{"id":2754,"date":"2025-11-22T00:00:04","date_gmt":"2025-11-22T05:00:04","guid":{"rendered":"https:\/\/blogs.shu.edu\/americanhistory\/?post_type=project&#038;p=2754"},"modified":"2025-11-22T00:00:04","modified_gmt":"2025-11-22T05:00:04","slug":"the-protectors-of-our-industries","status":"publish","type":"project","link":"https:\/\/blogs.shu.edu\/americanhistory\/project\/the-protectors-of-our-industries\/","title":{"rendered":"The Protectors of Our Industries"},"content":{"rendered":"<p><span data-contrast=\"auto\">Bernhard Gillam, known for his critiques of big business and political corruption, created the political cartoon \u201cThe Protectors of our Industries\u201d in 1883, a time when the United States experienced a big change in the economy, society, and culture. Gillam was well known at the time for his cartoons that exposed the powerful and stood with the average workers. This period is referred to as the <a href=\"https:\/\/www.pbs.org\/wgbh\/americanexperience\/features\/carnegie-gilded\/\">Gilded Age<\/a>, and it saw the emergence of wealthy elites from the rapid urbanization and industrialization. Shi et al. (2025) further explains this as a \u201csocial, economic, and political gap between the powerful and the powerless, the haves and have-nots.&#8221; [<\/span>1]<span data-contrast=\"auto\"> This was all due to the improvements in technology: the development of railroads and large-scale manufacturing. As a result, the everyday lives of Americans changed, and new opportunities were present for the lower working class but also focused the wealth on only a few individuals. Which created a large <a href=\"https:\/\/time.com\/5122375\/american-inequality-gilded-age\/\">gap between the classes<\/a>. Adler noted that \u201cthe rich, the aspiring, the nearly poor, men and women, oldsters and infants wore diamonds.\u201d [<\/span><span data-contrast=\"auto\">2]<\/span><span data-contrast=\"auto\"> So, while more opportunities were created during this time, the separation between the wealthy and the rest of society grew as they were benefiting from the working class, as represented in this cartoon.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:720,&quot;335559740&quot;:480}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Looking at Gillam\u2019s piece, he illustrates four of the major industrialists at the time including Cyris Field, Jay Gould, William H. Vanderbilt, and Russell Sage. They are comfortably sitting on large sacks which are labeled \u201cmillions\u201d and holding their round full stomachs that have money symbols on them. This shows the comfort and ease they felt due to their financial status and that they were \u201cfull\u201d from their profits. Below these wealthy men are a diverse group of workers who are carrying a large raft on their backs that is made of industrial products including lumber, linen, and cloth. Their physical appearance is very opposite to the wealthy as they look exhausted and malnourished. Each worker is also labeled and categorized with a particular wage and trade. For example, iron and leather workers earn seven dollars per week, and linen workers earn eleven dollars a week. So, while the wealthy are sitting on millions, the group who is working the hardest physically is barely making enough to support a family for the week. Additionally, there are tools and the words \u201chard times\u201d written in the choppy ocean waters. This shows that during this time, there was great uncertainty as the industrial process is based on this working class. This is further explained by Greene, who states that this period was built \u201cfrom the bottom up\u201d through labor of the working class whose \u201cmovability was essential to the empire\u2019s strategy\u201d. [<\/span><span data-contrast=\"auto\">3]<\/span><span data-contrast=\"auto\"> Gillam\u2019s cartoon shows the dangers that are present with labor exploitation where economic growth and stability are based solely on the working class. Even though this is true, their work still goes unnoticed, as represented by their faces being hardly visible in Gillam\u2019s cartoon.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559731&quot;:720,&quot;335559740&quot;:480}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Bernhard Gillam titled this cartoon, \u201cThe Protectors of our Industries\u201d in a way that reflects this system, that he is warning against. During this time, the rich business owners supported protectionist policies which \u201cfavored American manufacturers by effectively shutting out foreign imports, thereby enabling U.S. corporations to charge higher prices for their products.\u201d [<\/span><span data-contrast=\"auto\">4]<\/span><span data-contrast=\"auto\"> Campbell explains that by the end of the century, elite New Yorkers had an \u201cunprecedented influence\u201d which made the country the \u201cmost bourgeois of all nineteenth-century societies.\u201d [<\/span><span data-contrast=\"auto\">5]<\/span><span data-contrast=\"auto\"> He further explains the process that led to this, which is visualized in Gillam\u2019s cartoon, where there is a clear distinction between the wealthy and working class. So, this title highlights the cover and protection that the wealthy provide but shows the struggles that come with it, inequality between the classes during the Gilded Age.\u00a0<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559685&quot;:0,&quot;335559731&quot;:720,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:480}\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Works Cited:<br \/>\n[1] <span class=\"TextRun SCXW135847580 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW135847580 BCX0\">Shi, David E., Daina Ramey Berry, Joe Crespino, and Amy Murrell Taylor. <\/span><\/span><span class=\"TextRun SCXW135847580 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW135847580 BCX0\">America: A Narrative History<\/span><\/span><span class=\"TextRun SCXW135847580 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW135847580 BCX0\">. 13th ed. W.W. Norton and Company, 2025.