{"id":2318,"date":"2024-12-07T09:49:52","date_gmt":"2024-12-07T14:49:52","guid":{"rendered":"https:\/\/blogs.shu.edu\/americanhistory\/?post_type=project&#038;p=2318"},"modified":"2024-12-07T09:49:52","modified_gmt":"2024-12-07T14:49:52","slug":"christmas-carol-for-homeless-children","status":"publish","type":"project","link":"https:\/\/blogs.shu.edu\/americanhistory\/project\/christmas-carol-for-homeless-children\/","title":{"rendered":"Christmas Carol For Homeless Children"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div id=\"attachment_2348\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2348\" class=\"wp-image-2348 size-medium\" src=\"https:\/\/blogs.shu.edu\/americanhistory\/files\/2024\/12\/big-french-hole-300x212.jpg\" alt=\"\" width=\"300\" height=\"212\" \/><p id=\"caption-attachment-2348\" class=\"wp-caption-text\"><span style=\"color: #000000\">Australian War Memorial &#8211; Ypres, Belgium scarred and destroyed in the aftermath of a battle featuring a large shell crater<\/span><\/p><\/div>\n<p><span style=\"color: #000000\"><i><span style=\"font-weight: 400\">No\u00ebl des enfants qui n\u2019ont plus de maison<\/span><\/i><span style=\"font-weight: 400\"> was among Claude Debussy\u2019s last works and was written as Christmas was around the corner. The song was created both as a lament of the poor children\u2019s situation as well as a vessel with which to criticize the war. At the time of writing the piece the Great War had been raging on for over a year and Belgium and France were already devastated by it. For example, in the article \u201cSome Effects of the Great War upon France\u201d by Sedley Ware, she writes \u201cHe told of over 600,000 houses, public buildings and factories wholly or partly destroyed\u2026\u201d (Ware 179)<\/span><span style=\"font-weight: 400\"><span style=\"color: #000000\"> [4] The destruction resulting from the war was<\/span> catastrophic and left a lasting impact on not just the land but families too, being heavily reflected by the themes and lyrics of Debussy\u2019s song.<\/span><\/span><\/p>\n<div id=\"attachment_2408\" style=\"width: 245px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2408\" class=\"wp-image-2408\" src=\"https:\/\/blogs.shu.edu\/americanhistory\/files\/2024\/12\/En_Argonne___une_charge_.Agence_de_btv1b90441141_1-300x223.jpeg\" alt=\"\" width=\"235\" height=\"175\" \/><p id=\"caption-attachment-2408\" class=\"wp-caption-text\"><span style=\"color: #000000\">National Library of France &#8211; A bayonet charge led by French soldiers in the Argonne Forest, one of the deadliest battles of the war<\/span><\/p><\/div>\n<p><span style=\"color: #000000\"><span style=\"font-weight: 400\">The outbreak of World War I, also known as the Great War, engulfed Europe in a horrific period of bloodshed of never before seen magnitude, with the U.S. opting to provide support over direct involvement. However, German aggression forced America\u2019s entrance, seeking a swift end to the devastation. A testament to the destruction faced by the war can be seen in the article, \u201cThe Impact of the First World War on Civilian Health in Britain\u201d by J. M. Winter \u201c&#8230; in I9I4-I8 on the basis of an average of prewar and postwar data, they concluded that over 400,000 British civilians died as a result of war conditions.\u201d (Winter 488) [3]<\/span><span style=\"font-weight: 400\"> This is but a small fraction of the loss experienced by the war, and the use of chemical warfare further intensified such brutality while trench warfare contributed to the war\u2019s horrific toll by prolonging battles into grueling stalemates. Additionally, dragging on with no end in sight led the war to become known as a \u201cpointless war\u201d also due to the disproportionate suffering to its\u00a0cause. In the article \u201c<\/span><span style=\"font-weight: 400\">Morts Pour la France: A database of French fatalities of the Great War\u201d<\/span> <span style=\"font-weight: 400\">by Victor Gay and Pauline Grosjean, \u201cOver four years of battle, 8.3 million French men served in the army and 1.3 million among them died in combat\u2026\u201d [<\/span><span style=\"font-weight: 400\">2]<\/span><span style=\"font-weight: 400\">, illustrating the degree of suffering this \u201cpointless war\u201d caused.<\/span><\/span><\/p>\n<div id=\"attachment_2420\" style=\"width: 231px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2420\" class=\"wp-image-2420 size-medium\" src=\"https:\/\/blogs.shu.edu\/americanhistory\/files\/2024\/12\/wounded-mann-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" srcset=\"https:\/\/blogs.shu.edu\/americanhistory\/files\/2024\/12\/wounded-mann-221x300.jpg 221w, https:\/\/blogs.shu.edu\/americanhistory\/files\/2024\/12\/wounded-mann.jpg 472w\" sizes=\"(max-width: 221px) 100vw, 221px\" \/><p id=\"caption-attachment-2420\" class=\"wp-caption-text\"><span style=\"color: #000000\">Library of Congress &#8211; A photo from an American military hospital in Neuilly operated by the American Red Cross<\/span><\/p><\/div>\n<p><span style=\"color: #000000\"><span style=\"font-weight: 400\">Music was heavily influenced by wartime conditions, with the dominating tones arising from war sentiments with some being patriotic or somber, and some as described in the book <\/span><i><span style=\"font-weight: 400\">Music of the First World War <\/span><\/i><span style=\"font-weight: 400\">by Don Tyler were \u201c&#8230;disturbing, unstructured, and sometimes frightening.\u201d (Tyler section 7) [<\/span><span style=\"font-weight: 400\">1]<\/span> <i><span style=\"font-weight: 400\">No\u00ebl des enfants <\/span><\/i><span style=\"font-weight: 400\">is among these songs being born from the war, discussing themes of chaos, destruction, loss, and the resulting despair. Furthermore, the song\u2019s theme of children suffering is paralleled in \u201c\u2018Till I Have Done All That I Can\u2019 An Auxiliary Nurse&#8217;s Memories of World War I\u201d by Michelle Moravec writes \u201cCoudert, appalled by the hundreds of children fleeing the invasion of Alsace, began finding them temporary homes in Paris.