a0 Kad\u0131n Ara\u015ft\u0131rmalar\u0131 Dergisi\/Journal for Woman Studies EMU-CWS <\/i>9.1 (June 2008): 1-11.<\/p>\n

Alberola Crespo, Nieves. \u201cHomes and Kitchens: Rethinking on the Works of Susan Glaspell, Tennessee Williams and Lynn Nottage\u201d. Into Another’s Skin: Selected essays in honour of Mar\u00eda Luisa Da\u00f1obeitia<\/i>. Eds. Mauricio Aguilera Linde, Mar\u00eda Jose de la Torre Moreno y Laura Z\u00fa\u00f1iga (eds.). Granada: Ediciones Universidad de Granada, 2012. 201-209.<\/p>\n

Alberola, Nieves. Susan Glaspell y los Provincetown Players. Laboratorio de emociones. Valencia: PUV, 2017.<\/p>\n

Alkalay-Gut, Karen. “‘A Jury of Her Peers’: The Importance of Trifles<\/em>.” Studies in Short Fiction<\/em> 21.1 (Winter 1984): 1-9.<\/p>\n

Alkalay-Gut, Karen. “Murder and Marriage: Another Look at Trifles<\/em>.” In Susan Glaspell: Essays on Her Theater and Fiction<\/em>. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 71-81.<\/p>\n

Anderlini-DOnofrio, Serena. “Is Feminist Realism Possible? A Theory of Labial Eros and Mimesis.” Journal of Gender Studies<\/em> 8.2 (July 1999): 159-180.<\/p>\n

Andrews, Clarence A., and Marcia Noe. “Susan Glaspell of Davenport.” The Iowan<\/em> 25.4 (Summer 1977): 46-53.<\/p>\n

Angel, Marina. “A Classical Greek Influences an American Feminist: Susan Glaspell’s Debt to Aristophanes.” Syracuse Law Review<\/em> 52 (2001): 81+.<\/p>\n

Angel, Marina. “Criminal Law and Women: Giving the Abused Woman Who Kills A Jury of Her Peers Who Appreciate Trifles.” American Criminal Law Review<\/em> 33 (1996): 229+.<\/p>\n

Angel, Marina. “Feminism in Classical Greece and Twentieth Century America.” In Problems of Interpretation: Essays in Memory of Constantinos N. Kakouris<\/em>. Ed. Ant. N. Sakkoulas. Brussels: Bruylant, 2004.<\/p>\n

Angel, Marina. “Susan Glaspell’s Trifles<\/em> and ‘A Jury of Her Peers’: Woman Abuse in a Literary and Legal Context.” Buffalo Law Review<\/em> 46.2 (Spring 1998): 779+.<\/p>\n

Angel, Marina. “Teaching Susan Glaspell’s ‘A Jury of Her Peers’ and Trifles<\/em>.” Journal of Legal Education<\/em> 53.4 (December 2003): 548-563.<\/p>\n

Arciniega, Lourdes. \u201cHome as an Activist and Feminist Stage: Women\u2019s Performative Agency in the Drama of Susan Glaspell.\u201d Performing Dream Homes<\/em>. Eds. Emily Klein, Jennifer-Scott Mobley & Jill Stevenson. London: Palgrave Macmillan, 2019. 45-64.<\/p>\n

Aston, E. Review of Susan Glaspell’s The Verge<\/em>. Theatre Journal<\/em> 49.2 (May 1997): 229-231.<\/p>\n

Atlas, Marilyn Judith. “Creating Women’s Myth: Emily Dickinson’s Legacy to Susan Glaspell.” Focus: Teaching English Language Arts<\/em> 8.1 (Fall1981): 55-61.<\/p>\n

Austin, Gayle. Feminist Theories for Dramatic Criticism<\/em>. Ann Arbor: University of Michigan Press, 1990.<\/p>\n

Bach, Gerhard, and Claudia Harris. Review of “Susan Glaspell — Rediscovering an American Playwright.” Conference and Theatre Performance. Sponsored by Brigham Young University English Department and Theatre\/Film Department, Provo, Utah. 16 March 1991. Theatre Journal<\/em> 44.1 (March 1992): 94-6.<\/p>\n

Bach, Gerhard. “Susan Glaspell (1876-1948): A Bibliography of Dramatic Criticism.” The Great Lakes Review: A Journal of Midwestern Culture<\/em> 3.2 (Winter 1977): 1-34<\/p>\n

Bach, Gerhard. “Susan Glaspell: Mapping the Domains of Critical Revision.” In Susan Glaspell: Essays on Her Theater and Fiction<\/em>. Ed. Linda Ben-Zvi. Ann Arbor, MI: U of Michigan P, 1995. 239-58.<\/p>\n

Bach, Gerhard. “Susan Glaspell–Provincetown Playwright.” The Great Lakes Review: A Journal of Midwest Culture <\/em>4.2 (1978): 31-43.<\/p>\n

Bach, Gerhard. “Susan Glaspell Revisited: A Workshop Report.” Society for the Study of Midwestern Literature Newsletter <\/em>6.1 (Spring 1976): 2-4.<\/p>\n

Bach, Gerhard. Susan Glaspell und die Provincetown Players: Die Aufange des modernen amerikanischen Dramas und Theaters<\/em>. Frankfurt am Main: Peter Lang, 1979.<\/p>\n

Banham, Martin, ed. The Cambridge Guide to World Theatre<\/em>. Cambridge: Cambridge University Press, 1988.<\/p>\n

Barber, Rytch. “American Expressionism and the New Woman: Glaspell, Treadwell, Bonner, and a Dramaturgy of Social Conscience.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 93-114.<\/p>\n

Barlow, Judith E. Introduction. Plays by American Women: 1900-1930<\/em>. New York: Applause Theatre Book Publishers, 1985. ix-xxxiii.<\/p>\n

Barlow, Judith E. Introduction. Plays By American Women: The Early Years<\/em>. New York: Avon, 1981. Ix-xxxii.<\/p>\n

Barlow, Judith E. “Susan’s Sisters: The ‘Other’ Women Writers of the Provincetown Players.” In Susan Glaspell: Essays on Her Theater and Fiction<\/em>. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 259-300.<\/p>\n

Barlow, Judith E. Women Writers of the Provincetown Players: A Collection of Short Works<\/em>. Albany, NY: Excelsior Editions Press, State University of New York Press, 2009. Includes Glaspell’s Women’s Honor <\/em>plus twelve other plays by Glaspell’s colleagues at the Provincetown.<\/p>\n

Beard, DeAnna Toten, and Mark Osler.\u00a0 \u201cSusan Glaspell Goes to Law School:\u00a0 Adventures in Teaching Trifles<\/i> to Criminal Practice Students.\u201d\u00a0 Texas Theatre Journal<\/i> 4.1\u00a0 (January 2008): 43-50.<\/p>\n

Bendel-Simso, Mary M. “Twelve Good Men or Two Good Women: Concepts of Law and Justice in Susan Glaspell’s ‘A Jury of Her Peers.'” Studies in Short Fiction<\/em> 36.3 (Summer 1999): 291-297.<\/p>\n

Ben-Zvi, Linda. “Glaspell, Susan.” In Notable Women in American Theatre: A Biographical Dictionary<\/em>. Ed. Alice M. Robinson, Vera Moury Roberts, And Milly S. Barranger. Westport: Greenwood Press, 1989. 341-46.<\/p>\n

Ben-Zvi, Linda. “‘Murder, She Wrote’: The Genesis of Susan Glaspells Trifles.” Theatre Journal 44.2 (May 1992): 141-62. Also in Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 19-48.<\/p>\n

Ben-Zvi, Linda. “O’Neill’s Cape(d) Compatriot.” The Eugene ONeill Review<\/em> 19: 1-2 (Spring-Fall 1995): 129-38.<\/p>\n

Ben-Zvi, Linda. “The Political as Personal in the Writing of Susan Glaspell.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 275-294.<\/p>\n

Ben-Zvi, Linda. Review of Plays by Susan Glaspell, edited by C. W. E. Bigsby. Resources for American Literary Study <\/em>17.1 (Spring 1990): 122-26.<\/p>\n

