{"id":88,"date":"2019-04-15T01:15:14","date_gmt":"2019-04-15T01:15:14","guid":{"rendered":"http:\/\/blogs.shu.edu\/omalleme\/?page_id=88"},"modified":"2019-04-15T01:58:30","modified_gmt":"2019-04-15T01:58:30","slug":"sources","status":"publish","type":"page","link":"http:\/\/blogs.shu.edu\/omalleme\/sources\/","title":{"rendered":"7. Sources"},"content":{"rendered":"<p style=\"text-align: center\"><strong>Works Cited<\/strong><\/p>\n<p>\u201c14 July 2009.\u201d <em>Greens Art<\/em>, 2009, www.greens-art.net\/?lang=en.<\/p>\n<p>Acemoglu, Daron, et al. \u201cThe Power of the Street: Evidence from Egypt\u2019s Arab Spring.\u201d\u00a0<em>Review\u00a0 of Financial Studies<\/em>, vol. 31, no. 1, Jan. 2018, pp. 1\u201342.\u00a0<em>EBSCOhost<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0 doi:10.1093\/rfs\/hhx086.<\/p>\n<p>Anderson, Lisa. \u201cDemystifying the Arab Spring: Parsing the Differences between Tunisia, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Egypt, and Libya.\u201d\u00a0<em>Foreign Affairs<\/em>, no. 3, 2011.\u00a0<em>EBSCOhost<\/em>, \u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?irect=true&amp;AuthType=ip,sso&amp;db=edsgov&amp;AN=edsgc\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 l.258910195&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Ansari, Amin. \u201cThe Role of Social Media in Iran\u2019s Green Movement (2009-2012).\u201d\u00a0<em>Global Media Journal: Australian Edition<\/em>, vol. 6, no. 2, July 2012, pp. 1\u20136.\u00a0<em>EBSCOhost<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=ufh&amp;AN=9065896\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 9&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Aras, B\u00fclent, and E. Fuat Keyman. \u201cTurkey, the Arab Spring and Beyond.\u201d\u00a0<em>Journal of Balkan &amp;\u00a0 Near Eastern Studies<\/em>, vol. 17, no. 3, Sept. 2015, pp. 249\u2013251.\u00a0<em>EBSCOhost<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 doi:10.1080\/19448953.2015.1063262.<\/p>\n<p>\u201cBelal Ali Saber: Graffiti by Ammar Abo Bakr and El Zeft.\u201d <em>Suzeeinthecity<\/em>, 21 Jan. 2014, <a href=\"http:\/\/suzeeinthecity.wordpress.com\/2013\/10\/16\/belal-ali-saber-graffiti-by-ammar-abo-bakr-and-el-zeft\/\">suzeeinthecity.wordpress.com\/2013\/10\/16\/belal-ali-saber-graffiti-by-ammar-abo-bakr-and-el-zeft\/<\/a>.<\/p>\n<p>Carrington, Daisy. \u201cArab Caricaturists Face Many Dangers, Including Death.\u201d <em>CNN<\/em>, Cable News Network, 19 Sept. 2013, <a href=\"http:\/\/www.cnn.com\/2013\/09\/18\/world\/meast\/the-dangers-of-being-a-cartoonist\/index.html\">www.cnn.com\/2013\/09\/18\/world\/meast\/the-dangers-of-being-a-cartoonist\/index.html<\/a>.<\/p>\n<p>Cooke, M. \u201cRevolutions: Global Trends &amp; Regional Issues.\u201d <em>Revolutions: Global Trends &amp; Regional Issues<\/em>, 2016, revjournal.org\/wp-content\/uploads\/REV4\/06rev4_cooke.pdf.<\/p>\n<p>Dabashi, Hamid.\u00a0<em>The Arab Spring\u202f: The End of Postcolonialism<\/em>. Zed Books, 2012.\u00a0<em>EBSCOhost<\/em>, Search.ebscohost.com\/login.aspxdirect=true&amp;AuthType=ip,sso&amp;db=e000xna&amp;AN=451927&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Deeply, Syria. \u201cThe Revolutionary Art At The Heart Of Syria&#8217;s Uprising.\u201d <em>The Huffington Post<\/em>, TheHuffingtonPost.com, 18 Mar. 2016, www.huffingtonpost.com\/entry\/artwork-syrian-war_us_56eafa60e4b03a640a69e3df.<\/p>\n<p>Fard, Ramin Hajian. \u201cIranian Painters for Peace.\u201d\u00a0<em>Peace Review<\/em>, vol. 25, no. 2, Apr. 2013, pp. \u00a0 284\u2013290.\u00a0<em>EBSCOhost<\/em>, doi:10.1080\/10402659.2013.785334.<\/p>\n<p>Foley, Sean. \u201cWhen Life Imitates Art: The Arab Spring, the Middle East, and the Modern \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 World.\u201d\u00a0<em>Alternatives: Turkish Journal of International Relations<\/em>, vol. 12, no. 3, Fall \u00a0 2013, pp. 32\u201346.