{"id":1051,"date":"2014-12-05T10:15:01","date_gmt":"2014-12-05T15:15:01","guid":{"rendered":"http:\/\/blogs.shu.edu\/english\/?p=1051"},"modified":"2014-12-05T10:15:01","modified_gmt":"2014-12-05T15:15:01","slug":"sample-syllabus-for-engl-1202","status":"publish","type":"post","link":"http:\/\/blogs.shu.edu\/english\/2014\/12\/05\/sample-syllabus-for-engl-1202\/","title":{"rendered":"Sample Syllabus for ENGL 1202"},"content":{"rendered":"<p>UNIT 1: LITERATURE AND ETHNIC IDENTITY (and the Study of Music)<\/p>\n<p>(Note: Page number shows where the selection begins.\u00a0 Ending page number is not given.)<\/p>\n<p>Week I : Introduction.\u00a0 Literature: \u201cIntroduction\u201d (1) ; Langston Hughes, \u201cHarlem\u201d and selected poems (994); \u201cLangston Hughes in Context\u201d (989); Handbook&#8211; Part IX: \u201cCritical Thinking,\u201d Chapter 46 (skim).<\/p>\n<p>Week II :\u00a0 Walker \u201cEveryday Use\u201d (743); Part 1, Chapter 1,\u201cReading Stories\u201d (27); Chapter 3, \u201cElements of Fiction\u201d (49) \u2013 \u201cPlot and Structure\u201d(49), \u201cCharacter\u201d (59); \u201cSetting\u201d (66).\u00a0\u00a0 Part 4, Chapter 32, Writing with Sources:\u00a0 \u201cSelecting a Topic\u201d (2120) and \u201cDeveloping a Thesis\u201d (2127).\u00a0 Cisneros (238-240), \u201cBarbie-Q\u201d (243) and \u201cEleven\u201d (241); on-line reading &#8212; Copeland.\u00a0 \u00a0Topics for Paper 1 due on Thursday.\u00a0 You must find a musical piece that connects with the work of literature you will be discussing for your paper, dealing with the topic of ethnic identity.\u00a0\u00a0 You may deal with the ethnicity described in the text, or you may focus on your own ethnicity and link it with the depiction in the story or poem you have chosen, as well as the musical piece.\u00a0\u00a0 Lyrics posted in Blackboard also due on Thursday.<\/p>\n<p>Week III :\u00a0 &#8211; Literature: Baldwin, \u201cSonny\u2019s Blues\u201d (433); Part 2, Poetry, Chapter 11, \u201cReading Poems\u201d (762);\u00a0 Kinnell, \u201cBlackberry Eating\u201d (1148); Yeats, \u201cWhen You Are Old\u201d (1223); Part 1, Chapter 4, \u201cWriting about Fiction\u201d (111) and Part 2, Chapter 14, \u201cWriting about Poetry\u201d (843).\u00a0 On-line reading: King\u2019s Letter from the Birmingham Jail.\u00a0 Handbook: Part X: &#8220;Writing Arguments&#8221; and &#8220;Writing About Literature,&#8221; Part XI: &#8220;Document Design,\u201d Outlines for Paper 1 due Thursday.<\/p>\n<p>Week IV : Literature:\u00a0 Joyce, \u201cThe Dead\u201d(584);\u00a0 Jen, Gish. \u201cWho\u2019s Irish?\u201d (340);\u00a0 Part 2, Chapter 9,\u00a0 \u201cElements of Poetry,\u201d \u201cVoice, Speaker and Tone\u201d (779),\u00a0 \u201cDiction\u201d (787), \u201cImagery\u201d (793); Lee, \u201cI Ask My Mother to Sing\u201d (1153); Rough Drafts of Paper 2 due on Thursday.<\/p>\n<p>UNIT 2: LITERATURE AND THE BIBLE (and the Study of Art)<\/p>\n<p>Week V :\u00a0 Literature: \u201cThe Prodigal Son\u201d (27); Bishop, \u201cThe Prodigal\u201d and Rembrandt van\u00a0 Rijn \u201cThe Return of the Prodigal (art section of the text, between pages 906 and 907; this poem and image are on p. 9 of this section);\u00a0 Topics for Paper 2 due on Thursday; Paper 2 must examine a work of literature in connection with a work of art, both dealing with a Biblical subject.\u00a0 You may choose one of the readings in this unit, or find another one on your own (if it\u2019s approved by me).\u00a0\u00a0 The reading may be from the Bible itself or inspired by it in terms of subject and theme.