Ben-Zvi, Linda, ed. The Road to the Temple, A Biography of George Cram Cook by Susan Glaspell<\/em>. Jefferson, NC, and London: McFarland & Company, Inc., 2005.<\/p>\n

Ben-Zvi, Linda. “Silent Partners: The ‘Trifling’Nature of Language in the Theatre of Susan Glaspell and Samuel Beckett.” In\u00a0On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Eds. Martha C. Carpentier and Emeline Jouve. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015. 45-61.<\/p>\n

Ben-Zvi, Linda. “Susan Glaspell and Eugene O’Neill.” The Eugene O’Neill Newsletter<\/em> 6.2 (Summer-Fall 1982): 21-29.<\/p>\n

Ben-Zvi, Linda. “Susan Glaspell and Eugene O’Neill: The Imagery of Gender.” The Eugene O’Neill Newsletter<\/em> 10.1 (Spring 1986): 22-27.<\/p>\n

Ben-Zvi, Linda. “Susan Glaspell’s Contributions to Contemporary Women Playwrights.” In Feminine Focus: The New Women Playwrights<\/em>. Ed. Enoch Brater. New York: Oxford University Press, 1989. 147-66.<\/p>\n

Ben-Zvi, Linda and J. Ellen Gainor, eds. and introduction. Susan Glaspell: The Complete Plays<\/em>. Jefferson, NC, and London: MacFarland & Company, Inc., Publishers: 2010. Includes Suppressed Desires, Trifles, Close the Book, The People, The Outside, Woman’s Honor, Tickless Time, Bernice, Free Laughter, Chains of Dew, Inheritors, The Verge, The Comic Artist, Alison’s House, Springs Eternal<\/em>.<\/p>\n

Ben-Zvi,-Linda, ed. Susan Glaspell: Essays on Her Theater and Fiction<\/em>. Ann Arbor: U of Michigan P, 1995.<\/p>\n

Ben-Zvi, Linda. Susan Glaspell: Her Life and Times<\/em>. New York: Oxford University Press, 2005.<\/p>\n

Ben-Zvi, Linda. “Susan Glaspell Modernist Playwright.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Berkowitz, Gerald M. American Drama of the Twentieth Century<\/em>. London: Longman, 1992.<\/p>\n

Bickford, Donna M., and Nedra Reynolds. “Activism and Service-Learning: Reframing Volunteerism As Acts of Dissent.” Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture <\/em>2.2 (Spring 2002): 229-252.<\/p>\n

Bigsby, C. W. E. “The Language of Crisis in British Theatre: The Drama of Cultural Pathology.” In Contemporary English Drama<\/em>. Edited by C. W. E. Bigsby. New York: Holmes & Meier Publishers, Inc., 1981. 11-51.<\/p>\n

Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama<\/em>. Volume I: 1900-1940. Cambridge: Cambridge University Press, 1982.<\/p>\n

Bigsby, C. W. E. Introduction. Plays by Susan Glaspell: Trifles, The Outside, The Verge, Inheritors<\/em>. Edited by C. W. E. Bigsby. Additional textual notes by Christine Dymkowski. Cambridge: Cambridge University Press, 1987. 1-31.<\/p>\n

Black, Cheryl. “Football Culture at the Turn of the Century.” Glaspell\u2019s Recovered Early Fiction: On Her Six \u201cNew\u201d Short Stories<\/em> in Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Black, Cheryl. “‘Making Queer New Things:’ Queer Identities in the Life and Dramaturgy of Susan Glaspell,” Journal of Dramatic Theory and Criticism<\/em> 20. 1 (Fall 2005): 49-64.<\/p>\n

Black, Cheryl and Robert K. Sarlo. “On the Threshold of Sexual Politics in American Theatre and Drama: The Provincetown Players.” In Staging a Cultural Paradigm: The Political and the Personal in American Drama.<\/em> Ed. Barbara Ozieblo and Miriam Lpez-Rodriguez, Bruxelles, Bern, Berlin, Frankfurt\/M, New York, Oxford, Wien: P.I.E.-Peter Lang, 2002. 133-147.<\/p>\n

Black, Cheryl. “Susan Glaspell, the Provincetown Players, and Greenwich Village Feminism.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Black, Cheryl. The Women of the Provincetown<\/em>, 1915-1922. Tuscaloosa, AL: U of Alabama P, 2002.<\/p>\n

Bohde, Cheryl D. “Susan Keating Glaspell (1876-1948).” In American Women Writers, 1900-1945: A Bio-Bibliographical Critical Sourcebook<\/em>. Ed. Laurie Champion. Westport, CT: Greenwood, 2000. 133-41.<\/p>\n

Bonin, Jane F. Major Themes in Prize-Winning American Drama<\/em>. Preface by Paul T. Nolan. Metuchen, NJ: The Scarecrow Press, Inc., 1975.<\/p>\n

“Book Reviews\/Chroniques Bibliographiques.” Canadian Journal of Women & the Law<\/em> 17
\n(2005): 233-270.<\/p>\n

Bordman, Gerald. The Oxford Companion to American Theatre. New York: Oxfrod University Press, 1984.<\/p>\n

Bottoms, Stephen J. “Building on the Abyss: Susan Glaspell’s The Verge<\/em> in Production.” Theatre Topics<\/em> (ThTop). 8.2 (1998): 127-47.<\/p>\n

Brown, Terri L.\u00a0 Me and My Shadow:\u00a0 An Exploration of Doppelg\u00e4nger as Found in the Music and Text of Susan Glaspell\u2019s \u2018The Verge<\/em>.\u2019\u00a0 Dissertation.\u00a0 Bowling Green State U, 2008.<\/p>\n

Bryan, Patricia L., and Martha C. Carpentier, eds. and introduction.\u00a0Her America: “A Jury of Her Peers” and Other Stories by Susan Glaspell<\/em>. Iowa City: University of Iowa Press, 2010. Includes “Looking After Clara,” “The Manager of Crystal Sulphur Springs,” “Unveiling Brenda,” “A Jury of Her Peers,” “A Matter of Gesture,” “Poor Ed,” “Beloved Husband,” “The Busy Duck,” “Pollen,” “Government Goat,” “The Nervous Pig,” “A Rose in the Sand.”<\/p>\n

Bryan, Patricia. “Foreshadowing ‘A Jury of Her Peers’: Susan Glaspell’s ‘The Plea” and the Case of John Wesley Elkins.” In Susan Glaspell: New Directions in Critical Inquiry<\/em>. Ed. Martha C. Carpentier. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 45-65.<\/p>\n

Bryan, Patricia. “The Hossack Murder and the Genesis of Trifles\/’A Jury of Her Peers.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Bryan, Patricia and Thomas Wolf. Midnight Assassin: A Murder in America’s Heartland<\/em>. Chapel Hill, NC: Algonquin Books, 2005. Reprinted in Bur Oaks Series. Iowa City: University of Iowa Press, 2007.<\/p>\n

Bryan, Patricia. “Stories in Fiction and in Fact: Susan Glaspell’s ‘A Jury of Her Peers’ and the 1901 Murder Trial of Margaret Hossack.” Stanford Law Review<\/em> 49 (1997): 1293.<\/p>\n

Burch, Milbre, “Renovation and Transformation: Adapting the Writing of Susan Glaspell.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Burch, Milbre. “Sometimes I Sing: Freeing the Voice of Minnie Foster Wright in Trifles<\/em>.” And “Sometimes I Sing: An Original Dramatic Monologue Inspired by Trifles<\/em>.”\u00a0In\u00a0On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Eds. Martha C. Carpentier and Emeline Jouve. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015. 163-181 & 193-202.<\/p>\n

Burke, Sally. American Feminist Playwrights: A Critical History<\/em>. New York: Twayne, 1996.<\/p>\n

Burnham, John C. “The New Psychology.” In 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art & the New Theatre in America<\/em>. Edited by Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991. 117-27.<\/p>\n

Cadden, Michael. “Rewriting Literary History.” American Quarterly<\/em> 41.1 (March 1989: 133-37; written in response to Susan Harris Smith’s “Generic Hegemony: American Drama and the Canon,” 112-22; other responses include C. W. E. Bigsby’s “A View from East Anglia,” 128-32, as well as Susan Harris Smith’s response to the responses, 138-40.<\/p>\n

