{"version":"1.0","provider_name":"The International Susan Glaspell Society","provider_url":"https:\/\/blogs.shu.edu\/glaspellsociety","title":"The Verge at the Ontological-Hysteric Theater 2009 - The International Susan Glaspell Society","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"4rakMvSF04\"><a href=\"https:\/\/blogs.shu.edu\/glaspellsociety\/2009\/11\/the-verge-at-the-ontological-hysteric-theater\/\">The Verge at the Ontological-Hysteric Theater 2009<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogs.shu.edu\/glaspellsociety\/2009\/11\/the-verge-at-the-ontological-hysteric-theater\/embed\/#?secret=4rakMvSF04\" width=\"600\" height=\"338\" title=\"&#8220;The Verge at the Ontological-Hysteric Theater 2009&#8221; &#8212; The International Susan Glaspell Society\" data-secret=\"4rakMvSF04\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blogs.shu.edu\/glaspellsociety\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"In November 2009 the Ontological-Hysteric Theater\u2019s Incubator program for emerging artists produced The Verge directed by Alice Reagan and Performance Lab 115. New York Times critic Claudia La Rocco wrote, \"It would be easy to reduce The Verge, Susan Glaspell\u2019s 1921 play, to a feminist tract. Society forces Claire Archer into the boxes it deems acceptable; in attempting to escape those boxes, Claire goes mad. But that summary ignores the work\u2019s wild heart, which, like its fragile, monstrous heroine, is somehow irreducible.\"","thumbnail_url":"https:\/\/blogs.shu.edu\/glaspellsociety\/files\/2011\/05\/Lingafelter-in-The-Verge-300x163.jpg"}