\u00a0\u00a0 Examine the museum databases in the External Links of our course and select and image and post it in Blackboard, along with the work of literature with which you want to link it.\u00a0 Be prepared to share your choice with the class.<\/p>\n<p>Week VI: Literature: John Donne, Holy Sonnets \u201cDeath Be Not Proud\u201d and \u201cBatter My Heart, Three-Personed God\u201d; Hopkins, \u201cThe Wind Hover\u201d; Part 2, Chapter 9, \u201cElements of Poetry,\u201d \u201cFigures of Speech: Simile and Metaphor\u201d and \u201cSymbolism and Allegory.\u201d On-line reading: Sermon on the Mount.\u00a0 Outline for Paper 2 due on Thursday.<\/p>\n<p>Week VII: Literature: Flannery O\u2019Connor, \u201cEverything that Rises Must Converge\u201d and \u201cRevelation\u201d (on-line); readings on Flannery O\u2019Connor.\u00a0 On-line reading: selections from Genesis. Rough Drafts of Paper 2 due on Thursday.<\/p>\n<p>Week VIII: Literature:\u00a0 Herbert, \u201cLove III\u201d (hand-out), \u201cThe Altar\u201d (950); Part 2, Chapter 9, \u201cElements of Poetry,\u201d \u201cSyntax,\u201d \u201cSound: Rhyme, Alliteration, and Assonance,\u201d \u201cRhythm and Meter,\u201d and \u201cStructure.\u201d On-line reading: Weil. Paper 2 due on Thursday.<\/p>\n<p>UNIT 3: LITERATURE AND THE FAMILY: GENDER AND GENERATIONAL CONFLICT (and the Study of Film)<\/p>\n<p>Week IX :\u00a0 Tuesday \u2013 Mid-term Exam.\u00a0\u00a0 Thursday \u2013 Introduction to Drama. Literature: Part 3, Drama, Chapter 22, \u201cReading Plays\u201d (1247-1249) and Chapter 23, \u201cTypes of Drama,\u201d Chapter 27, \u201cThe Elizabethan Theatre: Shakespeare in Context\u201d (1387-1391); Midsummer Night\u2019s Dream(1391), Act I . Topics for Paper 3 due on Thursday.<\/p>\n<p>Week X: Literature: Part 3, Chapter 24, \u201cElements of Drama,\u201d \u201cPlot,\u201d \u201cCharacter,\u201d \u201cDialogue,\u201d \u201cStaging,\u201d \u201cSymbolism and Irony,\u201d and \u201cTheme\u201d;\u00a0 Midsummer Night\u2019s Dream, cont\u2019d., Acts II and\u00a0 III.\u00a0\u00a0 Outlines for Paper 3 due on Thursday.<\/p>\n<p>Week XI :\u00a0 Literature:\u00a0 Midsummer Night\u2019s Dream, cont\u2019d., Acts IV and V . Sample Notecards for Paper 3 due on Thursday.\u00a0 View excerpts from Film of Midsummer Night\u2019s Dream.<\/p>\n<p>Week XII: Literature: Part 3, Chapter 26, \u201cThe Greek Theatre: Sophocles in Context\u201d (1302-1307); Antigone (1347); Prologue and Parodos, Scene I, Ode I, Scene II, Ode II,. Rough Drafts for Paper 3 due on Tuesday.<\/p>\n<p>Week XIII: Literature: Antigone, cont\u2019d., Scene III, Ode III;\u00a0 View excerpts from\u00a0 Film of Antigone.<\/p>\n<p>Week XIV: Paper 3 (6 full pages, min.; 4 sources, min.) due on Tuesday. Literature:\u00a0 Antigone, cont\u2019d. Scene IV, Ode IV, Scene V, Paean, Exodos..<\/p>\n<p>Week XV: Students\u2019 choice of reading. Review.<\/p>\n<p>This syllabus may be changed.\u00a0 Any such changes will be announced in class or by e-mail.\u00a0 It is your responsibility to find out about changes in readings or assignments.<\/p>\n<p>Journal: Students will post journal entries each week.\u00a0 These postings will be part of your class participation grade.<\/p>\n<p>Blackboard Discussion: Students, in groups and individually, will post answers to questions in Blackboard on a regular basis.\u00a0 This will count as part of class participation.<\/p>\n<p>Late papers will be down-graded one half letter grade for each class day late and not accepted at all after two weeks.