Calanchi, Alessandra. “CLUEDOing the Home: Crime Fiction and the Art of Internal Detection.” The House of Fiction as the House of Life: Representations of the House from Richardson to Woolf<\/i>. Eds. Francesca Saggini and Anna Enrichetta Soccio. Newcastle upon Tyne, England: Cambridge Scholars Press, 2012. 204-217.<\/p>\n

Carpentier, Martha C. “Americans in Paris.” Glaspell\u2019s Recovered Early Fiction: On Her Six \u201cNew\u201d Short Stories<\/em> in Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, pp.<\/p>\n

Carpentier, Martha C. “Apollonian Form and Dionysian Excess in Susan Glaspell’s Drama and Fiction.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 35-50.<\/p>\n

Carpentier, Martha C. “The Deracinated Self: Immigrants, Orphans, and the Migratory Consciousness of Willa Cather and Susan Glaspell.” Studies in American Fiction <\/em>Vol. 35 No. 2 (Autumn 2007): 131-158.<\/p>\n

Carpentier, Martha C. and Barbara Ozieblo, eds. and introduction. Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. 37 DQR Studies in Literature. Amsterdam and New York: Rodopi, 2006.<\/p>\n

Carpentier, Martha C., ed. and introduction, Her America: “A Jury of Her Peers” and Other Stories by Susan Glaspell<\/em>. University of Iowa Press, 2010.<\/p>\n

Carpentier, Martha C. The Major Novels of Susan Glaspell<\/em>. Gainesville, FL: UP of Florida, 2001.<\/p>\n

Carpentier, Martha C. and Emeline Jouve, eds. On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015.<\/p>\n

Carpentier, Martha C. and Emeline Jouve. “Introduction: An Iconic Work at 100 Years.”\u00a0 On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015. 1-10.<\/p>\n

Carpentier, Martha C. “Susan Glaspell.” The Thomson Anthology of American Literature<\/em>, Vol. 4: Modern Period (1910-1945). Ed. Martha J. Cutter. New York: Thomson Press, 2007.<\/p>\n

Carpentier, Martha C., ed. and introduction. Susan Glaspell: New Directions in Critical Inquiry<\/em>. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006.<\/p>\n

Carpentier, Martha C. “Susan Glaspell\u2019s Delphi and the Legacy of Jane Ellen Harrison.” Americans and the Experience of Delphi<\/em>. Eds. Paul Lorenz and David Roessel, Somerset Hall Press, 2013, pp. 157-80.<\/p>\n

Carpentier, Martha C. “Susan Glaspell’s Fiction: Fidelity<\/em> as American Romance.” Twentieth Century Literature: A Scholarly and Critical Journal<\/em> (TCL). 40.1 (1994): 92-113.<\/p>\n

Carpentier, Martha C. “Susan Glaspell and the Modernist Novel.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Carpentier, Martha C. “Women’s Justice: Nemesis and Subversion in Susan Glaspell’s Trifles.” L’Acte Inqualifiable ou le Meurtre au F\u00e9minin<\/em>. Eds. \u00c9meline Jouve, Aur\u00e9lie Guillain and Laurence Talairach-Vielmas. Peter Lang, 2016, pp. 145-162.<\/p>\n

Cassady, Marshall, ed. An Introduction to Modern One-Act Plays<\/em>. Lincolnwood, IL: National Textbook Company, 1991.<\/p>\n

Capo, Beth. \u201cCan This Woman Be Saved? Birth Control and Marriage in Modern American Literature.\u201d Modern Language Studies<\/em> 34.1-2 (Spring-Fall 2004): 28-41.<\/p>\n

Chansky, Dorothy. \u201cKitchen Sink Realisms: American Drama, Dining, and Domestic Labor Come of Age in Little Theatre.\u201d Journal of American Drama and Theatre<\/em> 16.2 (Spring 2004): 37-56.<\/p>\n

Chansky, Dorothy. “The Little Theatre Movement in the United States.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Chansky, Dorothy. “Review of Susan Glaspell in Context: American Theater, Culture, and Politics, 1915-1948.” Theatre Survey<\/em> 44.1 (May 2003): 115-117.<\/p>\n

Chien, Ying-ying. “From Utopian to Dystopian World: Two Faces of Feminism in Contemporary Taiwanese Womens Fiction.” World Literature Today<\/em> 68.1 (Winter 1994): 35+.<\/p>\n

Chinoy, Helen Krich. “Art Versus Business: The Role of Women in American Theatre.” The Drama Review <\/em>24.2 (1980): 3-10.<\/p>\n

Chinoy, Helen Krich. “Art Versus Business: The Role of Women in American Theatre.” Introduction to Women in American Theatre<\/em>. Eds. Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987.1-9.<\/p>\n

Chinoy, Helen Krich. “Suppressed Desires: Women in the Theater.” In Women, the Arts, and the 1920s in Paris and New York<\/em>. Edited by Kenneth W. Wheeler and Virginia Lee Lussier. New Brunswick: Transaction Books, 1982. 126-32.<\/p>\n

Chung, Kathy K.Y. “‘A Different Kind of the Same Thing’: Narrative, Experiential Knowledge, and Subjectivity in Susan Glaspell’s Trifles<\/em> and Sharon Pollock’s Blood Relations<\/em>.” Theatre Research in Canada\/Recherches Theatrales au Canada<\/em> (TRIC). 20.2 (1999, Fall): 159-80<\/p>\n

Clausson, Nils. “The Case of the Purloined Genre: Breaking the Codes in Susan Glaspell’s ‘A Jury of Her Peers’.” Genre: Forms of Discourse and Culture <\/em>(Genre). 34.1-2 (2001): 81-100.<\/p>\n

Cockin, Katharine M. Women and Theatre in the Age of Suffrage: The Pioneer Players 1911-25<\/em> Basingstoke: Palgrave, 2001.<\/p>\n

Cockin, Katharine M. “Glaspell\u2019s Dramas in England: Early Production, Publication, and Reception.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Cohn, Ruby. “Twentieth-Century Drama.” In “Part Five: 1945 to the Present.” Ed. Marjorie Perloff. The Columbia Literary History of the United States<\/em>. Series editor Emory Elliott. New York: Columbia University Press, 1988. 1101-25.<\/p>\n

Commire, Anne, ed; Adele Sarkissian and Agnes Garrett, assoc. eds. “Glaspell, Susan 1882-1948.” In Yesterday’s Authors of Books for Children: Facts and Pictures about Authors and Illustrators of Books for Young People, from Early Times to 1960<\/em>. Detroit: Gale Research Company, 1978. Volume 2: 125-28.<\/p>\n

Cotsell, Michael. The Theater of Trauma: American Modernist Drama and the Psychological Struggle for the American Mind, 1900-1930<\/em>. New York: Peter Lang, 2005.<\/p>\n

Coven, Brenda. American Women Dramatists of the Twentieth Century: A Bibliography<\/em>. Metuchen, NJ: The Scarecrow Press, Inc., 1982.<\/p>\n

Cox, James H., and Alexander Pettit. \u201cIndigeneity and Immigration in Susan Glaspell\u2019s
\nInheritors.\u201d Comparative Drama<\/em>, vol. 53, no. 3, 2019, pp. 31\u201258.<\/p>\n

Czerepinski, Jackie. “Beyond The Verge<\/em>: Absent Heroines in the Plays of Susan Glaspell.” In Susan Glaspell: Essays on Her Theater and Fiction<\/em>. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 145-54.<\/p>\n

DeBoer-Langworthy, Carol (ed.). The Modern World of Neith Boyce: Autobiography and Diaries<\/em>. Albuquerque: University of new Mexico Press, 2003.<\/p>\n

Dickey, Jerry. “Literary Fiction and the City Newsroom: Susan Glaspell\u2019s ‘The Benefaction of the Curse.'” Glaspell\u2019s Recovered Early Fiction: On Her Six \u201cNew\u201d Short Stories<\/em> in Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Dickey, Jerry and J. Ellen Gainor. “Susan Glaspell and Sophie Treadwell: Staging Feminism and Modernism, 1915-1941.” In A Companion to Twentieth-Century American Drama<\/em>. Ed. David Krasner. Oxford: Blackwell, 2005. 34-52.<\/p>\n

