{"id":18,"count":4,"description":"  In Chains of Dew, Glaspell pillories a self-important poet, Seymore Standish, through a marvelous trio of women characters: Nora Powers, his suitably named girlfriend; Dotty, his wife; and his mother. Seymore lives a double life, spending part of the year as a Greenwich Village bohemian and the other part at home, living a typically bourgeois life in the Midwest. Tired of his constant complaints of being burdened by his marriage and his responsibilities as a breadwinner, Nora herself goes west, only to find that it is actually his wife and mother who feel stifled by him and his need to be needed by them. With hilarious results, Nora and Dotty join forces to establish the first Midwestern branch of the Birth Control League in the Standish's living room. Of special historical and literary significance, Chains of Dew  examines the changing roles of American women in the first two decades of the twentieth century, focusing on gender ideology, differences among women (age, class, and occupation), marital relations, reproductive freedom, and the artist's role - ideas that were crucial in 1922 and are still relevant today. 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Seymore lives a double life, spending part of the year as a Greenwich Village bohemian and the other part at home, living a typically bourgeois life in the Midwest. Tired of his constant complaints of being burdened by his marriage and his responsibilities as a breadwinner, Nora herself goes west, only to find that it is actually his wife and mother who feel stifled by him and his need to be needed by them. With hilarious results, Nora and Dotty join forces to establish the first Midwestern branch of the Birth Control League in the Standish&#8217;s living room. Of special historical and literary significance, Chains of Dew examines the changing roles of American women in the first two decades of the twentieth century, focusing on gender ideology, differences among women (age, class, and occupation), marital relations, reproductive freedom, and the artist&#8217;s role &#8211; ideas that were crucial in 1922 and are still relevant today.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs.shu.edu\/glaspellsociety\/category\/performances\/chains-of-dew\/\" \/>\n<meta property=\"og:site_name\" content=\"The International Susan Glaspell Society\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"CollectionPage\",\"@id\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/category\\\/performances\\\/chains-of-dew\\\/\",\"url\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/category\\\/performances\\\/chains-of-dew\\\/\",\"name\":\"Chains of Dew Archives - The International Susan Glaspell Society\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/category\\\/performances\\\/chains-of-dew\\\/#breadcrumb\"},\"inLanguage\":\"en-US\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/category\\\/performances\\\/chains-of-dew\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Performances\",\"item\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/category\\\/performances\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Chains of Dew\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/#website\",\"url\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/\",\"name\":\"The International Susan Glaspell Society\",\"description\":\"A TLTC Blog\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/blogs.shu.edu\\\/glaspellsociety\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Chains of Dew Archives - The International Susan Glaspell Society","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blogs.shu.edu\/glaspellsociety\/category\/performances\/chains-of-dew\/","og_locale":"en_US","og_type":"article","og_title":"Chains of Dew Archives - The International Susan Glaspell Society","og_description":"In Chains of Dew, Glaspell pillories a self-important poet, Seymore Standish, through a marvelous trio of women characters: Nora Powers, his suitably named girlfriend; Dotty, his wife; and his mother. Seymore lives a double life, spending part of the year as a Greenwich Village bohemian and the other part at home, living a typically bourgeois life in the Midwest. Tired of his constant complaints of being burdened by his marriage and his responsibilities as a breadwinner, Nora herself goes west, only to find that it is actually his wife and mother who feel stifled by him and his need to be needed by them. With hilarious results, Nora and Dotty join forces to establish the first Midwestern branch of the Birth Control League in the Standish&#8217;s living room. 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