\u00a0<em>EBSCOhost<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=a9h&amp;AN=9498860\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 0&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>\u201cFor the Love of Graffiti: Cairo&#8217;s Walls Trace History of Colourful Revolution.\u201d <em>Suzeeinthecity<\/em>, 20 Jan. 2014, suzeeinthecity.wordpress.com\/2012\/09\/20\/for-the-love-of-graffiti-cairos-walls-trace-history-of-colourful-revolution\/.<\/p>\n<p>\u201cGraffiti for a Social Cause: Zeft, Nazeer, Nemo and Mona Lisa Brigades.\u201d <em>Suzeeinthecity<\/em>, 20 Jan. 2014, suzeeinthecity.wordpress.com\/2013\/03\/11\/graffiti-for-a-social-cause-zeft-nazeer-nemo-and-mona-lisa-brigades\/.<\/p>\n<p>Hafez Ghanem.\u00a0<em>The Arab Spring Five Years Later, Vol. 1<\/em>. Brookings Institution Press, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2016.\u00a0<em>EBSCOhost<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=edspmu&amp;AN=edsp\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 mu.MUSE9780815727538.2&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Hafez Ghanem.\u00a0<em>The Arab Spring Five Years Later, Vol. 2<\/em>. Brookings Institution Press, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2016.\u00a0<em>EBSCOhost<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=edspmu&amp;AN=edsp\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 mu.MUSE9780815727538.16&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Headlee, Celeste. \u201cTell Me More.\u201d <em>Tell Me More<\/em>, performance by Christiane Gruber, and Nazeer, episode Art Revolution Blooms After Arab Spring, NPR, 7 Nov. 2013.<\/p>\n<p>Henry Jenkins. \u201cI Am Majid: A Case Study of the Iranian Green Movement.\u201d <em>Henry Jenkins<\/em>, Henry Jenkins, 21 May 2015, henryjenkins.org\/blog\/2015\/05\/i-am-majid-a-case-study-of-the-iranian-green-movement.html.<\/p>\n<p>Irshaid, Faisal. \u201cIn Pictures: How a Rebel Fighter Became &#8216;Syria&#8217;s Banksy&#8217;.\u201d <em>BBC News<\/em>, BBC, 13 Oct. 2016, www.bbc.com\/news\/magazine-37523340.<\/p>\n<p>Karagiannopoulos, Vasileios. \u201cThe Role of the Internet in Political Struggles: Some Conclusions\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 from Iran and Egypt.\u201d\u00a0<em>New Political Science<\/em>, vol. 34, no. 2, June 2012, pp. 151\u2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 171.\u00a0<em>EBSCOhost<\/em>, doi:10.1080\/07393148.2012.676394.<\/p>\n<p>Khan, Hafeez Ulla, and Waseem Khan. \u201cSyria: History, The Civil War and Peace \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prospects.\u201d\u00a0<em>Journal of Political Studies<\/em>, vol. 24, no. 2, Winter 2017, pp. 557\u2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 573.\u00a0<em>EBSCOhost<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=poh&amp;AN=1286994\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 03&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>KHATIB, IBRAHIM, and AS\u2019AD GHANEM. \u201cDiffusion in the Arab World: Turkey and Iran as\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Models of Emulation on the Eve of the \u2018Arab Spring.\u2019\u201d\u00a0<em>Insight Turkey<\/em>, vol. 20, no. 2,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Spring 2018, pp. 223\u2013250.\u00a0<em>EBSCOhost<\/em>, doi:10.25253\/99.2018202.09.<\/p>\n<p>KRAJESKI, JENNA. \u201cArt and Revolution in Cairo.\u201d\u00a0<em>Nation<\/em>, vol. 298, no. 13, Mar. 2014, p.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 27.\u00a0<em>EBSCOhost<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=edb&amp;AN=9494013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Levine, Mark. \u201cWhen Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World.\u201d <em>Religions<\/em>, vol. 6, no. 4, 2015, pp. 1277\u20131313., doi:10.3390\/rel6041277.<\/p>\n<p>Maher, Ahmed, director. <em>The Role of the Internet during the Arab Spring &#8211; Ahmed Maher at Activate <\/em>. <em>The Guardian<\/em>, Guardian News and Media, 24 July 2012, www.theguardian.com\/media-network\/video\/2012\/jul\/24\/arab-spring-internet-activate.<\/p>\n<p>Miller, Debra A.