Dickey, Jerry and Barbara Ozieblo. Susan Glaspell and Sophie Treadwell<\/em>. Routledge Modern and Contemporary Drama Series. Series eds. Maggie B. Gale and Mary Luckhurst. London and New York: Routledge, 2008.<\/p>\n

Dickey, Jerry. “Women in American Journalism.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Dukore, Bernard F. American Dramatists, 1918-1945<\/em>. New York: Grove Press, 1984.<\/p>\n

Duneer, Anita. “On the verge of a breakthrough: projections of escape from the attic and the thwarted tower in Charlotte Perkins Gilman’s ‘TheYellow Wallpaper’ and Susan Glaspell’s The Verge<\/em>,” Journal of American Drama and Theatre<\/em> 18.1, Winter 2006, 34-54.<\/p>\n

Dymkowski, Christine. “On the Edge: The Plays of Susan Glaspell.” Modern Drama <\/em>31.1 (March 1988): 91-105.<\/p>\n

Dymkowski, Christine. Review of Susan Glaspell: Essays on Her Theater and Fict<\/em>ion. Theatre Journal<\/em> 49.3 (October 1997): 389-390.<\/p>\n

Engle, Sherry. Review of Springs Eternal<\/em>. Theatre Journal, March 2015: 119-122.<\/p>\n

Eisenhauer, Drew, and Brenda Murphy, eds. Intertextuality in American Drama: Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights<\/i>. Jefferson, NC: McFarland, 2013.<\/p>\n

Eisenhauer, Drew. “She and She: Rachel Crothers and Susan Glaspell’s Turn to Playwriting.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 115-136.<\/p>\n

Eisenhauer, Drew. “Susan Glaspell’s Gendered Detectives: Suspense and the Threat to Masculine Identity in Radio and Screen Adaptations from 1930 to 1961.”\u00a0In\u00a0On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Eds. Martha C. Carpentier and Emeline Jouve. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015. 94-116.<\/p>\n

Eisenhauer, Drew. “Susan Glaspell in Greece: Self and Service.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Fairbanks, Carol. Prairie Women: Images in American and Canadian Fiction<\/em>. New Haven: Yale University Press, 1986.<\/p>\n

Fernandez-Morales, Marta. “The Two Spheres in Susan Glaspell’s Trifles<\/em> and The Verge<\/em>.” In Staging a Cultural Paradigm: The Political and the Personal in American Drama<\/em>. Eds. Barbara Ozieblo\u00a0and Miriam Lopez-Rodriguez. Brussels, Belgium: Presses Interuniversitaires Europeennes (P.I.E.)-Peter Lang, 2002. 163-76.<\/p>\n

Fetterley, Judith. “Reading about Reading: ‘A Jury of Her Peers,’ ‘The Murders in the Rue Morgue,’ and ‘The Yellow Wallpaper.'” In Gender and Reading: Essays on Readers, Texts, and Contexts<\/em>. Ed. Elizabeth A. Flynn and Patrocinio P. Schweickart. Baltimore: Johns Hopkins University Press, 1986. 147-64.<\/p>\n

Fisher, Jerilyn. \u201cWomen Righting Wrongs: Morality and Justice in Susan Glaspell\u2019s Trifles<\/em> (1916).\u201d In Women in Literature: Reading through the Lens of Gender<\/em>. Eds. Jerilyn Fisher and Ellen S. Silber. Westport, CT: Greenwood, 2003. 289-292.<\/p>\n

Flavin, Louise. “‘A Jury of Her Peers’ Needs a Jury of Its Peers.” Teaching English in the Two-Year College <\/em>10.3 (Spring 1984): 259-60.<\/p>\n

Fletcher, Caroline Violet. “‘Rules of the Institution’: Susan Glaspell and Sisterhood.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 239-256.<\/p>\n

Forsa, Catherine. “Forensic Science and the Aesthetics of Affect in “A Jury of Her Peers.” In\u00a0On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Eds. Martha C. Carpentier and Emeline Jouve. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015. 12-25.<\/p>\n

Frank, Steven. “On ‘The Verge’ of a New Form: The Cabinet of Dr. Caligari and Susan Glaspell’s Experiments in The Verge.” In Experimenters, Rebels, and Disparate Voices: The Theatre of the 1920s Celebrates American Diversity<\/em>. Eds. Arthur Gewirtz and James J. Kolb. Westport, CT: Praeger, 2003. 119-29.<\/p>\n

France, Rachel, ed. A Century of Plays by American Women<\/em>. New York: Richard Rosen Press, Inc., 1979.<\/p>\n

France, Rachel. “Apropos of Women and the Folk Play.” In Women in American Theatre<\/em>. Eds. Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987. 145-52.<\/p>\n

France, Rachel. “Susan Glaspell (1 July 1882-27 July 1948).” In Twentieth-Century American Dramatists<\/em>. Ed. John MacNicholas. Volume 7 of Dictionary of Literary Biography<\/em>. Detroit: Gale Research Company, 1981. Part 1, 215-23.<\/p>\n

Friedman, Sharon. “Bernice’s Strange Deceit: The Avenging Angel in the House.” In Susan Glaspell: Essays on Her Theater and Fiction<\/em>. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 155-63.<\/p>\n

Friedman, Sharon. “Feminism as Theme in Twentieth-Century American Women’s Drama.” American Studies<\/em> 25. 1 (Spring 1984): 69-89.<\/p>\n

Friedman, Sharon. “Honor or Virtue Unrewarded: Susan Glaspell’s Parodic Challege to Ideologies of Sexual Conduct and the Discourse of Intimacy.” New England Theatre Journal <\/em>17 (2006): 35-58.<\/p>\n

Friedman, Sharon. “Susan Glaspell.” Visions of Tragedy in Modern American Drama<\/em>. Ed. David Palmer, Bloomsbury, 2018.<\/p>\n

Friedman, Sharon. “Susan Glaspell\u2019s Challenges to Nativist Discourse.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Friedman, Sharon. “Trifles and ‘A Jury of Her Peers’ on Film: Interview with Filmmakers Sally Heckel and Pamela Gaye Walker.”\u00a0In\u00a0On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Eds. Martha C. Carpentier and Emeline Jouve. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015. 118-138.<\/p>\n

Friedman, Sharon. \u201c\u2018What There Is Behind Us\u2019: Susan Glaspell’s Challenge to Nativist Discourse in Stage Adaptations of her Harper’s Monthly<\/i> Fiction.\u201d Intertextuality in American Drama: Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights<\/i>. Eds. Drew Eisenhauer and Brenda Murphy. Jefferson, NC: McFarland, 2013. 232-252.<\/p>\n

Gailey, Joan D., and Virginia Schaff Carroll. “Toward a Collaborative Model for Interdisciplinary Teaching: Business and Literature.” Journal of Education for Business <\/em>69.1 (September\/ October 1993): 36-40.<\/p>\n

Gainor, J. Ellen. “Chains of Dew and the Drama of Birth Control.” In Susan Glaspell: Essays on Her Theater and Fiction<\/em>. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 165-93.<\/p>\n

Gainor, J. Ellen. “A Stage of Her Own: Susan Glaspell’s The Verge<\/em> and Women’s Dramaturgy.” Journal of American Drama and Theatre<\/em> 1 (Spring 1989): 79-99.<\/p>\n

Gainor, J. Ellen. \u201cSusan Glaspell and Sophie Treadwell: Staging Feminism and Modernism, 1915-1941.\u201d In A Companion to Twentieth-Century American Drama<\/em>. Ed. David Krasner. Malden, MA: Blackwell, 2005. 34-52.<\/p>\n

Gainor, J. Ellen. Susan Glaspell in Context: American Theater, Culture, and Politics 1915-48<\/em>. Ann Arbor: U of Michigan P, 2001.<\/p>\n

Gainor, J. Ellen, editor. Susan Glaspell in Context<\/em>. Cambridge University Press, 2022.<\/p>\n