\u201d (Moravec 73) [<\/span><span style=\"font-weight: 400\">5]<\/span><span style=\"font-weight: 400\"> America provided humanitarian relief for these children but were appalled by the sheer quantity of children suffering as a result of the war. Additionally, America who wished to stay out of the war was dragged into it and so too felt the same effects as European countries. As American casualties began to pile up, so too did the amount of loved ones back home who were devastated by the news.<\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><i><span style=\"font-weight: 400\">No\u00ebl des enfants <\/span><\/i><span style=\"font-weight: 400\">is written from the point of view of a child who is clearly angry and upset by all the loss they have experienced. The song mentions that the child\u2019s mother had died and their father is at war, with the end of the song reiterating that they lost their home and even their bed. The song is from one child\u2019s perspective, it speaks for the whole of the war\u2019s victims and how they feel. Americans shared these sentiments even before entering the war feeling sympathy for its allies but would soon come to experience the same tragedy. While the song comes off as an angry outcry against the war due to the inflection and use of exclamation marks there is an underlying tragic theme regarding the use of Christmas in the song. Christmas is supposed to be a joyous time spent with your family in the home enjoying the quality time you get to spend with those you love. However, that was all robbed from these children by the Great War, with not just their homes but their families being lost as well.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">[1] Don Tyler. <\/span><i><span style=\"font-weight: 400\">Music of the First World War<\/span><\/i><span style=\"font-weight: 400\">. Santa Barbara, California: Greenwood, 2016. <\/span><a href=\"https:\/\/research.ebsco.com\/linkprocessor\/plink?id=b8e3462c-281d-342b-be04-fd71c2be3dfb\"><span style=\"font-weight: 400\">https:\/\/research.ebsco.com\/linkprocessor\/plink?id=b8e3462c-281d-342b-be04-fd71c2be3dfb<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"font-weight: 400\">[2] Gay, Victor, and Pauline Grosjean. \u201cMorts Pour La France: A Database of French Fatalities of the Great War.\u201d <\/span><i><span style=\"font-weight: 400\">Explorations in Economic History<\/span><\/i><span style=\"font-weight: 400\"> 90 (October 2023): 101550. <\/span><a href=\"https:\/\/doi.org\/10.1016\/j.eeh.2023.101550\"><span style=\"font-weight: 400\">https:\/\/doi.org\/10.1016\/j.eeh.2023.101550<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"font-weight: 400\">[3]\u00a0 Winter, J. M. \u201cThe Impact of the First World War on Civilian Health in Britain.\u201d <\/span><i><span style=\"font-weight: 400\">The Economic History Review<\/span><\/i><span style=\"font-weight: 400\"> 30, no. 3 (1977): 487\u2013507. <\/span><a href=\"https:\/\/doi.org\/10.2307\/2594880\"><span style=\"font-weight: 400\">https:\/\/doi.org\/10.2307\/2594880<\/span><\/a><span style=\"font-weight: 400\">. <\/span><\/p>\n<p><span style=\"font-weight: 400\">[4] Ware, Sedley Lynch. \u201cSome Effects of the Great War upon France.\u201d <\/span><i><span style=\"font-weight: 400\">The Sewanee Review<\/span><\/i><span style=\"font-weight: 400\"> 30, no. 2 (1922): 179\u201391. <\/span><a href=\"http:\/\/www.jstor.org\/stable\/27533535\"><span style=\"font-weight: 400\">http:\/\/www.jstor.org\/stable\/27533535<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"font-weight: 400\">[5] Moravec, Michelle. \u201c\u2018Till I Have Done All That I Can\u2019 An Auxiliary Nurse\u2019s Memories of World War I.\u201d <\/span><i><span style=\"font-weight: 400\">Historical Reflections \/ R\u00e9flexions Historiques<\/span><\/i><span style=\"font-weight: 400\"> 42, no. 3 (2016): 71\u201390. <\/span><a href=\"http:\/\/www.jstor.org\/stable\/44631082\"><span style=\"font-weight: 400\">http:\/\/www.jstor.org\/stable\/44631082<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<div class=\"mceTemp\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; No\u00ebl des enfants qui n\u2019ont plus de maison was among Claude Debussy\u2019s last works and was written as Christmas was around the corner. The song was created both as a lament of the poor children\u2019s situation as well as a vessel with which to criticize the war. At the time of writing the piece [&hellip;]<\/p>\n","protected":false},"author":5722,"featured_media":2376,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"project_category":[8,19],"project_tag":[623,140,79,157,528,122,622,81],"class_list":["post-2318","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-1900-1920","project_category-20th-century","project_tag-antiwar","project_tag-thegreatwar","project_tag-1910s","project_tag-american-history","project_tag-early-20th-century","project_tag-music","project_tag-war-and-loss","project_tag-world-war-i"],"acf":[],"_links":{"self":[{"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project\/2318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/users\/5722"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/comments?post=2318"}],"version-history":[{"count":10,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project\/2318\/revisions"}],"predecessor-version":[{"id":2433,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project\/2318\/revisions\/2433"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/media\/2376"}],"wp:attachment":[{"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/media?parent=2318"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project_category?post=2318"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/blogs.shu.edu\/americanhistory\/wp-json\/wp\/v2\/project_tag?post=2318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}