\u00a0<em>The Iranian Green Movement<\/em>. Detroit\u202f: Greenhaven Press, \u00a92012.,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2012.\u00a0<em>EBSCOhost<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=cat00991a&amp;AN=st\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 h.ocn930684259&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Monshipouri, Mahmood, and Ali Assareh. \u201cThe Islamic Republic and the\u2018Green Movement\u2019:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coming Full Circle.\u201d\u00a0<em>Middle East Policy<\/em>, vol. 16, no. 4, Winter 2009, pp. 27\u2013\u00a0\u00a0 46.\u00a0<em>EBSCOhost<\/em>, doi:10.1111\/j.1475-4967.2009.00412.x.<\/p>\n<p>Myhre, Paul O. \u201cVisual Art as Revolutionary Power: Street Art as Religious, Theological, and\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ethical Declaration in Egypt\u2019s 2011 Arab Spring.\u201d\u00a0<em>ARTS<\/em>, vol. 23, no. 4, 2012, pp. 20\u2013\u00a0\u00a0\u00a0 36.\u00a0<em>EBSCOhost<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=rfh&amp;AN=ATLAn3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 786022&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Naguib, Saphinaz-Amal. \u201cEngaged Ephemeral Art: Street Art and the Egyptian Arab Spring.\u201d <em>The Journal of Transcultural Studies<\/em>, 4 July 2017.<\/p>\n<p>Noujaim, Jehane, director.\u00a0<em>The Square<\/em>. GathrFilms, 2013.<\/p>\n<p>Ogbonnaya, Ufiem Maurice. \u201cArab Spring in Tunisia, Egypt and Libya: A Comparative Analysis\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 of Causes and Determinants.\u201d\u00a0<em>Alternatives: Turkish Journal of International Relations<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 vol. 12, no. 3, Fall 2013, pp. 4\u201316.\u00a0<em>EBSCOhost<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=a9h&amp;AN=9498859\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Olson, R. W. \u201cCooke, Miriam. Dancing in Damascus: Creativity, Resilience, and the Syrian\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Revolution.\u201d\u00a0<em>CHOICE: Current Reviews for Academic Libraries<\/em>, no. 5, 2018, p.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 596.\u00a0<em>EBSCOhost<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=edsglr&amp;AN=edsgcl\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 .522583830&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>\u201cOn Codes and Translation: Understanding Alaa Awad.\u201d <em>Suzeeinthecity<\/em>, 26 Nov. 2015, suzeeinthecity.wordpress.com\/2015\/11\/25\/on-codes-and-translation-understanding-alaa-awad\/.<\/p>\n<p>Payrow Shabani, Omid. \u201cThe Green\u2019s Non-Violent Ethos: The Roots of Non-Violence in the\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Iranian Democratic Movement The Green\u2019s Non-Violent Ethos: The Roots of Non-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Violence in the Iranian Democratic Movement.\u201d\u00a0<em>Constellations: An International Journal\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 of Critical &amp; Democratic Theory<\/em>, vol. 20, no. 2, June 2013, pp. 347\u2013360.\u00a0<em>EBSCOhost<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 doi:10.1111\/cons.12040.<\/p>\n<p>Provence, Michael. \u201cUnraveling the Syrian Revolution.\u201d\u00a0<em>Regions &amp; Cohesion \/ Regiones y\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cohesio\u0301n \/ Re\u0301gions et Cohe\u0301sion<\/em>, vol. 2, no. 3, 2012, p. 153.\u00a0<em>EBSCOhost<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=edsjsr&amp;AN=edsjsr.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 26452234&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Rampen, Julia, and Laurie Tuffrey. \u201cHow Arab Revolutionary Art Helped Break the Spell of Political Oppression | Julia Rampen and Laurie Tuffrey.\u201d <em>The Guardian<\/em>, Guardian News and Media, 5 May 2012, www.theguardian.com\/commentisfree\/2012\/may\/05\/arab-revolutionary-art-political-oppression.