Gainor, J. Ellen. “Susan Glaspell and Sex.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Gainor, J. Ellen and Barbara Ozieblo, eds. “Susan Glaspell in Performance: A Curated Conversation with Directors Sam Walters, Auriol Smith, Alex Roe, Meg Roe, Alice Reagan, and Jonathan Bank.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Gainor, J. Ellen. “Woman’s Honor<\/em> and the Critique of Slander Per Se.” In Susan Glaspell: New Directions in Critical Inquiry<\/em>. Ed. Martha C. Carpentier. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 66-79.<\/p>\n

Galbus, Julia. Susan Glaspell’s The Verge<\/em>: A Socratic Quest to Reinvent Form and Escape Plato’s Cave.” Journal of Dramatic Theory and Criticism <\/em>15.1 (2000): 81-95.<\/p>\n

Gardiner, Karen H. “Reaching for ‘Out There’: Susan Glaspell’s Rhetoric of the Female Artist.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 183-200.<\/p>\n

Gilbert, Sandra M., and Susan Gubar. No Man’s Land: The Place of the Woman Writer in the Twentieth Century<\/em>. Volume I: The War of the Words<\/em>. New Haven: Yale University, 1988.<\/p>\n

“Glaspell, Susan Keating.” In The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present<\/em>. Eds. Virginia Blain, Patricia Clements, and Isobel Grundy. London: B. T. Batsford Ltd., 1990. 431-32.<\/p>\n

Goldman, Arnold. “The Culture of the Provincetown Players.” Journal of American Studies <\/em>12.3 (1978): 291-310.<\/p>\n

Goldman, Michael. Reviews of Plays by Susan Glaspell<\/em>, edited by C. W. E. Bigsby. Times Literary Supplement<\/em> 5-11 February 1988: 139.<\/p>\n

Grose, Janet L. “Susan Glaspell’s Trifles<\/em> and ‘A Jury of Her Peers’: Feminine Reading and Communication.” Tennessee Philological Bulletin: Proceedings of the Annual Meeting of the Tennessee Philological Association <\/em>(TPB). 36 (1999): 37-48.<\/p>\n

Gubar, Susan, and Anne Hedin. “‘A Jury of Her Peers’: Teaching and Learning in the Indiana Women’s Prison.” College English<\/em> 43.8 (December 1981): 779-89.<\/p>\n

Gutman, Huck, ed. As Others Read Us: International Perspectives on American Literature<\/em>. Amherst: University of Massachusetts, 1992.<\/p>\n

Hagen, Lisa Hall. “Female Playwrights, Female Killers: Intersecting Texts of Crime and Gender in Glaspell, Watkins and Treadwell.” Intertextuality in American Drama: Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights<\/i>. Eds. Drew Eisenhauer and Brenda Murphy. Jefferson, NC: McFarland, 2013. 169-187.<\/p>\n

Hallgren, Sherri. “‘The Law Is the Law and a Bad Stove Is a Bad Stove’: Subversive Justice and Layers of Collusion in A Jury of Her Peers.” In Violence, Silence, and Anger: Women’s Writing as Transgression<\/em>. Ed. Deirdre Lashgari. Charlottesville: UP of Virginia, 1995. 203-18.<\/p>\n

Harris, Gail. “Open Your Eyes and See Dorothy Wordsworth: Selections from the Journals by Dorothy Wordsworth\/The Crazy Hunter<\/em> by Kay Boyle\/Lifted Masks and Other Works <\/em>by Susan Glaspell\/Change the Name<\/em> by Anna Kavan\/Walking Naked<\/em> by Nina Bawden.” Belles Lettres<\/em> 9.3 (Spring 1994): 65.<\/p>\n

Hebel, Udo J. “‘Superior in Unity and Economy?’: Produktivitat, Komplexitat und Konventionalitat einer gattungsuberschreitenden Wirkungsstruktur amerikanischer Einakter seit Eugene O’Neill und Susan Glaspell.” In Kurzformen des Dramas: Gattungspoetische, epochenspezifische und funktionale Horizonte<\/em>. Ed. Winfried Herget and Brigitte Schultze. Tubingen, Germany: Francke, 1996.<\/p>\n

Hecht, Stuart J. “Susan Glaspell and the Chicago Renaissance.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Heckel, Sally. “Making an Independent film of ‘A Jury of Her Peers’ in the 1970s.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Hedges, Elaine. “Small Things Reconsidered: Susan Glaspell’s ‘A Jury of Her Peers.'” Women’s Studies<\/em> 12.1 (February 1986): 89-110.\u00a0Rep. in Susan Glaspell: Essays on Her Theater and Fiction<\/em>. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 49-69.<\/p>\n

Hekman, Susan. “Backgrounds and Riverbeds: Feminist Reflections.” Feminist Studies<\/em> 25.2 (Summer 1999): 427+.<\/p>\n

Helle, Anita Plath. “Re-Presenting Women Writers Onstage: A Retrospective to the Present.” In Making a Spectacle: Feminist Essays on Contemporary Women’s Theatre<\/em>. Ed. Lynda Hart. Ann Arbor: University of Michigan Press, 1989. 195-208.<\/p>\n

Heller, Adele. “The New Theatre.” In 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art & the New Theatre in America<\/em>. Eds. Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991. 217-32.<\/p>\n

Hernando-Real, Noelia. “Drama and Cultural Pluralism in the America of Susan Glaspell’s Inheritors<\/em>.” In Interrogating America through Theatre and Performance<\/em>. Eds. William W. Demastes and Iris Smith Fischer. New York: Palgrave MacMillan, 2007. 65- 80.<\/p>\n

Hernando-Real, Noelia. \u201cDramatic Geopathology Past and Present: Place and Identity in Susan Glaspell\u2019s Chains of Dew<\/i> and Sarah Ruhl\u2019s In the Next Room<\/i>.\u201d En torno a espacios y g\u00e9nero\/ Negotiating Gendered Spaces.<\/i> Eds. Isabel Dur\u00e1n Gim\u00e9nez-Rico, Noelia Hernando Real, Carmen M\u00e9ndez Garc\u00eda, Joanne Neff van Aertselaer and Ana-Laura Rodr\u00edguez-Redondo. Madrid: Fundamentos, 2013. 121-134.<\/p>\n

Hernando-Real, Noelia. “‘E Pluribus Plurum’: From a Unifying National Identity to Plural Identities in Susan Glaspell’s Inheritors<\/em>.” In Codifying the National Self: Spectators, Actors and the American Dramatic Text<\/em>. Eds. Barbara Ozieblo and Mara Dolores Narbona-Carrin. Brussels: Peter Lang, 2006. 185-200.<\/p>\n

Hernando-Real, Noelia. \u201cAn Exorcism on The Outside, or Looking into Trifles \u2013 Before Breakfast<\/i>: Geopathic Crises in the Plays of Eugene O\u2019Neill and Susan Glaspell.\u201d Eugene O\u2019Neill Review<\/i>, Special Issue on \u201cThe Women in O\u2019Neill\u2019s World.\u201d Ed. Judith Barlow, 2017, pp. 74-92.<\/p>\n

Hernando-Real, Noelia. \u201cFemale Charioteers in Susan Glaspell\u2019s Plays: Re-visiting The Spirit of Delphi and Aristotle\u2019s Poetics in Inheritors<\/i>, The Verge<\/i>, and The Comic Artist<\/i>.\u201d Americans\u2019 Experience in Delphi.<\/i> Eds. Paul Lorenz and David Roessel. Boston: Somerset Hall Press, 2013. 181-200.<\/p>\n

Hernando-Real, Noelia. \u201cThe First World War in Europe and in America: A Gendered Reading of Anti-war Plays by the Provincetown Players.\u201d Experimental O\u2019Neill. The Wooster Group, The Hairy Ape, The Emperor Jones, the S.S. Glencairn Plays, the Provincetown Players, and Other Journeys into the Worlds of Eugene O\u2019Neill.<\/i> Ed. Richard Mitchell. Los Angeles: Rare Bird Books, 2016. 339-366.<\/p>\n