<\/span><\/span><span class=\"EOP SCXW135847580 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:480,&quot;335559991&quot;:720}\">\u00a0<\/span><\/p>\n<p>[2] <span class=\"TextRun SCXW200242916 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW200242916 BCX0\">Adler, Jeffrey S. 2002. Gilded city: Scandal and sensation in turn-of-the-century new <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW200242916 BCX0\">york<\/span><span class=\"NormalTextRun SCXW200242916 BCX0\"> \/ the monied metropolis: New <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW200242916 BCX0\">york<\/span><span class=\"NormalTextRun SCXW200242916 BCX0\"> city and the consolidation of the <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW200242916 BCX0\">american<\/span><span class=\"NormalTextRun SCXW200242916 BCX0\"> bourgeoisie, 1850-1896.\u202f<\/span><\/span><span class=\"TextRun SCXW200242916 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW200242916 BCX0\">The Journal of American History<\/span><\/span><span class=\"TextRun SCXW200242916 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW200242916 BCX0\">\u202f88, (4) (03): 1554-1555, <\/span><\/span><a class=\"Hyperlink SCXW200242916 BCX0\" href=\"https:\/\/www.proquest.com\/scholarly-journals\/gilded-city-scandal-sensation-turn-century-new\/docview\/224896297\/se-2\" target=\"_blank\" rel=\"noreferrer noopener\"><span class=\"TextRun Underlined SCXW200242916 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW200242916 BCX0\" data-ccp-charstyle=\"Hyperlink\">https:\/\/www.proquest.com\/scholarly-journals\/gilded-city-scandal-sensation-turn-century-new\/docview\/224896297\/se-2<\/span><\/span><\/a><span class=\"TextRun SCXW200242916 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW200242916 BCX0\">, accessed October 24, 2025.<\/span><\/span><span class=\"EOP SCXW200242916 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:480,&quot;335559991&quot;:720}\">\u00a0<\/span><\/p>\n<p>[3] <span class=\"TextRun SCXW24073110 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW24073110 BCX0\">Greene, Julie. 2016. MOVABLE EMPIRE: LABOR, MIGRATION, AND U.S. GLOBAL POWER DURING THE GILDED AGE AND PROGRESSIVE ERA.\u202f<\/span><\/span><span class=\"TextRun SCXW24073110 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW24073110 BCX0\">The Journal of the Gilded Age and Progressive Era<\/span><\/span><span class=\"TextRun SCXW24073110 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW24073110 BCX0\">\u202f15, (1) (01): 4-20, <\/span><\/span><a class=\"Hyperlink SCXW24073110 BCX0\" href=\"https:\/\/www.proquest.com\/scholarly-journals\/movable-empire-labor-migration-u-s-global-power\/docview\/1762313271\/se-2\" target=\"_blank\" rel=\"noreferrer noopener\"><span class=\"TextRun Underlined SCXW24073110 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW24073110 BCX0\" data-ccp-charstyle=\"Hyperlink\">https:\/\/www.proquest.com\/scholarly-journals\/movable-empire-labor-migration-u-s-global-power\/docview\/1762313271\/se-2<\/span><\/span><\/a><span class=\"TextRun SCXW24073110 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW24073110 BCX0\">, accessed October 24, 2025.<\/span><\/span><span class=\"EOP SCXW24073110 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:480,&quot;335559991&quot;:720}\">\u00a0<\/span><\/p>\n<p><span class=\"TextRun SCXW175665224 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW175665224 BCX0\">[4] Shi, David E., Daina Ramey Berry, Joe Crespino, and Amy Murrell Taylor. <\/span><\/span><span class=\"TextRun SCXW175665224 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW175665224 BCX0\">America: A Narrative History<\/span><\/span><span class=\"TextRun SCXW175665224 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW175665224 BCX0\">. 13th ed. W.W. Norton and Company, 2025.<\/span><\/span><\/p>\n<p>[5] <span class=\"TextRun SCXW178527931 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW178527931 BCX0\">Campbell, <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW178527931 BCX0\">Ballard<\/span><span class=\"NormalTextRun SCXW178527931 BCX0\"> C. 1999. Understanding economic change in the gilded age.\u202f<\/span><\/span><span class=\"TextRun SCXW178527931 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW178527931 BCX0\">Magazine of History<\/span><\/span><span class=\"TextRun SCXW178527931 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW178527931 BCX0\">\u202f13, (4) (Summer): 16, <\/span><\/span><a class=\"Hyperlink SCXW178527931 BCX0\" href=\"https:\/\/www.proquest.com\/scholarly-journals\/understanding-economic-change-gilded-age\/docview\/213732182\/se-2\" target=\"_blank\" rel=\"noreferrer noopener\"><span class=\"TextRun Underlined SCXW178527931 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW178527931 BCX0\" data-ccp-charstyle=\"Hyperlink\">https:\/\/www.proquest.com\/scholarly-journals\/understanding-economic-change-gilded-age\/docview\/213732182\/se-2<\/span><\/span><\/a><span class=\"TextRun SCXW178527931 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW178527931 BCX0\">, accessed October 24, 2025.<\/span><\/span><span class=\"EOP SCXW178527931 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:480,&quot;335559991&quot;:720}\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bernhard Gillam, known for his critiques of big business and political corruption, created the political cartoon \u201cThe Protectors of our Industries\u201d in 1883, a time when the United States experienced a big change in the economy, society, and culture. Gillam was well known at the time for his cartoons that exposed the powerful and stood [&hellip;]<\/p>\n","protected":false},"author":5794,"featured_media":3028,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"project_category":[18],"project_tag":[782,784,783],"class_list":["post-2754","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-19th-century","project_tag-gildedage","project_tag-politicalcartoon","project_tag-wealthgap"],"acf":[],"_links":{"self":[{"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project\/2754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/users\/5794"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/comments?post=2754"}],"version-history":[{"count":3,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project\/2754\/revisions"}],"predecessor-version":[{"id":3054,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project\/2754\/revisions\/3054"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/media\/3028"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/media?parent=2754"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project_category?post=2754"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project_tag?post=2754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}