<\/p>\n<p>Schwartz, Lowell, et al.\u00a0<em>Artists and the Arab Uprisings<\/em>. Santa Monica, CA\u202f: RAND, 2013.,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2013.\u00a0<em>EBSCOhost<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=cat00991a&amp;AN=st\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 h.ocn849510208&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Shaw, Wendy. \u201cTurkey\u2019s Summer of Love and the Art of Political Protest.\u201d\u00a0<em>X-Tra:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contemporary Art Quarterly<\/em>, vol. 16, no. 3, Spring 2014, pp. 5\u201323.\u00a0<em>EBSCOhost<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=aft&amp;AN=9526758\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Stauffer, Carolyn S. \u201cBurning Country: Syrians in Revolution and War.\u201d\u00a0<em>The Christian Century<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 vol. 133, no. 25, Dec. 2016, pp. 36\u201337.\u00a0<em>EBSCOhost<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 search.ebscohost.com\/login.aspx?direct=true&amp;AuthType=ip,sso&amp;db=rfh&amp;AN=ATLAiB\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CB170116002238&amp;site=eds-live&amp;authtype=sso&amp;custid=s8475574.<\/p>\n<p>Sweis, Rana F. \u201cArab Spring Inspires Artistic Expression in Middle East.\u201d <em>The New York Times<\/em>, The New York Times, 4 Apr. 2012, www.nytimes.com\/2012\/04\/05\/world\/middleeast\/arab-spring-inspires-artistic-expression-in-middle-east.html.<\/p>\n<p>\u201cSyria: Art in Conflict.\u201d <em>Al-Bab.com<\/em>, al-bab.com\/syria-art-conflict.<\/p>\n<p>Tarabay, Jamie. \u201cFor Many Syrians, the Story of the War Began with Graffiti in Dara&#8217;a.\u201d <em>CNN<\/em>, Cable News Network, 15 Mar. 2018, www.cnn.com\/2018\/03\/15\/middleeast\/daraa-syria-seven-years-on-intl\/index.html.<\/p>\n<p>\u201cTripoli Graffiti: Revolution Street Art in Libya.\u201d <em>Suzeeinthecity<\/em>, 20 Jan. 2014, suzeeinthecity.wordpress.com\/2012\/07\/29\/tripoli-graffiti-revolution-street-art-in-libya\/.<\/p>\n<p>\u201cTurkey and the Arab Spring.\u201d <em>Middle East Institute<\/em>, www.mei.edu\/publications\/turkey-and-arab-spring.<\/p>\n<p><em>Urban Iran<\/em>. Mark Batty Publisher, 2008.<\/p>\n<p>\u201cWomen in Graffiti: A Tribute to the Women of Egypt.\u201d <em>Suzeeinthecity<\/em>, 20 Jan. 2014, suzeeinthecity.wordpress.com\/2013\/01\/07\/women-in-graffiti-a-tribute-to-the-women-of-egypt\/.<\/p>\n<p>Zoghbi, Pascal, et al.\u00a0<em>Arabic Graffiti = Ghira\u0304fi\u0304ti\u0304 \u02bbArabi\u0304yah<\/em>. From Here to Fame, 2013.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Works Cited \u201c14 July 2009.\u201d Greens Art, 2009, www.greens-art.net\/?lang=en. Acemoglu, Daron, et al. \u201cThe Power of the Street: Evidence from Egypt\u2019s Arab Spring.\u201d\u00a0Review\u00a0 of Financial&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"http:\/\/blogs.shu.edu\/omalleme\/sources\/\">Continue Reading<span class=\"screen-reader-text\">7. Sources<\/span><\/a><\/div>\n","protected":false},"author":4491,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-88","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"http:\/\/blogs.shu.edu\/omalleme\/wp-json\/wp\/v2\/pages\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blogs.shu.edu\/omalleme\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/blogs.shu.edu\/omalleme\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/blogs.shu.edu\/omalleme\/wp-json\/wp\/v2\/users\/4491"}],"replies":[{"embeddable":true,"href":"http:\/\/blogs.shu.edu\/omalleme\/wp-json\/wp\/v2\/comments?post=88"}],"version-history":[{"count":3,"href":"http:\/\/blogs.shu.edu\/omalleme\/wp-json\/wp\/v2\/pages\/88\/revisions"}],"predecessor-version":[{"id":105,"href":"http:\/\/blogs.shu.edu\/omalleme\/wp-json\/wp\/v2\/pages\/88\/revisions\/105"}],"wp:attachment":[{"href":"http:\/\/blogs.shu.edu\/omalleme\/wp-json\/wp\/v2\/media?parent=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}