Hernando-Real, Noelia. “Glaspell\u2019s Recovered Early Fiction: On Her Six ‘New’ Short Stories, Introduction.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Hernando-Real, Noelia. \u201cHow to Teach Susan Glaspell\u2019s Trifles<\/em>.\u201d How to Teach a Play: Exercises for the College Classroom<\/em>, edited by Miriam Chirico and Kelly Younger, Bloomsbury, 2020, pp. 139-141.<\/p>\n

Hernando-Real, Noelia. \u201cA Luncheon for Suffrage: Theatrical Contributions of Heterodoxy to the Enfranchisement of the American Woman.\u201d Revista de Estudios Norteamericanos<\/i> 16 (2012): 75-90. http:\/\/institucional.us.es\/revistas\/estudios\/16\/art_5.pdf.<\/p>\n

Hernando-Real, Noelia. “On Closets and Graves: Intertextualities in Susan Glaspell’s Alison’s House <\/i>and Emily Dickinson’s Poetry.” Intertextuality in American Drama: Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights<\/i>. Eds. Drew Eisenhauer and Brenda Murphy. Jefferson, NC: McFarland, 2013. 63-75.<\/p>\n

Hernando-Real, Noelia. \u201cOn the Page and on the Stage: The Influence of H. D. Thoreau on Susan Glaspell\u2019s Works\u201d. \u201cTo live deep and suck all the marrow of life.\u201d The Legacy of Henry David Thoreau<\/em>, edited by Eulalia Pi\u00f1ero and Laura Arce, Vernon Press, 2020, pp. 25-38.<\/p>\n

Hernando-Real, Noelia. “On The Verge of the American Female Gothic: Edgar Allan Poe\u2019s ‘The Fall of the House of Usher’ in Susan Glaspell\u2019s Theater.” A Critical Gaze from the Old World: Transatlantic Perspectives on American Studies<\/i>. Collection Transatlantic Aesthetics and Culture. Eds. Isabel Dur\u00e1n, Eusebio De Lorenzo, Rebeca Gualberto, Carmen M\u00e9ndez & Eduardo Valls. Brussels: Peter Lang, 2018. pp. 55-74.<\/p>\n

Hernando-Real, Noelia. “Powerful Gazes: The Right to Look in Film Adaptations of Trifles<\/em> and ‘A Jury of Her Peers.'”\u00a0In\u00a0On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Eds. Martha C. Carpentier and Emeline Jouve. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015. 79-93.<\/p>\n

Hernando-Real, Noelia. Rosas en la arena. Los relatos de Susan Glaspell<\/em>. Valencia: Publicaciones Universitat de V\u00e0lencia, 2022.<\/p>\n

Hernando-Real, Noelia.\u00a0\u201cSusan Glaspell.\u201d\u00a0Oxford Bibliographies in American Literature, <\/em>edited by \u00a0Jackson Bryer. Oxford University Press, August 2022.<\/span><\/p>\n

Hernando-Real, Noelia. “Suicide Across the Waves: On the Feminist Possibilities of Dramatic Suicide in Plays by Susan Glaspell, Marsha Norman and Naomi Wallace.” Suicide in Modern Literature Social Causes, Existential Reasons, and Prevention Strategies<\/em>, edited by Josefa Ros Velasco, Springer, 2021.<\/p>\n

Hernando-Real, Noelia. Voces contra la mediocridad: la vanguardia teatral de los Provincetown Players, 1915-1922 (Voices against Mediocrity: The Avant-garde Theatre of the Provincetown Players, 1915-1922).<\/i> Valencia: Universidad de Valencia, 2014. [This includes translations into Spanish of Glaspell\u2019s Inheritors<\/em> and The Verge<\/em>].<\/p>\n

Hernando-Real, Noelia. “Sane Enough to Kill: On Women, Madness, and the Theatricality of Violence in Susan Glaspell’s The Verge<\/em>.” Violence in American Drama: Essays on Its Staging, Meanings and Effects<\/em>. Eds. Alfonso Ceballos Mu\u00f1oz, Ram\u00f3n Espejo Romero and Bernardo Mu\u00f1oz Martinez. Jefferson, NC: McFarland, 2011.<\/p>\n

Hernando-Real, Noelia. Self and Space in the Theater of Susan Glaspell<\/em>. Jefferson, NC: McFarland, 2011.<\/p>\n

Hernando-Real, Noelia. “Susan Glaspell.” Oxford Bibliographies in American Literature<\/em>, edited by Jackson Bryer, Oxford University Press, forthcoming.<\/p>\n

Hernando-Real, Noelia. “Susan Glaspell and Emily Dickinson.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Hinz-Bode, Kristina. “Social Rebels? Male Characters in Susan Glaspell’s Writing.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 201-222.<\/p>\n

Hinz-Bode, Kristina. Susan Glaspell and the Anxiety of Expression: Language and Isolation in the Plays<\/em>. Jefferson, NC: McFarland & Company, 2006.<\/p>\n

Hinz-Bode, Kristina. “Susan Glaspell and the Epistemological Crisis of Modernity: Truth, Knowledge, and Art in Selected Novels.” In Susan Glaspell: New Directions in Critical Inquiry<\/em>. Ed. Martha C. Carpentier. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 89-108.<\/p>\n

Holstein, Suzy Clarkson. “Silent Justice in a Different Key: Glaspell’s Trifles<\/em>.” Midwest-Quarterly: A Journal of Contemporary Thought <\/em>(MQ). 44.3 (2003 Spring): 282-90.<\/p>\n

Hong, Yumi.\u00a0 \u201c[Glaspell\u2019s Aesthetics of Absence:\u00a0 Paradox Beyond the Grave].\u201d\u00a0 Journal of Modern British and American Drama<\/i> 24.2 (2011): 245-81.\u00a0 (In Korean with English summary)<\/p>\n

Irmscher, Christoph. “Glaspell Among the Village People.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Itaba, Junko. “Womens Roles in Detective Fiction: Glaspell’s Unique Approach.” Spectrum: Writing at Wittenberg <\/em>8 (1993): 53-58.<\/p>\n

Jenkins, Linda Walsh. “Locating the Language of Gender Experience.” Women & Performance <\/em>2 (1984): 5-20.<\/p>\n

Jouve, Emeline. \u201cDu presque-rien au presque-tout : le d\u00e9voilement de l\u2019invisible dans Trifles (1916) de Susan Glaspell.\u201d E-rea<\/i>, 12.2 (2015)<\/p>\n

Jouve, Emeline. “Glaspell in Translation.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Jouve, Emeline. “Intertextual Insanities in Susan Glaspell’s The Verge<\/i>.” Intertextuality in American Drama: Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights<\/i>. Eds. Drew Eisenhauer and Brenda Murphy. Jefferson, NC: McFarland, 2013. 154-168.<\/p>\n

Jouve, Emeline and Martha C. Carpentier. “Introduction: An Iconic Work at 100 Years.”\u00a0 On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015. 1-10.<\/p>\n

Jouve, Emeline. “‘Murderous Hug’: 1922 et la trag\u00e9die des Provincetown Players” in 1922 et son esprit<\/em>, edited by Elise Brault-Dreux, Sorbonne Universit\u00e9 Presses, 2022.<\/p>\n

Jouve, Emeline and Martha C. Carpentier, eds. On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015.<\/p>\n

Jouve, Emeline.\u00a0\u201cOn the Verge:\u00a0 Dramatisation de la violence symbolique dans The Verge <\/i>de Susan Glaspell.\u201d\u00a0 Anglophonia:\u00a0 French Journal of English Studies<\/i> 27 (2010): 251-62.<\/p>\n

Jouve, Emeline. Susan Glaspell\u2019s Poetics and Politics of Rebellion<\/i>. Iowa City: University of Iowa Press, 2017.<\/p>\n

Kamir, Orit. \u201cTo Kill a Songbird: A Community of Women, Feminist Jurisprudence, Conscientious Objection and Revolution in A Jury of Her Peers and Contemporary Film.\u201d Law and Literature<\/em> 19.3 (Fall 2007): 357-376.<\/p>\n

Kanthak, John F. “Feminisms in Motion: Pushing the ‘Wild Zone’ Thesis into the Fourth Dimension.” Literature Interpretation Theory<\/em> (LIT). 14.2 (2003, Apr-June): 149-63.<\/p>\n