<\/p>\n<p>Grading is as follows:<\/p>\n<p>Two shorter papers\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (30%)<br \/>\nOR three shorter papers (either continuing as\u00a0 30% or perhaps increasing in value 10%, \u00a0 \u00a0 \u00a015%, 20%, with the research paper as 25%)<br \/>\nOne research paper\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (30%)<br \/>\nOR if doing three shorter papers, instead of two, you might make this 25% &#8212; see above.<br \/>\nClass participation\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 15%<br \/>\nMid-term exam\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 10%<br \/>\nFinal exam\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 10%<br \/>\nWriting Center\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5%<\/p>\n<p><i>Notes:<\/i>\u00a0 Materials for the on-line inter-disciplinary portion of 1202 are available in the TPP Community and the Writing Faculty Blackboard course; faculty members are also free to use their own source materials, so long as they fit their theme and fall into the required number of sources (3-5).<\/p>\n<p>The sample syllabus is from a Humanities version of the course.\u00a0\u00a0 Obviously, another version would use different inter-disciplinary focuses, but the basic idea will be the same.\u00a0 The largest portion of the readings, by far, is from the literature text.\u00a0 The on-line accompanying readings are supplemental and linked closely to the literary focus of the course.<\/p>\n<p>Note that the film portion of the last third of the course involves showing only excerpts of films, not entire class meetings devoted to watching a film.\u00a0 Students can be directed to view films on their own.\u00a0 Small portions of film, however, may be shown and discussed in class.<\/p>\n<p>If you have any questions about creating your syllabus, please contact Dr. Kelly Shea, Director of First Year Writing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>UNIT 1: LITERATURE AND ETHNIC IDENTITY (and the Study of Music) (Note: Page number shows where the selection begins.\u00a0 Ending page number is not given.) Week I : Introduction.\u00a0 Literature: \u201cIntroduction\u201d (1) ; Langston Hughes, \u201cHarlem\u201d and selected poems (994); \u201cLangston Hughes in Context\u201d (989); Handbook&#8211; Part IX: \u201cCritical Thinking,\u201d Chapter 46 (skim). Week II &hellip; <a href=\"http:\/\/blogs.shu.edu\/english\/2014\/12\/05\/sample-syllabus-for-engl-1202\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Sample Syllabus for ENGL 1202&#8221;<\/span><\/a><\/p>\n","protected":false},"author":637,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1051","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/posts\/1051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/users\/637"}],"replies":[{"embeddable":true,"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/comments?post=1051"}],"version-history":[{"count":1,"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/posts\/1051\/revisions"}],"predecessor-version":[{"id":1053,"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/posts\/1051\/revisions\/1053"}],"wp:attachment":[{"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/media?parent=1051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/categories?post=1051"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blogs.shu.edu\/english\/wp-json\/wp\/v2\/tags?post=1051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}