Kattwinkel, Susan. “Absence as a Site for Debate: Modern Feminism and Victorianism in the Plays of Susan Glaspell.” New England Theatre Journal <\/em>(NETJ). 7 (1996): 37-55.<\/p>\n

Keetley, Dawn. “Rethinking Literature’s Lessons for the Law: Susan Glaspell’s ‘A Jury of Her Peers’.” The Yearbook of Research in English and American Literature<\/em> (REAL). 18 (2002): 335-55.<\/p>\n

Kennedy, Jeffery. Staging America: The Artistic Legacy of the Provincetown Players<\/em>. University of Alabama Press, 2022.<\/p>\n

Kennedy, Jeffery. “Susan Glaspell and Eugene O’Neill.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Keyssar, Helene. Feminist Theatre: An Introduction to Plays of Contemporary British and American Women.<\/em> New York: Grove Press, Inc., 1985.<\/p>\n

Kim, Miehyeon. “Difference and Law in Susan Glaspell’s ‘A Jury Of Her Peers’.” Feminist Studies in English Literature<\/i> 18.1 (2010): 5-27.<\/p>\n

Kolb, Deborah S. “The Rise and Fall of the New Woman in American Drama.” Educational Theatre Journal <\/em>27.2 (1975): 149-60.<\/p>\n

Kolin, Philip C. “Therapists in Susan Glaspell’s Suppressed Desires<\/em> and David Rabe’s In the Boom Boom Room<\/em>.” Notes on Contemporary Literature<\/em> 18.5 (November 1988): 2-3.<\/p>\n

Kolodny, Annette. “A Map for Rereading: Or, Gender and the Interpretation of Literary Texts.” New Literary History<\/em> 11.3 (Spring 1980): 451-67. Reprinted in The New Feminist Criticism: Essays on Women, Literature and Theory<\/em>. Ed. Elaine Showalter. New York: Pantheon Books, 1985. 46-62.<\/p>\n

Koprince, Susan. “The Narrow House: Glaspell’s Trifles<\/em> and Wharton’s Ethan Frome<\/em>.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 63-78.<\/p>\n

Larabee, Ann E. “‘Meeting the Outside Face to Face’: Susan Glaspell, Djuna Barnes, and O’Neill’s The Emperor Jones.” In Modern American Drama: The Female Canon<\/em>. Ed. June Schlueter. Rutherford: Fairleigh Dickinson University Press, 1990. 77-85.<\/p>\n

Larabee, Ann. “Death in Delphi: Susan Glaspell and the Companionate Marriage.” Mid-American Review<\/em> 7.2 (1987): 93-106.<\/p>\n

Lashgari, Deidre, ed. Violence, Silence, and Anger: Women’s Writing as Transgression<\/em>. Charlottesville: University Press of Virginia, 1995.<\/p>\n

Lasik, Franklin J. “Looking for Herland: Embodying the Search for Utopia in Susan Glaspell’s The Verge<\/i>.” Intertextuality in American Drama: Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights<\/i>. Eds. Drew Eisenhauer and Brenda Murphy. Jefferson, NC: McFarland, 2013. 114-125.<\/p>\n

Laughlin, Karen. “Conflict of Interest: The Ideology of Authorship in Alison’s House<\/em>.” In Susan Glaspell: Essays on Her Theater and Fiction<\/em>. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 219-35.<\/p>\n

Leiter, Samuel L., ed. The Encyclopedia of The New York Stage, 1930-1940<\/em>. Westport: Greenwood Press, 1989.<\/p>\n

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Saal, Ilka and Mareike Dolata. “Susan Glaspell’s Radicalization of Women’s Crime Fiction: Female Reading Strategies From Anna Katherine Green to Sara Paretsky.”\u00a0In\u00a0On Susan Glaspell’s <\/em>Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations<\/em>. Eds. Martha C. Carpentier and Emeline Jouve. Jefferson, NC: McFarland & Company, Inc., Publishers, 2015. 62-78.<\/p>\n

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Schotland, Sara D.\u00a0 \u201cWhen Ethical Principles and Feminist Jurisprudence Collide:\u00a0 An Unorthodox Reading of \u2018A Jury of Her Peers.\u2019\u201d\u00a0 St. John\u2019s Journal of Legal Commentary<\/i> 24.1 (Summer 2009): 53-71.<\/p>\n

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Smith, Beverly A. “Women’s Work–Trifles? The Skill and Insights of Playwright Susan Glaspell.” International Journal of Women’s Studies<\/em> 5.2 (March\/April 1982): 172-84.<\/p>\n

Smith, Cynthia D. “Emasculating Tom, Dick, and Harry: Representations of Masculinity in Susan Glaspell’s The Verge<\/em>.” Journal of American Drama and Theatre<\/em> 11.2 (Spring 1999): 60-77.<\/p>\n

Smith, Jennifer J. “Glaspell\u2019s Short Fiction and Magazine Culture.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Solomonson, Mike. “‘Jig’ Cook and the Philosophical Tradition.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Stegner, Wallace. “The Trail of the Hawkeye: Literature Where the Tall Corn Grows.” Saturday Review of Literature<\/em> 18.14 (30 July 1983): 3-4, 16-17.<\/p>\n

Stein, Karen F. “The Women’s World of Glaspell’s Trifles<\/em>.” In Women in American Theatre<\/em>. Eds. Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987. 253-56.<\/p>\n

Stephens, Judith L. “Gender Ideology and Dramatic Convention in Progressive Era Plays, 1890-1920.” Theatre Journal<\/em> 41.1 (March 1989): 45-55. Rep. in Performing Feminisms: Feminist Critical Theory and Theatre. <\/em>Ed. Sue-Ellen Case. Baltimore: Johns Hopkins University Press, 1990. 283-93.<\/p>\n

Stephens, Judith Louise. “Women in Pulitzer Prize Plays, 1918-1949.” In Women in American Theatre<\/em>. Eds. Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987. 245-53.<\/p>\n

Stormer, Nathan. “To Remember, to Act, to Forget: Tracing Collective Remembrance through ‘A Jury of Her Peers.'” Communication Studies<\/em> 54.4 (Winter 2003): 510.<\/p>\n

Stratford, Aoise. “Remembering Susan Glaspell\u2019s ‘The Gas Man.'” Glaspell\u2019s Recovered Early Fiction: On Her Six \u201cNew\u201d Short Stories<\/em> in Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Stratford, Aoise. “Teaching Trifles in the Writing Room.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Stretch, Cynthia. “Socialist Housekeeping: The Visioning, Sisterhood, and Cross-Class Alliance.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 223-238.<\/p>\n

Stufft, Monica. “Flowers by Design: Susan Glaspell’s Re-vision of Strindberg’s A Dream Play<\/em>.” In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell<\/em>. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 79-92.<\/p>\n

Sundgaard, Arnold. “Susan Glaspell and the Federal Theatre Revisited.” Journal of American Drama and Theatre <\/em>9.1 (Winter 1997): 1-10.<\/p>\n

Sutherland, Cynthia. “American Women Playwrights as Mediators of the ‘Woman Problem.'” Modern Drama<\/em> 21 (1978): 319-36.<\/p>\n

Sutton, Brian.\u00a0 \u201c\u2019A Different Kind of the Same Thing\u2019:\u00a0 Marie De France\u2019s \u2018La\u00fcstic\u2019 and Glaspell\u2019s \u2018A Jury of Her Peers.\u2019\u201d\u00a0 Explicator<\/i> 66.3 (Spring 2003): 170-4.<\/p>\n

Tang, Hongfang.\u00a0 \u201cYu yong yu she yu Sushan Gelasipei\u2019er ming ju Suo shi de yu pian yi shu.\u201d\u00a0 Foreign Literature Studies\/Wai Guo Wen Xue Yan Jiu<\/i> 30.2 (2008): 119-23.\u00a0 (In Chinese with English summary)<\/p>\n

Tanselle, G. Thomas. “George Cram Cook and the Poetry of Living, with a Checklist.” Books at Iowa<\/em> no. 24 (April 1976): 3-31, 35-7.<\/p>\n

Tang, Hongfang. \u201cYo yong yu she yu Sushan Gelasipei\u2019er ming ju Suo shi de yu plan yi shu.\u201d Foreign Language Studies\/Wai Guo Wen Xue Yan Jiu<\/em> 30.2 (April 2008): 119-123.<\/p>\n

Taylor, William R. In Pursuit of Gotham: Culture and Commerce in New York<\/em>. Oxford: Oxford University Press, 1992.<\/p>\n

Trimberger, Ellen Kay. “Feminism, Men, and Modern Love: Greenwich Village, 1900-1925.” In Powers of Desire: The Politics of Sexuality<\/em>. Eds. Ann Snitow, Christine Stansell, and Sharon Thompson. New York: Monthly Review Press, 1983. 131-52.<\/p>\n

Vilhauer, William W. “Provincetown Players.” In American Theatre Companies, 1888-1930<\/em>. Ed. Weldon B. Durham. Westport: Greenwood Press, 1987. 377-89.<\/p>\n

Vorse, Mary Heaton. Time and the Town: A Provincetown Chronicle<\/em>. New York: Dial Press, 1942; reprinted edition ed. Adele Heller and foreword by Daniel Aaron. New Brunswick: Rutgers University Press, 1991.<\/p>\n

Wainscott, Ronald H. The Emergence of the Modern American Theater, 1914-1929<\/em>. New Haven: Yale University Press, 1997.<\/p>\n

Walton, Priscilla. “Theorizing Textual Subjects: Agency and Oppression.” American Literature <\/em>70.2 (June 1998): 423-424.<\/p>\n

Waterman, Arthur. “Susan Glaspell (1 July 1876-27 July 1984).” In American Short-Story Writers, 1880-1910<\/em>. Ed. Bobby Ellen Kimbel. Volume 78 Dictionary of Literary Biography<\/em>. Detroit: Gale Research Inc., 1989. 198-204.<\/p>\n

Waterman, Arthur. “Susan Glaspell’s The Verge<\/em>: An Experiment in Feminism.” The Great Lakes Review: A Journal of Midwest Culture <\/em>6.1 (Summer 1979): 17-23.<\/p>\n

Watson, Steven. Strange Bedfellows: The First American Avant-Garde<\/em>. New York: Abbeville Press, 1991.<\/p>\n

Weisberg, Mark, and Jacalyn Duffin. “Evoking the Moral Imagination.” Change<\/em> 27.1 (January 1995): 20+.<\/p>\n

Weisberg, Mark, and Jacalyn Duffen. “Using Stories to Teach Ethics and Professionalism to Nursing, Medical, and Law Students.” Change<\/em> 27.1 (January\/February 1995): 20-28.<\/p>\n

West, Robin. Caring for Justice<\/em>. New York: New York University Press, 1997.<\/p>\n

West, Robin. “Invisible Victims: A Comparison of Susan Glaspell’s ‘Jury of Her Peers’ and Herman Melville’s Bartleby the Scrivener.” Cardozo Studies in Law and Literature<\/em> (CSLL). 8.1 (1996): 203-49.<\/p>\n

Wheeler, Kathleen. “Susan Glaspell.” In A Critical Guide to Twentieth-Century Women Novelists<\/em>. Oxford: Blackwell Publishers, 1997. 56-59.<\/p>\n

Wildman, Stephanie M. “Ending Male Privilege: Beyond the Reasonable Woman.” Michigan Law Review<\/em> 98.6 (May 2000): 1797-1821.<\/p>\n

Williams, Linda. “A ‘Jury of Their Peers’ Marlene Gorris’s A Question of Silence.” In Postmodernism and Its Discontents: Theories, Practices<\/em>. Ed. E. Ann Kaplan. London: Verso, 1988. 107-15. Also in Multiple Voices in Feminist Film Criticism<\/em>. Eds. Diane Carson, Linda Dittmar & Janice R. Welsch. Minneapolis: U of Minnesota P, 1994. 432-40.<\/p>\n

Winetsky, Michael. “A Playwright of Pragmatism.” Ecumenica Journal of Theatre and Performance<\/em>\u00a02.1 (Spring 2009): 7 – 16.<\/p>\n

Winetsky, Michael. “Glaspell and American Education.” Susan Glaspell in Context<\/em>, edited by J. Ellen Gainor, Cambridge University Press, 2022, pp.<\/p>\n

Winetsky, Michael. “Historical and Performative Liberalism in Susan Glaspell’s Inheritors<\/em>.” Journal of American Drama and Theatre<\/em> 23.1 (Winter 2011): 5-21.<\/p>\n

Winetsky, Michael.\u00a0 Inheritors of Progress:\u00a0 Glaspell, the University, and Liberal Culture in the United States<\/em>.\u00a0 Dissertation.\u00a0 City U of New York, 2011.<\/p>\n

Winetsky, Michael. \u201c\u2018Trailing Clouds of Glory\u2019: Glaspell, Romantic Ideology and Cultural Conflict in Modern American Literature.\u201d Intertextuality in American Drama: Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights<\/i>. Eds. Drew Eisenhauer and Brenda Murphy. Jefferson, NC: McFarland, 2013. 52-62.<\/p>\n

Withers, Sarah. “Intertextuality on the Frontier in Susan Glaspell’s Inheritors<\/i>.” Intertextuality in American Drama: Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights<\/i>. Eds. Drew Eisenhauer and Brenda Murphy. Jefferson, NC: McFarland, 2013. 126-141.<\/p>\n

Wolff, Tamsen. “Eugenics and the Experimental Breeding Ground of Susan Glaspell’s The Verge<\/em>.” In Evolution and Eugenics in American Literature and Culture, 1880-1940: Essays on Ideological Conflict and Complexity<\/em>. Eds. Lois A. Cuddy and Claire M. Roche. Lewisburg, PA\/London, England: Bucknell University Press\/Associated University Press, 2003. 203-219.<\/p>\n

Wolff, Tamsen.\u00a0 Mendel\u2019s Theatre:\u00a0 Heredity, Eugenics, and Early Twentieth-Century American Drama<\/i>.\u00a0 NY:\u00a0 Palgrave Macmillan, 2009.<\/p>\n

Wood, Sharon E. “Susan Glaspell and the Politics of Sexuality: Proceedings of the XIII Biennial Conference: Universita degli Studi di Roma ‘La Sapienza’, Dipartimento di Anglistica, October 25-27, 1995.” In Red Badges of Courage: Wars and Conflicts in American Culture<\/em>. Ed. Biancamarie Pisapia, Ugo Rubeo & Anna Scacchi. Rome, Italy: Bulzoni, 1998. 315-20.<\/p>\n

Woodard, Kathy L. “Reading Classics Can Help Professionals Read Their Clients.” Business First Columbus<\/em> 16.16 (10 December 1999): 40.<\/p>\n

Worthen, W. B. Modern Drama and the Rhetoric of Theatre<\/em>. Berkeley: University of California Press, 1992.<\/p>\n

Wright, Janet Stobbs. “Law, Justice, and Female Revenge in ‘Kerfol,’ by Edith Wharton, and Trifles<\/em> and ‘A Jury of Her Peers,’ by Susan Glaspell.” Atlantis: Revista de la Asociacion Espanola de Estudios Anglo Norteamericanos <\/em>24.2 (June 2002): 225-244.<\/p>\n","protected":false},"excerpt":{"rendered":"

This is an up-to-date bibliography of literary criticism and scholarly research on the work of Susan Glaspell.\u00a0 If you have recently published an article, book chapter, or book on Susan Glaspell’s work, and do not see it included here, contact the Susan Glaspell Society Webmaster, Martha Carpentier. For an annotated bibliography of reviews of Glaspell’s […]<\/p>\n","protected":false},"author":458,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-342","page","type-page","status-publish","hentry"],"yoast_head":"\nSecondary Sources - The International Susan Glaspell Society<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.shu.edu\/glaspellsociety\/secondary-sources\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Secondary Sources - The International Susan Glaspell Society\" \/>\n<meta property=\"og:description\" content=\"This is an up-to-date bibliography of literary criticism and scholarly research on the work of Susan Glaspell.\u00a0 If you have recently published an article, book chapter, or book on Susan Glaspell’s work, and do not see it included here, contact the Susan Glaspell Society Webmaster, Martha Carpentier. 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